Jeffrey Kurtzman – författare
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29 produkter
29 produkter
575 kr
Skickas inom 5-8 vardagar
This edition is designed to meet the needs of both the scholar and the performer. It contains the complete music of all fourteen compositions as in Monteverdi's original print, plus the psalm 'Lauda Jerusalem' and the two Magnificats in a choice of pitches. Also provided are a continuo realization, notes on performance, Gregorian antiphons for the feasts of the Virgin, and examples of typical early seventeenth-century embellishments.Complete performing material is available on hire, and a Critical Commentary is available for sale from the OUP Hire Library.
Inbunden, Engelska, 2000
3 066 kr
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This is a thorough-going study of Monteverdi's Vespers, the single most significant and most widely known musical print from before the time of J.S. Bach. The author examines Monteverdi's Vespers from multiple perspectives, combining his own research with all that is known and thought of the Vespers by other scholars. The historical origin as well as the musical and liturgical context of the Vespers are surveyed; similarly the controversial historiography of the Vespers in the nineteenth and twentieth centuries is scrutinized and evaluated. A series of analytical chapters attempt to clarify Monteverdi's compositional process and the relationship between music and text in the light of recent research on modal and tonal aspects of early seventeenth century music. The final section is devoted to thirteen chapters investigating performance practice issues of the early seventeenth century and their application to the Vespers, including general and specific recommendations for performance where appropriate. The book concludes with a series of informational appendices, including the psalm cursus for Vespers of all major feasts in the liturgical calendar, texts, and structural outlines for the Vespers compositions based on a cantus firmus, an analytical discography, and bibliographies of seventeenth-century musical and theoretical sources.
Inbunden, Engelska, 1996
707 kr
Skickas inom 10-15 vardagar
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance. It includes a comprehensive historical and biographical introduction, focuses on composers significant in their own time, and offers modern notation for contemporary performers.
Inbunden, Engelska, 1996
1 508 kr
Skickas inom 10-15 vardagar
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance. It includes a comprehensive historical and biographical introduction, focuses on composers significant in their own time, and offers modern notation for contemporary performers.
Inbunden, Engelska, 1998
1 508 kr
Skickas inom 10-15 vardagar
First Published in 1998. A New Series Fills a Void in 17th-Century ItalianMusicDrawing on the riches of a largely unknown repertoire, this innovative series makes available in modern score a large selection of Italian sacred music scored from printed part-books that has never before been published in modern editions.Convenientlyorganized and presented in modern scoreEach genre is organized for easy accessibility. Mass settings are presented in chronological order. Vesper and compline music is arranged according to the number of voices, chronologically within each volume, beginning with works for one and two voices and progressing to compositions for multiple choirs.
2 222 kr
Skickas inom 10-15 vardagar
First published in 1998. Volume 14 out of a collection of 25 of Seventeenth- Century Italian Sacred Music, focuses on the works of Vesper, and compline music for four principal voices. This series presents a large selection of Italian sacred music scored from printed part-books, works which have not been published in modem editions. Sacred music constitutes the largest gap in our present understanding of seventeenth-century Italian music. The volumes of Vesper and Compline music are arranged according to the number of principal voices, chronologically within each volume, beginning with works for one and two voices, progressing to works for three and four choirs.
Inbunden, Engelska, 2002
2 222 kr
Skickas inom 10-15 vardagar
Classics of seventeenth-century Italian sacred music set in modern notation, this second part of Vesper and Compline Music for Multiple Choirs features works by Francesco Cavalli, Giovanni Legrenzi, Natale Monferrato, Agostino Steffani, Lorenzo Penna, Giovanni Paolo Colonna and Giovanni Paolo Colonna.
Inbunden, Engelska, 2003
5 295 kr
Skickas inom 10-15 vardagar
Classics of seventeenth-century Italian sacred music set in modern notation, this third part of Vesper and Compline Music for Multiple Choirs features works by Giacomo Giacobbi, Viriglio Mazzochi, Tarquinio Merula and Francesco Soriano.
