Javier Moreno-Luzón – författare

The history of twentieth-century Spanish nationalism is a complex one, placing a set of famously distinctive regional identities against a backdrop of religious conflict, separatist tensions, and the autocratic rule of Francisco Franco. And despite the undeniably political character of that story, cultural history can also provide essential insights into the subject. Metaphors of Spain brings together leading historians to examine Spanish nationalism through its diverse and complementary cultural artifacts, from “formal” representations such as the flag to music, bullfighting, and other more diffuse examples. Together they describe not a Spanish national “essence,” but a nationalism that is constantly evolving and accommodates multiple interpretations.

The history of twentieth-century Spanish nationalism is a complex one, placing a set of famously distinctive regional identities against a backdrop of religious conflict, separatist tensions, and the autocratic rule of Francisco Franco. And despite the undeniably political character of that story, cultural history can also provide essential insights into the subject. Metaphors of Spain brings together leading historians to examine Spanish nationalism through its diverse and complementary cultural artifacts, from “formal” representations such as the flag to music, bullfighting, and other more diffuse examples. Together they describe not a Spanish national “essence,” but a nationalism that is constantly evolving and accommodates multiple interpretations.

Commemorations that shaped major elements of Spanish identity at the beginning of the 20th century are full of centennials and anniversaries that elaborate and renew the Spanish national mythology. In Centennial Fever Javier Moreno-Luzón, one of the most prominent Spanish historians of his generation, studies the milestones that defined transnational dimensions of celebration at the beginning of the 20th century including the Peninsular War, the first Spanish Constitution, the independence of Latin American States, the “discovery” of the Pacific Ocean and the death of Miguel de Cervantes and the publication of Don Quixote of La Mancha. Through these truly global events, a cultural community is created, called “Hispanoamerica” or “La Raza”, on which Spanish nationalism has become dependent.

First published in 2017, Metaphors of Spain traces the complex history of twentieth-century Spanish nationalism. This history places a set of famously distinctive regional identities against a backdrop of religious conflict, separatist tensions, and the autocratic rule of Francisco Franco. And despite the undeniably political character of that story, cultural history can also provide essential insights into the subject. Metaphors of Spain brings together leading historians to examine Spanish nationalism through its diverse and complementary cultural artifacts, from “formal” representations such as the flag to music, bullfighting, and other more diffuse examples. Together they describe not a Spanish national “essence,” but a nationalism that is constantly evolving and accommodates multiple interpretations. This second edition includes an extensive new introduction and an additional chapter exploring food and nationalism.

This book is a new short history of Spain during a crucial period, the reign of Alfonso XIII (1902-1931). Traditionally, this has been seen as a time that epitomised the worst features of 'old Spain': a backward country, poor and chronically unequal, with a government dominated by a tiny oligarchy ruling over a corrupt system -- an anomaly in Western Europe. However, this study, in line with the most recent historiography, offers a new insight into the period as one that was actually characterised by extensive modernisation in Spanish society and politics. Spain experienced, albeit in an unbalanced way, many of the changes already in progress in other European countries, such as urbanisation, industrialisation, mass migration, the rise in literacy, secularisation, and the emergence of mass politics. It then suffered profound conflicts associated with these changes, and a political dynamic of reform and reaction, revolution and counter-revolution. The book is divided into four main sections, dealing, chronologically, with the beginnings of the regenerationist era, the climax of the liberal monarchy, conflicts during the crisis of liberalism, and the military dictatorship of Primo de Rivera. Primarily a political history, it also touches on social, cultural and economic issues, and offers a comparative European perspective. Last but not least, there is a special interest in the problems of nation-building, a central theme of the period, and the competition between different versions of Spanish nationalism and regional nationalist movements -- above all, Catalanism and Basque nationalism. Overall, the Spanish situation is presented here not as a unique case but as a variation within the difficulties that were encountered all across continental Europe in achieving the transition from classical liberalism to mass democracy.

Electoral and parliamentary arenas play a crucial role in the configuration and dynamics of modern polities. This book explores the practices of citizenship and unveils the fabric of representation in the Iberian countries, during a significant period of liberal politics, that is, from its apogee to its collapse (from the 1870s to the 1920s). Part One examines the evolution of electoral norms and behaviour, as well as the recruitment profile of MPs. Portugal and Spain share fundamental features, such as the extensive clientelistic mobilisation of voters, the dissemination of fraud and corruption, the supremacy of governmental parties and the prevalence of the politics of notables. Part Two focuses on Parliament, questioning constitutional models, internal procedures, legislative action and political activity, as well as coetaneous perceptions and images of the institution and its actors as portrayed in novels, newspaper chronicles, cartoons and photographic reports. This collection of essays offers a detailed and cogent analysis, as well as a vivid picture, of the politics of representation in Portuguese and Spanish liberalism, revealing significant similarities and differences through cross-country comparisons.

Music, Words and Nationalism: National Anthems and Songs in the Modern Era considers the concept of nationalism from 1780 to 2020 through anthems and national songs as symbolic and representative elements of the national identity of individuals, peoples, or collectivities. The volume shows that both the words and music of these works reveal a great deal about the defining features of a nation, its political and cultural history, and its self-perception. The book takes an interdisciplinary approach that provides a better understanding of the role of national anthems and songs in the expression of national identities and nationalistic goals. From this perspective, the relationship between hymns and political contexts, their own symbolic content (both literary and musical) and the role of specific hymns in the construction of national sentiments are surveyed.

Music, Words and Nationalism: National Anthems and Songs in the Modern Era considers the concept of nationalism from 1780 to 2020 through anthems and national songs as symbolic and representative elements of the national identity of individuals, peoples, or collectivities. The volume shows that both the words and music of these works reveal a great deal about the defining features of a nation, its political and cultural history, and its self-perception. The book takes an interdisciplinary approach that provides a better understanding of the role of national anthems and songs in the expression of national identities and nationalistic goals. From this perspective, the relationship between hymns and political contexts, their own symbolic content (both literary and musical) and the role of specific hymns in the construction of national sentiments are surveyed.