Javier Marías – författare
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67 produkter
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Spanjoren Jacques Deza, även kallad Jaime, Jacobo eller Jack, som under några tidigare år varit lektor i spanska i Oxford återkommer från sin hemstad Madrid till England efter separationen från sin älskade hustru Luisa. I London blir han rekryterad till den brittiska underrättelsetjänsten på rekommendationer av en gammal vän från Oxfordtiden. Deza har en kuslig förmåga att se människors riktiga jag, det ansikte som döljer sig under masken, och anlitas snart till att observera allt från suspekta affärsmän till samhällsrevoltörer.Men snart börjar Deza själv röra sig i skumma landskap. Han inser att hans arbetsgivare ägnar sig åt verksamheter som inte tål dagens ljus, och minnen från faderns upplevelser under spanska inbördes- kriget blir åter aktuella. Men det viktigaste av allt i Dezas liv – ska han lyckas återfå Luisa?Javier Marías storslagna trilogi Ditt ansikte i morgon är lika mycket en spionroman som en uppgörelse med Spaniens mörka historia. Allt sedan första delen publicerades 2002 har verket hälsats som Marías magnum opus. Nu samlas de tre delarna – Feber och Lans, Dans och Dröm (2004) och Gift och Skugga och Farväl (2007) – på svenska i Lena E. Heymans översättning.
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För den spanske gästläraren i Oxford är sinnelag och sedvänjor hos stadens innevånare lika exotiska som svårbegripliga. Fascinerad men främmande inför akademiker, antikvariatshandlare och hemliga agenter dras berättaren djupt in i universitetsstadens liv när han möter den förbjudna kärleken i den vackra Clare Bayes lika attraktiva som melankoliskt undflyende gestalt. Under sin jakt på sällsynta böcker stöter berättaren på bortglömda original som John Gawsworth och Arthur Machen men han anar också att en annan jakt, med betydligt högre insatser, pågår bakom lärdomssätets förströdda fasad, en aning som bekräftas när Clare Bayes om svartsjukans högst verkliga pris i form av våldsam död. Med fina penseldrag målar den spanske romanförfattaren Javier Marías, som ofta jämförts med W.G. Sebald, ett oförglömligt porträtt av en dyster stad där alla är otrogna, alla är spioner, alla är besatta av minnets ritualer eftersom alla bär på mörka hemligheter, fångade i samma våldsamma förflutna. Den essäistiska skärpan och förmågan att dröja vid ögonblicket tills det svartnar ner i det förgångna har Marías givetvis lärt av moderna mästare som Henry James, Proust och Nabokov men inflytandet från 1700-talets humorister och vår tids hårdkokta underhållningsförfattare anas också. I en utdragen middagsscen firar Marías komiska ådra triumfer genom den skarpa blicken för hur vi röjer de svagheter och begär vi helst vill dölja. Men varken satiren eller samtidsspionaget kan dölja att Alla själar egentligen är en vemodig ballad om otillåten kärlek.