Häftad, Engelska, 2024
607 kr
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Although he is often identified as a Monteverdi scholar (Approaches to Monteverdi: Aesthetic, Psychological, Analytical and Historical Studies, published in the Variorum series in 2013), the majority of Jeffrey Kurtzman’s work has focused on other sixteenth- and seventeenth-century Italian sacred music. Organized into three sections, part one begins with a chapter on the Monteverdi Mass and Vespers of 1610 which spotlights the other major work in Monteverdi’s first prominent sacred print, the Missa in illo tempore, followed by examples of Kurtzman’s work on the sacred music of other composers such as Giovanni Francesco Capello and Palestrina. The section concludes with a piece on polyphonic psalm structures in seventeenth-century Italian Office music. Part two includes pieces which explore the relationship between the standard clef set, the high clef set, specific Magnificat tones and sounding pitch in the Magnificats of Roman composers; the issue of polyphonic psalm antiphons and the question of vocal and instrumental substitutes for plainchant antiphons in the Vespers service; and the use of instruments in the performance of sacred music, demonstrating that the concertato style of the seventeenth century had its origins in the practice of substituting instruments for voices and doubling voices with instruments, thereby introducing multifaceted possibilities for varying sonorities through the course of a composition. Part 3 contains two articles: the first surveying various styles in the Office repertoire of the seventeenth-century based on the approximately 1500 prints of Italian Office music in Kurtzman’s and Anne Schnoebelen’s catalogue of Mass, Office and Holy Week Music Printed in Italy, 1516-1770. The second article, published for the first time in this volume, assesses the impact on Italian liturgical music of the Catholic reform of the second half of the sixteenth-century.
E-bok
PDF, Engelska, 2024702 kr
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Although he is often identified as a Monteverdi scholar (Approaches to Monteverdi: Aesthetic, Psychological, Analytical and Historical Studies, published in the Variorum series in 2013), the majority of Jeffrey Kurtzman’s work has focused on other sixteenth- and seventeenth-century Italian sacred music. Organized into three sections, part one begins with a chapter on the Monteverdi Mass and Vespers of 1610 which spotlights the other major work in Monteverdi’s first prominent sacred print, the Missa in illo tempore, followed by examples of Kurtzman’s work on the sacred music of other composers such as Giovanni Francesco Capello and Palestrina. The section concludes with a piece on polyphonic psalm structures in seventeenth-century Italian Office music. Part two includes pieces which explore the relationship between the standard clef set, the high clef set, specific Magnificat tones and sounding pitch in the Magnificats of Roman composers; the issue of polyphonic psalm antiphons and the question of vocal and instrumental substitutes for plainchant antiphons in the Vespers service; and the use of instruments in the performance of sacred music, demonstrating that the concertato style of the seventeenth century had its origins in the practice of substituting instruments for voices and doubling voices with instruments, thereby introducing multifaceted possibilities for varying sonorities through the course of a composition. Part 3 contains two articles: the first surveying various styles in the Office repertoire of the seventeenth-century based on the approximately 1500 prints of Italian Office music in Kurtzman’s and Anne Schnoebelen’s catalogue of Mass, Office and Holy Week Music Printed in Italy, 1516-1770. The second article, published for the first time in this volume, assesses the impact on Italian liturgical music of the Catholic reform of the second half of the sixteenth-century.
E-bok
PDF, Engelska, 2024936 kr
Läs direkt efter köp
This volume gathers together twelve essays on the composer’s music, reflecting the author''s interests in aesthetic and psychological issues, the sacred works, methods of structural analysis, and the problems of making critical editions. The opera Orfeo and two madrigals from Monteverdi''s Book Eight are the subject of aesthetic and psychological investigation, especially from the perspective of Michel Foucault''s The Order of Things and the psychology of C.J. Jung, all supported by musical analysis. Two essays analyze in detail the structural principles of the psalms Laetatus sum from the 1610 Vespers and the first Dixit Dominus from the Sevla Morale e spirituale of 1641. Two others re-examine the story of Monteverdi''s Mass of Thanksgiving and consider the question of what sacred music Monteverdi actually or likely wrote but is now lost. The final essay critiques and compares the methodology and problems of the Malipiero and Cremona editions of Monteverdi''s Opera Omnia. All but one of these essays were originally published over a time span of twenty years in journals, conference reports, Festschriften, and as book chapters. The majority of them were not widely distributed or readily available until now. The essay on the Malipiero and Cremona editions appears here for the first time.
E-bok
Engelska, 2024702 kr
Läs direkt efter köp
Although he is often identified as a Monteverdi scholar (Approaches to Monteverdi: Aesthetic, Psychological, Analytical and Historical Studies, published in the Variorum series in 2013), the majority of Jeffrey Kurtzman’s work has focused on other sixteenth- and seventeenth-century Italian sacred music. Organized into three sections, part one begins with a chapter on the Monteverdi Mass and Vespers of 1610 which spotlights the other major work in Monteverdi’s first prominent sacred print, the Missa in illo tempore, followed by examples of Kurtzman’s work on the sacred music of other composers such as Giovanni Francesco Capello and Palestrina. The section concludes with a piece on polyphonic psalm structures in seventeenth-century Italian Office music. Part two includes pieces which explore the relationship between the standard clef set, the high clef set, specific Magnificat tones and sounding pitch in the Magnificats of Roman composers; the issue of polyphonic psalm antiphons and the question of vocal and instrumental substitutes for plainchant antiphons in the Vespers service; and the use of instruments in the performance of sacred music, demonstrating that the concertato style of the seventeenth century had its origins in the practice of substituting instruments for voices and doubling voices with instruments, thereby introducing multifaceted possibilities for varying sonorities through the course of a composition. Part 3 contains two articles: the first surveying various styles in the Office repertoire of the seventeenth-century based on the approximately 1500 prints of Italian Office music in Kurtzman’s and Anne Schnoebelen’s catalogue of Mass, Office and Holy Week Music Printed in Italy, 1516-1770. The second article, published for the first time in this volume, assesses the impact on Italian liturgical music of the Catholic reform of the second half of the sixteenth-century.
