Jeffrey Deitch – författare

Original New York City icon Kembra Pfahler has terrorized and tantalized audiences since her arrival in the Lower East Side in the early 1980s. Originally associated with Cinema of Transgression, Kembra supported her films with work at an independent porn studio. In the 1990s, she launched The Voluptuous Horror of Karen Black, a rock band associated with Kiss, Alice Cooper, and White Zombie. Nude and covered in paint, with blackened teeth and bouffant hair, Kembra developed a reputation for wild performance that reached far beyond the Lower East Side. Elements of Kabuki theater, surfing, bugs, and giant sharks from her legendary shows were later repurposed for performance art. Beginning in the early 2000s, Pfahler titillated gallery-goers with openings featuring dozens of painted women, butt-prints, and performances involving endurance and strength. With galleries including Real Fine Art, Deitch Projects, and The Hole, Kembra created a visual lexicon incorporating occult imagery, bondage, and challenging forms of femininity. Through teaching, activism, and performance art, Pfahler serves as a mentor to students, and in recent years, muse to designers including Rick Owens and Casey Cadwallader of Mugler. Collecting four decades of ephemera, performance documentation, road pictures, and more, the book celebrates Kembra Pfahler as counter-cultural star.

Commemorating the 50th anniversary of the artist's birth, this book is the intended to be a faithful posthumous execution of the project. Containing a wealth of unpublished materials, and representing a decade of work and research, it promises to be the definitive book on the artist's life and work. Beginning with his very first collages and early subway tags - including many heretofore unseen photographs of the first ephemeral chalk drawings - through the development of the iconic graphic work now synonymous with his name, the book follows his meteoric rise to international stardom and worldwide recognition. Completely unprecedented in its scope, this volume documents everything from sketches to unedited interviews; personal snapshots to party invitations, bringing to life an extraordinary decade in art and history.

A fascinating look at Keith Haring’s New York City subway artwork from the 1980sCelebrated artist Keith Haring (1958–1990) has been embraced by popular culture for his signature bold graphic line drawings of figures and forms. Like other graffiti artists in the 1980s, Haring found an empty canvas in the advertising panels scattered throughout New York City’s subway system, where he communicated his socially conscious, often humorous messages on platforms and train cars.Over a five-year period, in an epic conquest of civic space, Haring produced a massive body of subway artwork that remains daunting in its scale and its impact on the public consciousness. Dedicated to the individuals who might encounter them and to the moments of their creation, Haring’s drawings now exist solely in the form of documentary photographs and legend. Because they were not meant to be permanent—only briefly inhabiting blacked-out advertising boards before being covered up by ads or torn down by authorities or admirers—what little remains of this project is uniquely fugitive. Keith Haring: 31 Subway Drawings reproduces archival materials relating to this magnificent project alongside essays by leading Haring experts.Distributed for No More Rulers

Cheap, democratic, easy to tag, and not always fast to fade, the sticker has been an ever-present medium from the New York and London underground punk scenes to skate culture and political expression. Featuring more than 3,000 images of stickers from the global world of street expression where DIY culture meets music, graffiti, design, and branding Stickers 2 is a comprehensive record of an art form whose appeal lies in the juxtaposition of transience and significance. STICKERS 2 illustrates the timeline of this pastime, from counterculture to politics, it s 2019 chapters include - Music: Punk Rock to Electronic music, Skateboarding, Streetwear, Graffiti, Fine Art, Political Activism, however Volume 2 goes even further than its predecessor, with chapters on the origins of Surf culture and the BMX bike world. STICKERS 2 : extravagantly illustrated with more than 3,000 images of sticker graphics, organized by categories and themes, the book includes works by such diverse artists as Tom Sachs, Jenny Holzer, BANKSY, Neckface, Marilyn Minter, ESPO and Barry McGee; to amateurs who tag the streets anonymously. With texts from writers from many celebrated walks of life including Jeffery Deitch, INVADER, C.R.Stecyk, Mark Mothersbaugh, Paul Gorman and Stikman, among many others Stickers 2 reveals not only the cutting edge of sticker art but also the personal relationships that fine artists, street artists and pedestrians alike share with the medium. The is volume boasts an unparalleled collection of 125 removable stickers bound into its back pages. These sheets are by group of artists that is truly extraordinary. The list includes -Jenny Holzer, Barry McGee, INVADER, Marylin Minter, Erik Parker, SWOON, FUTURA, Robert Lazzarini, Kenzo Minami, Kostas Seremetis, Kristen Liu-Wong, Anthony Lister, Ron English, Ryan McGuinnes, BAST, D*Face, Shepard Fairey, FAILE, Skullphone, Tara McPherson, Peter Schuyff, Swoon, & James Hyde + more. Essential cultural history - Jeffrey Deitch A must-have for the discriminating sticker collector - Ed Templeton Every sticker is a memory for someone! - Maya Hayuk

