Jay Ellis – författare

This book was written to venture beyond interpretations of Cormac McCarthy's characters as simple, antinomian, and non-psychological; and of his landscapes as unrelated to the violent arcs of often orphaned and always emotionally isolated and socially detached characters. As McCarthy usually eschews direct indications of psychology, his landscapes allow us to infer much about their motivations. The relationship of ambivalent nostalgia for domesticity to McCarthy's descriptions of space remains relatively unexamined at book length, and through less theoretical application than close reading. By including McCarthy's latest book, this study offer the only complete study of all nine novels. Within McCarthy studies, this book extends and complicates a growing interest in space and domesticity in his work. The author combines a high regard for McCarthy's stylistic prowess with a provocative reading of how his own psychological habits around gender issues and family relations power books that only appear to be stories of masculine heroics, expressions of misogynistic fear, or antinomian rejections of civilized life.

This book was written to venture beyond interpretations of Cormac McCarthy's characters as simple, antinomian, and non-psychological; and of his landscapes as unrelated to the violent arcs of often orphaned and always emotionally isolated and socially detached characters. As McCarthy usually eschews direct indications of psychology, his landscapes allow us to infer much about their motivations. The relationship of ambivalent nostalgia for domesticity to McCarthy's descriptions of space remains relatively unexamined at book length, and through less theoretical application than close reading. By including McCarthy's latest book, this study offer the only complete study of all nine novels. Within McCarthy studies, this book extends and complicates a growing interest in space and domesticity in his work. The author combines a high regard for McCarthy's stylistic prowess with a provocative reading of how his own psychological habits around gender issues and family relations power books that only appear to be stories of masculine heroics, expressions of misogynistic fear, or antinomian rejections of civilized life.

This book was written to venture beyond interpretations of Cormac McCarthy''s characters as simple, antinomian, and non-psychological; and of his landscapes as unrelated to the violent arcs of often orphaned and always emotionally isolated and socially detached characters. As McCarthy usually eschews direct indications of psychology, his landscapes allow us to infer much about their motivations. The relationship of ambivalent nostalgia for domesticity to McCarthy''s descriptions of space remains relatively unexamined at book length, and through less theoretical application than close reading. By including McCarthy''s latest book, this study offer the only complete study of all nine novels. Within McCarthy studies, this book extends and complicates a growing interest in space and domesticity in his work. The author combines a high regard for McCarthy''s stylistic prowess with a provocative reading of how his own psychological habits around gender issues and family relations power books that only appear to be stories of masculine heroics, expressions of misogynistic fear, or antinomian rejections of civilized life.

This book was written to venture beyond interpretations of Cormac McCarthy''s characters as simple, antinomian, and non-psychological; and of his landscapes as unrelated to the violent arcs of often orphaned and always emotionally isolated and socially detached characters. As McCarthy usually eschews direct indications of psychology, his landscapes allow us to infer much about their motivations. The relationship of ambivalent nostalgia for domesticity to McCarthy''s descriptions of space remains relatively unexamined at book length, and through less theoretical application than close reading. By including McCarthy''s latest book, this study offer the only complete study of all nine novels. Within McCarthy studies, this book extends and complicates a growing interest in space and domesticity in his work. The author combines a high regard for McCarthy''s stylistic prowess with a provocative reading of how his own psychological habits around gender issues and family relations power books that only appear to be stories of masculine heroics, expressions of misogynistic fear, or antinomian rejections of civilized life.

Presents one of the few book-length surveys of the genre available today, in a diverse collection of representative texts from a group of international critics. In addition to exemplary novels from established writers, such as Edora Welty, Flannery O’Conner, Carson McCullers, and Cormac McCarthy, works explored here include poetry, a play, and a fairy tale novella. This volume, part of the Critical Insights series, offers a collection of original essays that will establish for students and their teachers an exemplary representation of the genre Southern Gothic as a field of study within American literature.This volume seeks to extend the scope and diversity of literature that constitutes the genre, drawing upon representative themes, grounded in the diverse, often troubled history of the South, while introducing new perspectives and twists to the form, such as in the work of zombie literature as a generative trope. The introduction of poetry, in readings on Allen Tate, James Dickey, and Donald Justice, among others, into what has been a genre defined by fiction represents the originality of the volume. This collection will also consider the geographical significance of the genre within the broader field Southern literature. Defining genres remains a complex task, and these chapters will provide for readers the constitutive terms to locate, both geographically and metaphorically, the Southern Gothic.As supplemental material to support readers, this volume includes a list of literary works not mentioned in the book and a bibliography of critical sources for readers seeking to study this timeless theme in greater depth.Each essay is 2,500 to 5,000 words in length, and all essays conclude with a list of "Works Cited," along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources: