Jeffrey Burton Russell - Böcker

The Christian concept of heaven flourished for almost two millennia, but it has lost much of its power in the last hundred years. Indeed today even theologians tend to avoid the topic. But heaven has always been a central tenet of the Christian faith, writes Jeffrey Burton Russell. If there is no heaven, no resurrection of the dead, the entire Christian story makes no sense. In this stimulating book, Russell sets out to rehabilitate heaven by forcefully attacking a series of ideas that have made belief in heaven, not to mention belief in God, increasingly difficult for modern people. Russell provides elegant and persuasive refutations of arguments ranging from the idea that science has disproved the existence of the supernatural, to the notion that biblical criticism has emptied the scripture of meaning. Along the way, as Russell looks at the ideas of Charles Darwin and Herbert Spencer, Mark Twain and Alfred Lord Tennyson, Marx and Freud, and a host of others, he sheds light not only on the history of Christian thought, but on the process of secularization in the West. One by one, Russell refutes these anti-religious ideologies, pinpointing the deficiencies of their reasoning. Throughout the book, Russell invites the reader, whatever his or her beliefs, to take the concept of heaven seriously both as a worldview in itself and as one with enormous influence on the world. It is a book that will be welcomed by thinking Christians, who often feel beleaguered by the forces of modernity and sometimes find it hard to defend their own beliefs.

In this book Jeffrey Burton Russell explores the many and complex reasons for the gradual erosion of the idea of heaven in the modern era. Although the seeds of skepticism were planted in the Enlightenment, he shows, the real decline dates to the nineteenth century. This is a fascinating tale that sheds light not only on the history of Christian thought, but on the process of secularization in the West; Russell shows us the grubby soul of our materialistic and uncritically scientific society. Finally he argues that we can and should make room for paradise for the spiritual health of our culture and points the way towards metaphors of perfection and transcendence that resonate in our time.

Dissent and Reform in the Early Middle Ages explores the complex relationship between orthodoxy and heresy, focusing on the ways in which dissent shaped the religious and intellectual landscape of medieval Europe. The book examines key moments in the early Middle Ages, such as the trial and execution of Ramihrd in 1077, to demonstrate the brutal repression faced by those who deviated from accepted Catholic teachings. By tracing the motivations behind dissent, whether rooted in reform, moral critique, or intellectual independence, the author sheds light on how both heretics and the Church viewed the tensions between right belief and right conduct. Dissenters, despite often facing violent repression, were frequently driven by a deep moral or spiritual commitment, challenging the orthodoxy that sought to maintain control over religious thought and practice. This study offers a historical perspective on how dissent was not only an opposition to Church authority but also an integral part of the medieval intellectual and social fabric.The book also delves into the different types of dissent that emerged during this period, such as Reformists, Eccentrics, and Catharists, each of whom presented alternative theological or moral viewpoints that threatened the Church’s established doctrines. The term heretic is interrogated within the historical and political context of the time, as dissent was often seen as a moral or social threat rather than purely a theological deviation. By identifying the various movements of dissent and reform, the study connects these figures and their beliefs to broader changes in medieval thought and society, highlighting the ways in which nonconformity both challenged and contributed to the development of Christian doctrine. Through this lens, the book examines the intersection of faith, power, and intellectual inquiry in shaping medieval Christianity, offering insight into the pivotal role that dissent played in the evolution of Western religious and cultural history.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1965.

Dissent and Reform in the Early Middle Ages explores the complex relationship between orthodoxy and heresy, focusing on the ways in which dissent shaped the religious and intellectual landscape of medieval Europe. The book examines key moments in the early Middle Ages, such as the trial and execution of Ramihrd in 1077, to demonstrate the brutal repression faced by those who deviated from accepted Catholic teachings. By tracing the motivations behind dissent, whether rooted in reform, moral critique, or intellectual independence, the author sheds light on how both heretics and the Church viewed the tensions between right belief and right conduct. Dissenters, despite often facing violent repression, were frequently driven by a deep moral or spiritual commitment, challenging the orthodoxy that sought to maintain control over religious thought and practice. This study offers a historical perspective on how dissent was not only an opposition to Church authority but also an integral part of the medieval intellectual and social fabric.The book also delves into the different types of dissent that emerged during this period, such as Reformists, Eccentrics, and Catharists, each of whom presented alternative theological or moral viewpoints that threatened the Church’s established doctrines. The term heretic is interrogated within the historical and political context of the time, as dissent was often seen as a moral or social threat rather than purely a theological deviation. By identifying the various movements of dissent and reform, the study connects these figures and their beliefs to broader changes in medieval thought and society, highlighting the ways in which nonconformity both challenged and contributed to the development of Christian doctrine. Through this lens, the book examines the intersection of faith, power, and intellectual inquiry in shaping medieval Christianity, offering insight into the pivotal role that dissent played in the evolution of Western religious and cultural history.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1965.

Well-known for his historical accounts of Satan and hell, Jeffrey Burton Russell here explores the brighter side of eternity: heaven. Dispensing with the cliche images of goodness that can make even heaven seem unbearable, the author stimulates our imagination with a history of how the joy of paradise has been conceived by writers, philosophers, and artists for whom heaven was an imminent reality. Russell not only explores concepts found among the ancient Jews, Greeks, and Romans as well as early and medieval Christians, but also addresses the intellectual problems heaven poses: how does time "pass" in eternity? is heaven a place or a state? who is in and who is not? what happens to the body and soul between death and Judgment Day? Russell stresses that the best way to approach the logic-defying concept of a place occupying neither space nor time is through poetry and paradox, and through the visions of such mystics as Bernard, Julian of Norwich, and Eckhart. After the Revelation of Saint John the Divine, the most sublime and encompassing portrait of heaven to date has come not from a theologian but from a poet--Dante Alighieri in his Divine Comedy.Russell's history of heaven culminates in a lively analysis of how Dante described the glories of the indescribable. The unsurpassed images of light, movement, and community that Dante uses so skillfully to convey the presence of God are rooted in the Jewish picture of heaven as a garden or court and in the Greek picture of the Elysian Fields. Using current scholarly insights together with a vast store of knowledge gathered from the past, Russell takes the idea of heaven as valid and important in itself--something to be understood from the point of view of those believing in it. His very use of language immerses us in the thoughts of those who have sought heaven and provides rich material for contemplation.

All the known theories and incidents of witchcraft in Western Europe from the fifth to the fifteenth century are brilliantly set forth in this engaging and comprehensive history. Building on a foundation of newly discovered primary sources and recent secondary interpretations, Jeffrey Burton Russell first establishes the facts and then explains the phenomenon of witchcraft in terms of its social and religious environment, particularly in relation to medieval heresies. Russell treats European witchcraft as a product of Christianity, grounded in heresy more than in the magic and sorcery that have existed in other societies. Skillfully blending narration with analysis, he shows how social and religious changes nourished the spread of witchcraft until large portions of medieval Europe were in its grip, "from the most illiterate peasant to the most skilled philosopher or scientist." A significant chapter in the history of ideas and their repression is illuminated by this book. Our enduring fascination with the occult gives the author's affirmation that witchcraft arises at times and in areas afflicted with social tensions a special quality of immediacy.

"Evil—the infliction of pain upon sentient beings—is one of the most long-standing and serious problems of human existence. Frequently and in many cultures evil has been personified. This book is a history of the personification of evil, which for the sake of clarity I have called 'the Devil.' I am a medievalist, but when I began some years ago to work with the concept of the Devil in the eleventh and twelfth centuries, I came to see that I could not understand the medieval Devil except in terms of its historical antecedents. More important, I realized that I could not understand the Devil at all except in the context of the problem of evil. I needed to face the issue of evil squarely, both as a historian and as a human being."—from the PrefaceThis lively and learned book traces the history of the concept of evil from its beginnings in ancient times to the period of the New Testament. A remarkable work of synthesis, it draws upon a vast number of sources in addressing a major historical and philosophical problem over a broad span of time and in a number of diverse cultures, East and West. Jeffrey Burton Russell probes the roots of the idea of evil, treats the development of the idea in the Ancient Near East, and then examines the concept of the Devil as it was formed in late Judaism and early Christianity.Generously illustrated with fifty black-and-white photographs, this book will appeal to a wide range of readers, from specialists in religion, theology, sociology, history, psychology, anthropology, and philosophy to anyone with an interest in the demonic, the supernatural, and the question of good and evil.

"Russell has complete mastery of his material, and the book's sweep is grand: a tour of the first five centuries of Christian intellectual history with the spotlight on the villain instead of the hero.... Satan is a valuable introduction to the theological portion of the Western Devil tradition."― SpeculumUndeniably, evil exists in our world; we ourselves commit evil acts. How can one account for evil's ageless presence, its attraction, and its fruits? The question is one that Jeffrey Burton Russell addresses in his history of the concept of the Devil-the personification of evil itself. In the predecessor to this book, The Devil: Perceptions of Evil from Antiquity to Primitive Christianity, Russell traced the idea of the Devil in comparative religions and examined its development in Western thought through ancient Hebrew religion and the New Testament. This volume follows its course over the first five centuries of the Christian era.Like most theological problems, the question of evil was largely ignored by the primitive Christian community. The later Christian thinkers who wrestled with it for many centuries were faced with a seemingly irreconcilable paradox: if God is benevolent and omnipotent, why does He permit evil? How, on the other hand, can God be all-powerful if one adopts a dualist stance, and posits two divine forces, one good and one evil?Drawing upon a rich variety of literary sources as well as upon the visual arts, Russell discusses the apostolic fathers, the apologetic fathers, and the Gnostics. He goes on to treat the thought of Irenaeus and Tertullian, and to describe the diabology of the Alexandrian fathers, Clement and Origen, as well as the dualist tendencies in Lactantius and in the monastic fathers. Finally he addresses the syntheses of the fifth century, especially that of Augustine, whose view of the Devil has been widely accepted in the entire Christian community ever since.Satan is both a revealing study of the compelling figure of the Devil and an imaginative and persuasive inquiry into the forces that shape a concept and ensure its survival.

"An attractively written survey of the way the devil appears in art, literature and treatise, during the medieval period, with many signs of an engaging sense of personal commitment to the subject, and an attempt to show its contemporary relevance."―John O. Ward ― Journal of Religious HistoryThis major contribution to the history of the Middle Ages and to the history of religion will enlighten scholars and students alike and will appeal to anyone concerned with the problem of evil in our world.Evil is an intrinsically fascinating topic. In Lucifer, Jeffrey Burton Russell continues his compelling study of the personification of evil in the figure of the Devil. The previous two volumes in this remarkable tertalogy-The Devil and Satan-trace the history of the concept of the devil comparatively as it emerged in diverse cultures and followed its development in Western thought from the ancient Hebrew religion through the first five centuries of the Christian era. The present volume charts the evolution of the concept of the devil from the fifth century through the fifteenth.Drawing on an impressive array of sources from popular religion, art, literature, and drama, as well as from scholastic philosophy, mystical theology, homiletics, and hagiography, Russell provides a detailed treatment of Christian diabology in the Middle Ages. Although he focuses primarily on Western Christian thought, Russell also includes, for the sake of comparison, material on the concept of the devil in Greek Orthodoxy during the Byzantine period as well as in Muslim thought. Russell recounts how the Middle Ages saw a refinement in detail rather than a radical alteration of diabological theory. He shows that the medieval concept of the devil, fundamentally unchanged over the course of the centuries, eventually gave rise to the unyielding beliefs that resulted in the horrifying cruelties of the witch-hunting craze in the 1500s and 1600s.

An excellent and important intellectual history.―Library JournalUsing examples from theology, philosophy, art, literature, and popular culture, Russell describes the great changes effected in our idea of the Devil by the intellectual and cultural developments of modern times.Mephistopheles is the fourth and final volume of Jeffrey Burton Russell's critically acclaimed history of the concept of the Devil. The series constitutes the most complete historical study ever made of the figure called the second most famous personage in Christianity. In the first three volumes, the author brought the history of Christian diabology to the end of the Middle Ages. This volume continues the story from the Reformation to the present, tracing the fragmentation of the tradition.

