Jean-Philippe Toussaint – författare

Moving through a variety of locales and adventures, "The Truth about Marie" revisits the unnamed narrator of Toussaint's acclaimed Running Away, reporting on his now disintegrated relationship with the titular Marie--the story switching deftly between first- and third-person as the narrator continues to drift through life, and Marie does her best to get on with hers. Like all of Toussaint's novels, "The Truth about Marie"'s plot matters far less than its pace and tempo, its chain of images, its sequence of events. From pouring rain in Paris to blazing fires on the island of Elba, from moments of intense action to perfectly paced lulls, "The Truth about Marie" relies on a series of contrasts to tell a beguiling, and finally touching, story of intimacy forever being regained and lost.

The amusingly odd protagonist and narrator of Jean-Philippe Toussaint's novel is an academic on sabbatical in Berlin to work on his book about Titian. With his research completed, all he has left to do is sit down and write. Unfortunately, he can't decide how to refer to his subject Titian, le Titien, Vecellio, Titian Vecellio so instead he starts watching TV continuously, until one day he decides to renounce the most addictive of twentieth-century inventions. As he spends his summer still not writing his book, he is haunted by television, from the video surveillance screens in a museum to a moment when it seems everyone in Berlin is tuned in to Baywatch. One of Toussaint's funniest antiheroes, the protagonist of Television turns daily occurrences into an entertaining reflection on society and the influence of television on our lives.

"Toussaint is a genuinely funny writer . . . small erotic moments are captured perfectly . . . makes me long for more by Toussaint." Kirkus Review

In this improbable love story, Toussaint creates a character who is obsessed with himself: how he does things and all the ways he might have done them, how he thinks, why he thinks the way that he thinks, how he might do or think otherwise. What happens? He takes driving lessons, goes grocery shopping, spends endless hours with an adorable employee of the driving school he attends. And though he is aloof, though caught up in his own actions and in the movement of his own thoughts—he somehow emerges as surprisingly insightful and also very funny. In Toussaint’s touching novel, we come to know this character intimately and yet know almost nothing about him. These two extremes, existing together, are at the heart of Toussaint’s remarkable style.

Even on holiday, sex and death are Jean-Philippe Toussaint s constant companions...

“A little thing happened to me. Which could just as easily have happened to you. You’re on vacation in a hotel with your son in a small village and you’re about to go see some friends, but something holds you back, a mysterious reticence that prevents you from going to find them. Here is the novel of this reticence, small and specific, and of the fears that it instigates, little by little. Because not only are your friends not there when you do decide to go find them, but, several days later, you find a dead cat in the harbor, a black cat floating in front of you on the water…”In Jean-Philippe Toussaint’s take on the detective novel, we find a man on vacation in a tiny village, where a writer named Biaggi appears to be keeping him under surveillance. To what end? Ah, but it’s far more pleasant to enjoy the Mediterranean night air than to look for answers, make deductions, or get upset—isn’t it?

Both a sense of urgency and a goodly amount of patience are required for any writer to produce a novel. Moving between these two poles, Jean-Philippe Toussaint here collects a series of short essays on the art of writing, both his own and that of writers he's admired, for example Kafka, Beckett, Dostoyevsky, and Proust. As Toussaint himself has said, "It's only natural for writers... to say a word about how they write and what they owe to great authors."