Figuration is one of the oldest art forms, but it continually evolves, along with our changing understanding of human identity. The artists featured here often source imagery from the Internet, and draw on aesthetics developed in Internet-first channels. Digital techniques and affordances are incorporated into rendering processes with traditional media: brushstrokes are more precise, lines are sharper, and color is more highly keyed. In these works, expressionism is located more in the composition than in the paint handling. This richly illustrated collection of figurative works is accompanied by texts that connect the present moment in painting to the early 1980s, when the emergence of artists such as Jean-Michel Basquiat, Francesco Clemente, David Salle, and Julian Schnabel revitalized the art dialogue after the extended dissolution of Minimalism, and to its roots in the practice of painters like Picabia.

Forty years ago, graffiti in New York evolved from elementary mark-making into an important art form. By the end of the 1980s, it had been documented in books and films that were seen around the world, sparking an international graffiti movement. Art in the Streets, now back in print after several years, considers the rise of New York graffiti and the international scenes it inspired from Los Angeles to Sao Paulo to Paris to Tokyo as well as earlier and parallel movements: the break dancing and rap music of hip-hop; the graffiti used by Chicano gangs to mark their territory; the skateboarding culture that began in Southern California. Expertly researched, beautifully illustrated, and featuring contributions by many of the most significant curators, writers, and artists involved in the graffiti world, this now classic volume is an in-depth examination of this seminal movement.

Edouard Manet s Le Dejeuner sur l herbe (1863) is generally cited as the first modern painting. The entry slide in art history lectures about modernism, the work remains among the 'most audacious painting[s] ever seen in France,' as Ross King described it in The Judgement of Paris (2006). As Manet did with Le Dejeuner sur l herbe, the most provocative painters today collapse the historical and the contemporary onto one plane. Jeffrey Deitch invited a group of these influential artists to create their own versions, combined here with historical responses to Manet s painting. The slim volume features these often biting and satirical works alongside essays discussing Le Dejeuner sur l herbe s enduring influence on contemporary figurative painting. ARTISTS INCLUDE: Nina Chanel Abney, Diane Arbus, Vanessa Beecroft, Cecily Brown, Caitlin Cherry, Joe Coleman, Robert Colescott, Somaya Critchlow, Celeste Dupuy-Spencer, Dominique Fung, Alain Jacquet, Kurt Kauper, Karen Kilimnik, Cindy Ji Hye Kim, Jeff Koons, Ella Kruglyanskaya, Liu Xiaodong, Tala Madani, Sophie Matisse, Paul McCarthy, Sam McKinniss, Jill Mulleady, Ariana Papademetropoulos, Naudline Pierre, Christina Quarles, Walter Robinson, Giangiacomo Rossetti, David Salle, Katja Seib, Tschabalala Self, Vaughn Spann, Mickalene Thomas, Salman Toor, John Wesley, Kehinde Wiley

Live Through This brings together more than 30 of the most exciting art, music and fashion personalities who are changing art making in New York. New art practice is now intimately tied to the lived experience of the artists themselves, and this book, through more than three hundred color photographs of artists, artworks, studios, off-duty behaviors, zines, concerts, openings and parties, illustrates and examines the nature of this relationship. Thoughtful criticism is provided by five essays: Larry Rinder writes about the groundbreaking nature of Fort Thunder and Providence scene, Jeffrey Deitch offers an historical and personal look at New York's underground, musician Philip Guichard describes the past five years of music in the city, digital artist Cory Arcangel talks about collectives and new media, while Kathy Grayson provides a behind-the-scenes thesis. Major attention is paid to artists working in New York City, but also in Providence and San Francisco. The list includes several major names in art, fashion and music, but some decidedly underground ones, thus emphasizing community affiliations and working collaborations. This is a most authentic look at what New York's art scene truly is, organized and produced by the members themsleves through extensive collaboration.