The Devil, Satan, Lucifer, Mephistopheles - throughout history the Prince of Darkness, the Western world's most powerful symbol of evil, has taken many names and shapes. Jeffrey Burton Russell here chronicles the remarkable story of the Devil from antiquity to the present. While recounting how past generations have personified evil, he deepens our understanding of the ways in which people have dealt with the enduring problem of radical evil.After a compelling essay on the nature of evil, Russell uncovers the origins of the concept of the Devil in various early cultures and then traces its evolution in Western thought from the time of the ancient Hebrews through the first centuries of the Christian era. Next he turns to the medieval view of the Devil, focusing on images found in folklore, scholastic thought, art, literature, mysticism, and witchcraft. Finally, he follows the Devil into our own era, where he draws on examples from theology, philosophy, art, literature, and popular culture to describe the great changes in this traditional notion of evil brought about by the intellectual and cultural developments of modern times.Is the Devil an outmoded superstition, as most educated people today believe? Or do the horrors of the twentieth century and the specter of nuclear war make all too clear the continuing need for some vital symbol of radical evil? A single-volume distillation of Russell's epic tetralogy on the nature and personifcation of evil from ancient times to the present (published by Cornell University Press between 1977 and 1986), The Prince of Darkness invites readers to confront these and other critical questions as they explore the past faces of that figure who has been called the second most famous personage in Christianity.

The Devil, Satan, Lucifer, Mephistopheles - throughout history the Prince of Darkness, the Western world's most powerful symbol of evil, has taken many names and shapes. Jeffrey Burton Russell here chronicles the remarkable story of the Devil from antiquity to the present. While recounting how past generations have personified evil, he deepens our understanding of the ways in which people have dealt with the enduring problem of radical evil.After a compelling essay on the nature of evil, Russell uncovers the origins of the concept of the Devil in various early cultures and then traces its evolution in Western thought from the time of the ancient Hebrews through the first centuries of the Christian era. Next he turns to the medieval view of the Devil, focusing on images found in folklore, scholastic thought, art, literature, mysticism, and witchcraft. Finally, he follows the Devil into our own era, where he draws on examples from theology, philosophy, art, literature, and popular culture to describe the great changes in this traditional notion of evil brought about by the intellectual and cultural developments of modern times.Is the Devil an outmoded superstition, as most educated people today believe? Or do the horrors of the twentieth century and the specter of nuclear war make all too clear the continuing need for some vital symbol of radical evil? A single-volume distillation of Russell's epic tetralogy on the nature and personifcation of evil from ancient times to the present (published by Cornell University Press between 1977 and 1986), The Prince of Darkness invites readers to confront these and other critical questions as they explore the past faces of that figure who has been called the second most famous personage in Christianity.

All the known theories and incidents of witchcraft in Western Europe from the fifth to the fifteenth century are brilliantly set forth in this engaging and comprehensive history. Building on a foundation of newly discovered primary sources and recent secondary interpretations, Jeffrey Burton Russell first establishes the facts and then explains the phenomenon of witchcraft in terms of its social and religious environment, particularly in relation to medieval heresies. Russell treats European witchcraft as a product of Christianity, grounded in heresy more than in the magic and sorcery that have existed in other societies. Skillfully blending narration with analysis, he shows how social and religious changes nourished the spread of witchcraft until large portions of medieval Europe were in its grip, "from the most illiterate peasant to the most skilled philosopher or scientist." A significant chapter in the history of ideas and their repression is illuminated by this book. Our enduring fascination with the occult gives the author's affirmation that witchcraft arises at times and in areas afflicted with social tensions a special quality of immediacy.

"Evil—the infliction of pain upon sentient beings—is one of the most long-standing and serious problems of human existence. Frequently and in many cultures evil has been personified. This book is a history of the personification of evil, which for the sake of clarity I have called 'the Devil.' I am a medievalist, but when I began some years ago to work with the concept of the Devil in the eleventh and twelfth centuries, I came to see that I could not understand the medieval Devil except in terms of its historical antecedents. More important, I realized that I could not understand the Devil at all except in the context of the problem of evil. I needed to face the issue of evil squarely, both as a historian and as a human being."—from the PrefaceThis lively and learned book traces the history of the concept of evil from its beginnings in ancient times to the period of the New Testament. A remarkable work of synthesis, it draws upon a vast number of sources in addressing a major historical and philosophical problem over a broad span of time and in a number of diverse cultures, East and West. Jeffrey Burton Russell probes the roots of the idea of evil, treats the development of the idea in the Ancient Near East, and then examines the concept of the Devil as it was formed in late Judaism and early Christianity.Generously illustrated with fifty black-and-white photographs, this book will appeal to a wide range of readers, from specialists in religion, theology, sociology, history, psychology, anthropology, and philosophy to anyone with an interest in the demonic, the supernatural, and the question of good and evil.