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Dark Back of Time is a compelling story of the way in which reality blurs into fiction by Javier Marías, whose highly-anticipated new novel The Infatuations is published in 2013. It is translated by Esther Allen in Penguin Modern Classics. 'We lose everything because everything remains except us', says the mysterious narrator of this extraordinary novel, which meditates on the transience, chance and fragility of life. As a man called Javier Marías recalls the strange events and people that shaped his past, including ghostly literary figures, a pilot, an adventurer, a brother who died as a child and the king of an island in the Caribbean, we begin to question the nature of time, memory and reality itself. Here the writer is both a keeper of memories and a purveyor of illusions, destined to be lost in the dark back of time.Javier Marías was born in Madrid in 1951. He has published ten novels, two collections of short stories and several volumes of essays. His work has been translated into thirty-two languages and won a dazzling array of international literary awards, including the prestigious Dublin IMPAC award for A Heart So White. He is also a highly practised translator into Spanish of English authors, including Joseph Conrad, Robert Louis Stevenson, Sir Thomas Browne and Laurence Sterne.'I was enthralled by his strange mix of made-up memories, lost experiences and real-life fantasies' Marina Warner, Guardian 'He uses language like an anatomist uses a scalpel to lay bare the innermost secrets of that strangest of species, the human being' W. G. Sebald, author of Austerlitz
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A Heart so White is the breathtaking international bestseller and IMPAC Award-winning masterpiece by Javier Marías, whose highly-anticipated new novel The Infatuations is published in 2013. This Penguin Modern Classics edition features a new Introduction by Jonathan Coe. A Heart so White begins as, In the middle of a family lunch Teresa, just married, goes to the bathroom, unbuttons her blouse and shoots herself in the heart. What made her kill herself immediately after her honeymoon? Years later, this mystery fascinates the young newlywed Juan, whose father was married to Teresa before he married Juan's mother. As Juan edges closer to the truth, he begins to question his own relationships, and whether he really wants to know what happened. Haunting and unsettling, A Heart So White is a breathtaking portrayal of two generations, two marriages, the relentless power of the past and the terrible price of knowledge.
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Tomorrow in the Battle Think on Me is a gripping and moving meditation on the hold that the dead have over the living, by Javier Marías, whose highly-anticipated new novel The Infatuations is published in 2013. Víctor, a ghostwriter, is just about to have an affair with Marta, a married woman, when - in the bedroom, half-undressed - she drops dead in his arms. He panics and slips away. But Marta's family are all too aware that she was not alone when she died, and Deán, the widowed husband, is determined to find out who was sharing her bed that night. Víctor, accustomed to a life of pretending, finds that he cannot live in the shadows forever.
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All Souls is a compelling black comedy of Oxford life by Javier Marías, whose highly-anticipated new novel The Infatuations is published in 2013. This Penguin Modern Classics edition features a new Introduction by John Banville, author of The Sea.The pretty young tutor Clare Bayes attracts many eyes at an Oxford college dinner, not least those of a visiting Spanish lecturer (desperate to escape his conversation with an obese economist about an eighteenth-century cider tax). As they begin an affair, meeting in hotel bedrooms away from the eyes of Clare's husband, the Spaniard finds himself increasingly drawn into the strange world of Oxford, 'one of the cities in the world where the least work gets done', in a story of lust, loneliness, vanity and memory. Filled with brilliant set pieces and pin-sharp observation, All Souls is a masterpiece of black humour.
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In the dark narratives that make up When I Was Mortal by Javier Marías, winner of the Dublin IMPAC prize and author of the bestselling A Heart So White, a dapper Paris doctor dispenses a treatment for dissatisfied wives. A mother auditions for her first porn movie. A writer working on a study of pain makes himself the subject of his experiments. A voyeur mistakes a murderer for a fellow peeping tom ... these are some of the characters observed by the narrator of these chilling stories. Ironic, unsettling, imbued with dread and with droll humour, Javier Marías' short tales cast a shrewd, sardonic eye on humanity.Javier Marías was born in Madrid in 1951. He has published ten novels, two collections of short stories and several volumes of essays. His work has been translated into thirty-two languages and won a dazzling array of international literary awards, including the prestigious Dublin IMPAC award for A Heart So White. He is also a highly practised translator into Spanish of English authors, including Joseph Conrad, Robert Louis Stevenson, Sir Thomas Browne and Laurence Sterne. He has held academic posts in Spain, the United States and in Britain, as Lecturer in Spanish Literature at Oxford University.
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In these short, capricious and irreverent portraits of twenty-six great writers, from Joyce to Nabokov, Sterne to Wilde, Javier Marías, winner of the Dublin IMPAC prize and author of the bestselling A Heart So White, throws unexpected, and very human, light on authors too often enshrined in the halo of artistic sainthood. Revealing that Conrad actually hated sailing and Emily Brontë was so tough she was known as 'The Major', among many other stories of eccentricity, drunkenness and even murder, this joyful book uses unusual angles and peculiar details to illuminate writers' lives in a new way.Javier Marías was born in Madrid in 1951. He has published ten novels, two collections of short stories and several volumes of essays. His work has been translated into thirty-two languages and won a dazzling array of international literary awards, including the prestigious Dublin IMPAC award for A Heart So White. He is also a highly practised translator into Spanish of English authors, including Joseph Conrad, Robert Louis Stevenson, Sir Thomas Browne and Laurence Sterne. He has held academic posts in Spain, the United States and in Britain, as Lecturer in Spanish Literature at Oxford University.