E-bok
Engelska, 2024936 kr
Läs direkt efter köp
This volume gathers together twelve essays on the composer’s music, reflecting the author''s interests in aesthetic and psychological issues, the sacred works, methods of structural analysis, and the problems of making critical editions. The opera Orfeo and two madrigals from Monteverdi''s Book Eight are the subject of aesthetic and psychological investigation, especially from the perspective of Michel Foucault''s The Order of Things and the psychology of C.J. Jung, all supported by musical analysis. Two essays analyze in detail the structural principles of the psalms Laetatus sum from the 1610 Vespers and the first Dixit Dominus from the Sevla Morale e spirituale of 1641. Two others re-examine the story of Monteverdi''s Mass of Thanksgiving and consider the question of what sacred music Monteverdi actually or likely wrote but is now lost. The final essay critiques and compares the methodology and problems of the Malipiero and Cremona editions of Monteverdi''s Opera Omnia. All but one of these essays were originally published over a time span of twenty years in journals, conference reports, Festschriften, and as book chapters. The majority of them were not widely distributed or readily available until now. The essay on the Malipiero and Cremona editions appears here for the first time.
E-bok
PDF, Engelska, 2013769 kr
Läs direkt efter köp
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance. It includes a comprehensive historical and biographical introduction, focuses on composers significant in their own time, and offers modern notation for contemporary performers.
E-bok
Engelska, 2013769 kr
Läs direkt efter köp
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance. It includes a comprehensive historical and biographical introduction, focuses on composers significant in their own time, and offers modern notation for contemporary performers.
E-bok
PDF, Engelska, 2013769 kr
Läs direkt efter köp
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance. It includes a comprehensive historical and biographical introduction, focuses on composers significant in their own time, and offers modern notation for contemporary performers.
E-bok
Engelska, 2013769 kr
Läs direkt efter köp
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance. It includes a comprehensive historical and biographical introduction, focuses on composers significant in their own time, and offers modern notation for contemporary performers.
E-bok
PDF, Engelska, 2013776 kr
Läs direkt efter köp
First Published in 1998. A New Series Fills a Void in 17th-Century ItalianMusicDrawing on the riches of a largely unknown repertoire, this innovative series makes available in modern score a large selection of Italian sacred music scored from printed part-books that has never before been published in modern editions.Convenientlyorganized and presented in modern scoreEach genre is organized for easy accessibility. Mass settings are presented in chronological order. Vesper and compline music is arranged according to the number of voices, chronologically within each volume, beginning with works for one and two voices and progressing to compositions for multiple choirs.
E-bok
Engelska, 2013769 kr
Läs direkt efter köp
First Published in 1998. A New Series Fills a Void in 17th-Century ItalianMusicDrawing on the riches of a largely unknown repertoire, this innovative series makes available in modern score a large selection of Italian sacred music scored from printed part-books that has never before been published in modern editions.Convenientlyorganized and presented in modern scoreEach genre is organized for easy accessibility. Mass settings are presented in chronological order. Vesper and compline music is arranged according to the number of voices, chronologically within each volume, beginning with works for one and two voices and progressing to compositions for multiple choirs.
E-bok
PDF, Engelska, 20146 181 kr
Läs direkt efter köp
Classics of seventeenth-century Italian sacred music set in modern notation, this third part of Vesper and Compline Music for Multiple Choirs features works by Giacomo Giacobbi, Viriglio Mazzochi, Tarquinio Merula and Francesco Soriano.
E-bok
Engelska, 20146 181 kr
Läs direkt efter köp
Classics of seventeenth-century Italian sacred music set in modern notation, this third part of Vesper and Compline Music for Multiple Choirs features works by Giacomo Giacobbi, Viriglio Mazzochi, Tarquinio Merula and Francesco Soriano.
776 kr
Läs direkt efter köp
First published in 1998. Volume 14 out of a collection of 25 of Seventeenth- Century Italian Sacred Music, focuses on the works of Vesper, and compline music for four principal voices. This series presents a large selection of Italian sacred music scored from printed part-books, works which have not been published in modem editions. Sacred music constitutes the largest gap in our present understanding of seventeenth-century Italian music. The volumes of Vesper and Compline music are arranged according to the number of principal voices, chronologically within each volume, beginning with works for one and two voices, progressing to works for three and four choirs.