"Russell has complete mastery of his material, and the book's sweep is grand: a tour of the first five centuries of Christian intellectual history with the spotlight on the villain instead of the hero.... Satan is a valuable introduction to the theological portion of the Western Devil tradition."― SpeculumUndeniably, evil exists in our world; we ourselves commit evil acts. How can one account for evil's ageless presence, its attraction, and its fruits? The question is one that Jeffrey Burton Russell addresses in his history of the concept of the Devil-the personification of evil itself. In the predecessor to this book, The Devil: Perceptions of Evil from Antiquity to Primitive Christianity, Russell traced the idea of the Devil in comparative religions and examined its development in Western thought through ancient Hebrew religion and the New Testament. This volume follows its course over the first five centuries of the Christian era.Like most theological problems, the question of evil was largely ignored by the primitive Christian community. The later Christian thinkers who wrestled with it for many centuries were faced with a seemingly irreconcilable paradox: if God is benevolent and omnipotent, why does He permit evil? How, on the other hand, can God be all-powerful if one adopts a dualist stance, and posits two divine forces, one good and one evil?Drawing upon a rich variety of literary sources as well as upon the visual arts, Russell discusses the apostolic fathers, the apologetic fathers, and the Gnostics. He goes on to treat the thought of Irenaeus and Tertullian, and to describe the diabology of the Alexandrian fathers, Clement and Origen, as well as the dualist tendencies in Lactantius and in the monastic fathers. Finally he addresses the syntheses of the fifth century, especially that of Augustine, whose view of the Devil has been widely accepted in the entire Christian community ever since.Satan is both a revealing study of the compelling figure of the Devil and an imaginative and persuasive inquiry into the forces that shape a concept and ensure its survival.

"An attractively written survey of the way the devil appears in art, literature and treatise, during the medieval period, with many signs of an engaging sense of personal commitment to the subject, and an attempt to show its contemporary relevance."―John O. Ward ― Journal of Religious HistoryThis major contribution to the history of the Middle Ages and to the history of religion will enlighten scholars and students alike and will appeal to anyone concerned with the problem of evil in our world.Evil is an intrinsically fascinating topic. In Lucifer, Jeffrey Burton Russell continues his compelling study of the personification of evil in the figure of the Devil. The previous two volumes in this remarkable tertalogy-The Devil and Satan-trace the history of the concept of the devil comparatively as it emerged in diverse cultures and followed its development in Western thought from the ancient Hebrew religion through the first five centuries of the Christian era. The present volume charts the evolution of the concept of the devil from the fifth century through the fifteenth.Drawing on an impressive array of sources from popular religion, art, literature, and drama, as well as from scholastic philosophy, mystical theology, homiletics, and hagiography, Russell provides a detailed treatment of Christian diabology in the Middle Ages. Although he focuses primarily on Western Christian thought, Russell also includes, for the sake of comparison, material on the concept of the devil in Greek Orthodoxy during the Byzantine period as well as in Muslim thought. Russell recounts how the Middle Ages saw a refinement in detail rather than a radical alteration of diabological theory. He shows that the medieval concept of the devil, fundamentally unchanged over the course of the centuries, eventually gave rise to the unyielding beliefs that resulted in the horrifying cruelties of the witch-hunting craze in the 1500s and 1600s.

An excellent and important intellectual history.―Library JournalUsing examples from theology, philosophy, art, literature, and popular culture, Russell describes the great changes effected in our idea of the Devil by the intellectual and cultural developments of modern times.Mephistopheles is the fourth and final volume of Jeffrey Burton Russell's critically acclaimed history of the concept of the Devil. The series constitutes the most complete historical study ever made of the figure called the second most famous personage in Christianity. In the first three volumes, the author brought the history of Christian diabology to the end of the Middle Ages. This volume continues the story from the Reformation to the present, tracing the fragmentation of the tradition.