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An essential companion for every traveller to Venice, this is the hidden city revealed in a gorgeous non-fiction account by one of Europe's greatest living writers, Javier MaríasCentury after century, the essence of Venice is unchanging. It is a place of contradictions, equal parts glamour and chaos. As a young man, Javier Marías made the city his home; since then he has left and returned many times, drawn back to its labyrinth of blind alleys, its pearly green canals, its imagined spaces.His love affair with the city has lasted over thirty years - he has traced every inch of its endless interior, has lived among the Venetians and lived apart from them. In Venice, An Interior, Marías sets out to uncover the heart of this strange and enchanting place.
152 kr
Skickas inom 5-8 vardagar
'Your Face Tomorrow is already being compared with Proust and rightly so' Observer'One of contemporary literature's major works ... you have to open this book' Ali Smith'I am myself my own fever and pain'Jacques Deza has been told he has a gift: he can see through people; guess just from their faces what will become of them. When he encounters the enigmatic Bertram Tupra at a party, Deza is persuaded to join a mysterious underground group. His task: to observe an assortment of people - politicians, celebrities, seemingly ordinary citizens - and predict their next move. But where will Deza's descent into this twilight world eventually take him? The first part of Javier Marias' masterly trilogy asks how well we truly know and understand those around us.Translated by Margaret Jull Costa
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'Unquestionably the most significant Spanish writer of his generation ... Your Face Tomorrow is rich, haunting, intriguing' Observer'This trilogy must be one of the greatest novels of our age' Antony Beevor'Fear is the greatest force that exists, as long as you can adapt to it'Jacques Deza has been recruited into an undercover spy network by the inscrutable Bertram Tupra. But when he is forced to witness an act of horrifying brutality in a night-club, he finds himself falling apart, haunted by his own memories of the bloodshed of the Spanish Civil War. As Deza tries to disentangle himself from an increasingly disturbing world, the second volume in Javier Marias' magnificent trilogy explores violence, corruption and what we are capable of.Translated by Margaret Jull Costa
176 kr
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'Your Face Tomorrow is already being compared with Proust and rightly so' Observer'One of contemporary literature's major works ... you have to open this book' Ali SmithThe concluding part in Javier Marías' spy trilogy masterworkJacques Deza is back in London and once again working for the secret intelligence agency run by Bertram Tupra. Deza finds himself forced to watch Tupra's collection of incriminating videotapes of important public figures. The recordings document unconventional private lives - and horrific acts. The scenes enter him like a poison, contaminating everything good, yet he is powerless to counteract them. Set against a background of brutality, Poison, Shadow and Farewell asks whether violence can ever be justified and completes the extraordinary journey that has led us on a descent into hell and a re-emergence, not entirely unscathed, into life.
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'She was bored and fought against her boredom, which only bored her still more.'Five sparkling, irreverent brief portraits of famous literary figures (including libertines, eccentrics and rogues) from Spain's greatest living writer.Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.
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BOOK OF THE YEAR 2023 ACCORDING TO GUARDIAN AND THE SPECTATOR The final novel from one of the greatest writers of the past half century'No-one nowadays writes prose like Javier Marías . . . If you're already a fan, you'll know what to expect and rejoice. If you're not, what a treat you have in store' The HeraldTomás Nevinson, a retired MI6 agent, is working for the British Embassy in Madrid when his former handler, the sinister Bertram Tupra, offers to bring him back inside for one last assignment. His mission: to catch and, if necessary, kill a terrorist gone to ground in Northern Spain after bombings in Barcelona and Zaragoza. The trouble is there are three suspects – all women – and it may not actually be any of them. To find out, Nevinson must move incognito to the small town where the three women separately live, and become an intimate friend to each, in the hope of uncovering a clue . . .A philosophical thriller with a climate of suspense to rival le Carré and a psychological depth that is purely Marias’s own, this is a novel that explores the deepest of human questions: in what circumstances can killing be called just?Translated by Margaret Jull Costa'The last word from a master . . . once you've been inside Marías' world, to spend too long outside is unbearable' The Sunday Times'A twisting espionage tale shot through with slantwise humour . . . seductive and inescapably poignant' Observer
144 kr
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The Infatuations is a critically acclaimed novel by the great Spanish writer Javier Marías.Every day, Maria Dolz stops for breakfast at the same café. And every day she enjoys watching a handsome couple who follow the same routine. Then one day they aren't there, and she feels obscurely bereft.It is only later, when she comes across a newspaper photograph of the man, lying stabbed in the street, his shirt half off, that she discovers who the couple are. Some time afterwards, when the woman returns to the café with her children, who are then collected by a different man, and Maria approaches her to offer her condolences, an entanglement begins which sheds new light on this apparently random, pointless death.With The Infatuations, Javier Marías brilliantly reimagines the murder novel as a metaphysical enquiry, addressing existential questions of life, death, love and morality.Praise for The Infatuations:'Mesmerising . . . chillingly clear and hypnotically eerie . . . At this very fine and disturbing novel's core is a compelling meditation on love in all its ramifications' Herald'Keeps us guessing until almost the last page' Financial Times'Few writers have sustained such an engagement with the classic (Anglophone) canon. As a translator he has rendered into Spanish work by Hardy, Yeats, Conrad, Nabokov, Faulkner, Updike, Salinger and many others. As a novelist, he has threaded his work with traces of these writers, and is explicitly underpinned by an empathy with Shakespeare and Sterne, as well as Cervantes and Proust' GuardianJavier Marías was born in Madrid in 1951. He has published thirteen novels, two collections of short stories and several volumes of essays. His work has been translated into forty-two languages and won a dazzling array of international literary awards.Margaret Jull Costa has been a literary translator for over twenty-five years and has translated many novels and short stories by Portuguese, Spanish and Latin American writers, including Javier Marías, Fernando Pessoa, José Saramago, Bernardo Atxaga and Ramón del Valle-Inclán.
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Award-winning author Javier Marías weaves a darkly thrilling tale of love, betrayal and lives played out in the unhappy shadow of history As a young man, Juan de Vere takes a job that will haunt him for the rest of his life. Hi employer is Eduardo Muriel: a famous film director, sophisticated and discreet. Muriel's wife Beatriz is a soft, ripe woman who slips through her husband's home like an unwanted ghost, finding solace in other beds. And on the periphery of their lives stands Dr Jorge Van Vechten, a old family friend with a shadowy past. Juan enters eagerly into Muriel's world of glamour and prestige, but as time passes he is troubled by many questions that seem to have no answer. Why does Muriel hate Beatriz? How did Beatriz meet Van Vechten? And what happened in the chaotic years after the war?As Juan learns more about his employers, his own innocence begins to fall away. Though he starts off as a mere observer, he is soon unable to stand on the side lines, compelled to interfere ever more dangerously in the dark interior of other people's lives.Marias presents a study of the infinitely permeable boundaries between private and public selves, between observer and participant, between the deceptions we suffer from others and those we enact upon ourselves.'No one else, anywhere, is writing quite like this' Daily Telegraph on The Infatuations
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'The most subtle and gifted writer in contemporary Spanish literature' Boston Globe'No one else, anywhere, is writing quite like this' Daily Telegraph A thrilling new literary offering from the acclaimed author of The Infatuations and A Heart So White'For a while, she wasn't sure that her husband was her husband. Sometimes she thought he was, and sometimes not...'Berta Isla and Tomás Nevinson meet in Madrid. Young and in love, they quickly decide to spend their lives together - never suspecting that they will grow to be total strangers, both living under the shadow of disappearances. Tomás, half-Spanish and half-English, has an extraordinary gift for languages and accents. Leaving Berta to study at Oxford, he catches the interest of a certain government agency, and its mysterious agent, Bertram Tupra. Tomás is determined to evade the agent's attentions but his fate is sealed by an escalating series of events that will affect the rest of his life - and that of his beloved Berta. Finishing his time at Oxford, he returns to Madrid to marry her, already knowing that the life they planned has been lost forever.Darkly gripping, Berta Isla examines a relationship condemned to secrecy and concealment, to pretence and conjecture, to resentment mingled with loyalty. With meticulous insight and understanding of the human soul, Marías examines the urge to change our destiny, and the hopeless exile we bring upon ourselves.
