Jeffrey Brooks - Böcker

Widely used in the construction of bridges, dams and pavements, concrete and masonry are two of the world's most utilized construction materials. However, many engineers lack a proper understanding of the methods for predicting and mitigating their movements within a structure. Concrete and Masonry Movements provides practical methods for predicting and preventing movement in concrete and masonry, saving time and money in retrofitting and repair cost. With this book in hand, engineers will discover new prediction models for masonry such as: irreversible moisture expansion of clay bricks, elasticity, creep and shrinkage. In addition, the book provides up-to-date information on the codes of practice.

Provides mathematical modelling tools for predicting movement in masonry Up-to-date knowledge of codes of practice methods Clearly explains the factors influencing all types of concrete and masonry movement Fully worked out examples and set problems are included at the end of each chapter

Thank you, our Stalin, for a happy childhood." "Thank you, dear Marshal [Stalin], for our freedom, for our children's happiness, for life." Between the Russian Revolution and the Cold War, Soviet public culture was so dominated by the power of the state that slogans like these appeared routinely in newspapers, on posters, and in government proclamations. In this penetrating historical study, Jeffrey Brooks draws on years of research into the most influential and widely circulated Russian newspapers--including Pravda, Isvestiia, and the army paper Red Star--to explain the origins, the nature, and the effects of this unrelenting idealization of the state, the Communist Party, and the leader. Brooks shows how, beginning with Lenin, the Communists established a state monopoly of the media that absorbed literature, art, and science into a stylized and ritualistic public culture--a form of political performance that became its own reality and excluded other forms of public reflection.He presents and explains scores of self-congratulatory newspaper articles, including tales of Stalin's supposed achievements and virtue, accounts of the country's allegedly dynamic economy, and warnings about the decadence and cruelty of the capitalist West. Brooks pays particular attention to the role of the press in the reconstruction of the Soviet cultural system to meet the Nazi threat during World War II and in the transformation of national identity from its early revolutionary internationalism to the ideology of the Cold War. He concludes that the country's one-sided public discourse and the pervasive idea that citizens owed the leader gratitude for the "gifts" of goods and services led ultimately to the inability of late Soviet Communism to diagnose its own ills, prepare alternative policies, and adjust to new realities. The first historical work to explore the close relationship between language and the implementation of the Stalinist-Leninist program, Thank You, Comrade Stalin! is a compelling account of Soviet public culture as reflected through the country's press.

Late Imperial Russia's revolution in literacy touched nearly every aspect of daily life and culture, from social mobility and national identity to the sensibilities and projects of the country's greatest writers. Within a few decades, a ragtag assembly of semi-educated authors, publishers and distributors supplanted an oral tradition of songs and folktales with a language of popular imagination suitable for millions of new readers of common origins eager for entertainment and information. This title tells the story of this profound transformation of culture, custom and belief. With an introduction that underscores its relevance to post-Soviet Russia, the book addresses the question of Russia's common heritage with the liberal democratic market societies of Western Europe and the United States. It also exposes the unsuspected complexities of mass culture little known and less understood in the West. Jeffrey Brooks brings out the characteristically Russia aspect of the nation's popular writing as he ranges through chapbooks, detective stories, newspaper serials and women's fiction, tracing the emergence of secular, rational and cosmopolitan values along with notions of individual initiative and talent. He shows how crude popular tales and serials of the era find their echoes in the literary themes of Dostoevsky, Tolstoy and other great Russian writers, as well as in the current renaissance of Russian detective stories and thrillers.

Showcasing the genius of Russian literature, art, music, and dance over a century of turmoil, within the dynamic cultural ecosystem that shaped it, The Firebird and the Fox explores the shared traditions, mutual influences and enduring themes that recur in these art forms. The book uses two emblematic characters from Russian culture - the firebird, symbol of the transcendent power of art in defiance of circumstance and the efforts of censors to contain creativity; and the fox, usually female and representing wit, cleverness and the agency of artists and everyone who triumphs over adversity - to explore how Russian cultural life changed between 1850 and 1950. Jeffrey Brooks reveals how high culture drew on folk and popular genres, then in turn influenced an expanding commercial culture. Richly illustrated, The Firebird and the Fox assuredly and imaginatively navigates the complex terrain of this eventful century.