769 kr
Läs direkt efter köp
First published in 1998. Volume 14 out of a collection of 25 of Seventeenth- Century Italian Sacred Music, focuses on the works of Vesper, and compline music for four principal voices. This series presents a large selection of Italian sacred music scored from printed part-books, works which have not been published in modem editions. Sacred music constitutes the largest gap in our present understanding of seventeenth-century Italian music. The volumes of Vesper and Compline music are arranged according to the number of principal voices, chronologically within each volume, beginning with works for one and two voices, progressing to works for three and four choirs.
E-bok
Engelska, 20131 086 kr
Läs direkt efter köp
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance. It includes a comprehensive historical and biographical introduction, focuses on composers significant in their own time, and offers modern notation for contemporary performers.
E-bok
PDF, Engelska, 20131 086 kr
Läs direkt efter köp
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance. It includes a comprehensive historical and biographical introduction, focuses on composers significant in their own time, and offers modern notation for contemporary performers.
E-bok
Engelska, 2020936 kr
Läs direkt efter köp
Classics of seventeenth-century Italian sacred music set in modern notation, this second part of Vesper andCompline Music for Multiple Choirs features works by Francesco Cavalli, Giovanni Legrenzi, Natale Monferrato, Agostino Steffani, Lorenzo Penna, Giovanni Paolo Colonna and Giovanni Paolo Colonna.
E-bok
PDF, Engelska, 2020936 kr
Läs direkt efter köp
Classics of seventeenth-century Italian sacred music set in modern notation, this second part of Vesper andCompline Music for Multiple Choirs features works by Francesco Cavalli, Giovanni Legrenzi, Natale Monferrato, Agostino Steffani, Lorenzo Penna, Giovanni Paolo Colonna and Giovanni Paolo Colonna.
Inbunden, Engelska, 2013
2 241 kr
Skickas inom 10-15 vardagar
This volume gathers together twelve essays on the composer’s music, reflecting the author's interests in aesthetic and psychological issues, the sacred works, methods of structural analysis, and the problems of making critical editions. The opera Orfeo and two madrigals from Monteverdi's Book Eight are the subject of aesthetic and psychological investigation, especially from the perspective of Michel Foucault's The Order of Things and the psychology of C.J. Jung, all supported by musical analysis. Two essays analyze in detail the structural principles of the psalms Laetatus sum from the 1610 Vespers and the first Dixit Dominus from the Sevla Morale e spirituale of 1641. Two others re-examine the story of Monteverdi's Mass of Thanksgiving and consider the question of what sacred music Monteverdi actually or likely wrote but is now lost. The final essay critiques and compares the methodology and problems of the Malipiero and Cremona editions of Monteverdi's Opera Omnia. All but one of these essays were originally published over a time span of twenty years in journals, conference reports, Festschriften, and as book chapters. The majority of them were not widely distributed or readily available until now. The essay on the Malipiero and Cremona editions appears here for the first time.
Inbunden, Engelska, 2014
2 222 kr
Skickas inom 10-15 vardagar
Although he is often identified as a Monteverdi scholar (Approaches to Monteverdi: Aesthetic, Psychological, Analytical and Historical Studies, published in the Variorum series in 2013), the majority of Jeffrey Kurtzman’s work has focused on other sixteenth- and seventeenth-century Italian sacred music. Organized into three sections, part one begins with a chapter on the Monteverdi Mass and Vespers of 1610 which spotlights the other major work in Monteverdi’s first prominent sacred print, the Missa in illo tempore, followed by examples of Kurtzman’s work on the sacred music of other composers such as Giovanni Francesco Capello and Palestrina. The section concludes with a piece on polyphonic psalm structures in seventeenth-century Italian Office music. Part two includes pieces which explore the relationship between the standard clef set, the high clef set, specific Magnificat tones and sounding pitch in the Magnificats of Roman composers; the issue of polyphonic psalm antiphons and the question of vocal and instrumental substitutes for plainchant antiphons in the Vespers service; and the use of instruments in the performance of sacred music, demonstrating that the concertato style of the seventeenth century had its origins in the practice of substituting instruments for voices and doubling voices with instruments, thereby introducing multifaceted possibilities for varying sonorities through the course of a composition. Part 3 contains two articles: the first surveying various styles in the Office repertoire of the seventeenth-century based on the approximately 1500 prints of Italian Office music in Kurtzman’s and Anne Schnoebelen’s catalogue of Mass, Office and Holy Week Music Printed in Italy, 1516-1770. The second article, published for the first time in this volume, assesses the impact on Italian liturgical music of the Catholic reform of the second half of the sixteenth-century.