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Part spy novel, part romance, part Henry James, Your Face Tomorrow is a wholly remarkable display of the immense gifts of Javier Marias. With Fever and Spear, Volume One of his unfolding novel Your Face Tomorrow, he returns us to the rarified world of Oxford (the delightful setting of All Souls and Dark Back of Time), while introducing us to territory entirely new--espionage.Our hero, Jaime Deza, separated from his wife in Madrid, is a bit adrift in London until his old friend Sir Peter Wheeler—retired Oxford don and semi-retired master spy—recruits him for a new career in British Intelligence. Deza possesses a rare gift for seeing behind the masks people wear. He is soon observing interviews conducted by Her Majesty's secret service: variously shady international businessmen one day, would-be coup leaders the next. Seductively, this metaphysical thriller explores past, present, and future in the ever-more-perilous 21st century. This compelling and enigmatic tour de force from one of Europe's greatest writers continues with Volume Two, Dance and Dream.
415 kr
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Your Face Tomorrow, Javier Marias's dazzling unfolding magnum opus, is a novel in three parts, which began with Volume One: Fever and Spear. Described as a "brilliant dark novel" (Scotland on Sunday), the book now takes a wild swerve in its new volume. Skillfully constructed around a central perplexing and mesmerizing scene in a nightclub, Volume Two: Dance and Dream again features Jacques Deza. In Volume One he was hired by MI6 as a person of extraordinarily sophisticated powers of perception. In Volume Two Deza discovers the dark side of his new employer when Tupra, his spy-master boss, brings out a sword and uses it in a way that appalls Deza: You can't just go around hurting and killing people like that. Why not? asks Tupra.Searching meditations on favors and jealousy, knowledge and the deep human desire not to know, violence and death play against memories of the Spanish Civil War as Deza's world becomes increasingly murky.
235 kr
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In addition to his own busy career as "one of Europe's most intriguing contemporary writers" (TLS), Javier Marías is also the translator into Spanish of works by Hardy, Stevenson, Conrad, Faulkner, Nabokov, and Laurence Sterne. His love for these authors is the touchstone of Written Lives. Collected here are twenty pieces recounting great writers' lives, "or, more precisely, snippets of writers' lives." Thomas Mann, Rilke, Arthur Conan Doyle, Turgenev, Djuna Barnes, Emily Brontë, Malcolm Lowry, and Kipling appear ("all fairly disastrous individuals"), and "almost nothing" in his stories is invented.Like Isak Dinesen (who "claimed to have poor sight, yet could spot a four-leaf clover in a field from a remarkable distance away"), Marías has a sharp eye. Nabokov is here, making "the highly improbable assertion that he is 'as American as April in Arizona,'" as is Oscar Wilde, who, in debt on his deathbed, ordered up champagne, "remarking cheerfully, 'I am dying beyond my means.'" Faulkner, we find, when fired from his post office job, explained that he was not prepared "to be beholden to any son-of-a-bitch who had two cents to buy a stamp." Affection glows in the pages of Written Lives, evidence, as Marías remarks, that "although I have enjoyed writing all my books, this was the one with which I had the most fun."