Jeannine Diddle Uzzi - Böcker

Modern approaches to Roman imperialism have often characterized Romanzation as a benign or neutral process of cultural exchange between Roman and non-Roman, conqueror and conquered. Although supported by certain types of literary and archaeological evidence, this characterization is not reflected in the visual imagery of the Roman ruling elite. In official imperial art, Roman children are most often shown in depictions of peaceful public gatherings before the emperor, whereas non-Roman children appear only in scenes of submission, triumph, or violent military activity. Images of children, those images most fraught with potential in Roman art, underscore the contrast between Roman and non-Roman and as a group present a narrative of Roman identity. As Jeannine Diddle Uzzi argues in this 2005 study, the stark contrast between images of Roman and non-Roman children conveys the ruling elite's notions of what it meant to be Roman.

The Roman poet Catullus is one of the most popular and frequently studied ancient authors. His poems were written just over two thousand years ago during the chaotic but culturally vibrant final decades of the Republic and deal with themes of passion and grief, friendship and enmity, politics, literature and myth. This new translation, the product of a collaborative effort between a classicist and a poet, allows modern readers to experience his poems rather as his ancient Roman audience did. The poems are presented as contemporary and concise with a new energy and pace that both enhance Catullus' appeal for non-specialists and challenge specialists to consider his work from a fresh perspective. Extensive notes are provided, as well as an introduction which takes account of modern poetics and popular culture. The translation will appeal not only to classicists but also to lovers of literature in general and poetry in particular.

Modern approaches to Roman imperialism have often characterized Romanzation as a benign or neutral process of cultural exchange between Roman and non-Roman, conqueror and conquered. Although supported by certain types of literary and archaeological evidence, this characterization is not reflected in the visual imagery of the Roman ruling elite. In official imperial art, Roman children are most often shown in depictions of peaceful public gatherings before the emperor, whereas non-Roman children appear only in scenes of submission, triumph, or violent military activity. Images of children, those images most fraught with potential in Roman art, underscore the contrast between Roman and non-Roman and as a group present a narrative of Roman identity. As Jeannine Diddle Uzzi argues in this 2005 study, the stark contrast between images of Roman and non-Roman children conveys the ruling elite's notions of what it meant to be Roman.