Jeffrey Mehlman - Böcker

In Revolution and Repetition, Jeffrey Mehlman surveys the question of the relation between Karl Marx's writings and the institution of literature. He presents not an application of Marxian categories to literary texts, but a delineation of how the phenomenon of revolution in France is refracted through two divergent series of writings. The first comprises three works by Marx: The Class Struggles in France 1848-1850, The Eighteenth Brumaire of Louis Bonaparte, and The Civil War in France. The second consists of two exemplary nineteenth-century novels on revolution: Victor Hugo's Quatrevingt-treize and Honoré de Balzac's Les Chouans.  Mehlman also explores the limits and opportunities of reading itself. Within a series of precise textual analyses, the reader will encounter Jean Laplanche's lectures on "anxiety" in Freud, Jacques Derrida's Glas, Georg Lukács’s study of Balzac’s “realism," and Michel Foucault's genealogy of prisons, Surveiller et punir. This volume is a working introduction to what may be termed French "post-structuralism."This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.

In Revolution and Repetition, Jeffrey Mehlman surveys the question of the relation between Karl Marx's writings and the institution of literature. He presents not an application of Marxian categories to literary texts, but a delineation of how the phenomenon of revolution in France is refracted through two divergent series of writings. The first comprises three works by Marx: The Class Struggles in France 1848-1850, The Eighteenth Brumaire of Louis Bonaparte, and The Civil War in France. The second consists of two exemplary nineteenth-century novels on revolution: Victor Hugo's Quatrevingt-treize and Honoré de Balzac's Les Chouans.  Mehlman also explores the limits and opportunities of reading itself. Within a series of precise textual analyses, the reader will encounter Jean Laplanche's lectures on "anxiety" in Freud, Jacques Derrida's Glas, Georg Lukács’s study of Balzac’s “realism," and Michel Foucault's genealogy of prisons, Surveiller et punir. This volume is a working introduction to what may be termed French "post-structuralism."This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.

In this 1995 book, which includes a substantial introduction, Jeffrey Mehlman confronts the politically devastating resonances in the work of several leading French writers. The essays focus on the series of enigmas surrounding the 'Blanchot affair' - a scandal provoked by Mehlman's revelation in 1977 that Maurice Blanchot, one of the tutelary figures of contemporary French thought, had in the 1930s been a prominent fascist journalist. Mehlman takes the issue of Blanchot's forgotten political essays deep into the most revered - and misunderstood - of his novels, L'Arrêt de mort. Using this affair as a point of departure, Mehlman sheds light on the question of the usability of psychoanalysis for literary readings (examining, for example, Baudelaire, Mallarmé and Valéry); he also investigates the ideological and political connotations of similar literary and theoretical material. The volume as a whole provides a consistently provocative meditation on literature, ethics, and the experience of the French in World War II.

In this 1995 book, which includes a substantial introduction, Jeffrey Mehlman confronts the politically devastating resonances in the work of several leading French writers. The essays focus on the series of enigmas surrounding the 'Blanchot affair' - a scandal provoked by Mehlman's revelation in 1977 that Maurice Blanchot, one of the tutelary figures of contemporary French thought, had in the 1930s been a prominent fascist journalist. Mehlman takes the issue of Blanchot's forgotten political essays deep into the most revered - and misunderstood - of his novels, L'Arrêt de mort. Using this affair as a point of departure, Mehlman sheds light on the question of the usability of psychoanalysis for literary readings (examining, for example, Baudelaire, Mallarmé and Valéry); he also investigates the ideological and political connotations of similar literary and theoretical material. The volume as a whole provides a consistently provocative meditation on literature, ethics, and the experience of the French in World War II.

Consider the oddly juxtaposed eminence of those in attendance: Wartime New York was the city where French Symbolism, in the person of Maurice Maeterlinck, came to live out its last productive years; where French surrealism, in the person of Andre Breton, came to survive; and where French structuralism, in the person of Claude Levi-Strauss, came to be born. From the largely forgotten prewar visit to the city of Petain and Laval to the seizing, burning, and capsizing of the Normandie, France's floating museum, in the Hudson River, Jeffrey Mehlman evokes the writerly world of French Manhattan, its achievements and feuds, during one of the most vexed periods of French history. In Emigre New York, a series of surprising and expertly etched portraits emerge against the backdrop of an overriding irony: the United States, the world's principal hope in the battle against Hitler's barbarism, was for the most part more eager to deal with Petain's collaborationist regime than with what Secretary of State Cordell Hull called de Gaulle's "so-called Free French" movement.

This memoir is less a chronicle of the life of a leading scholar and critic of matters French than a series of differently angled fragments, each with its attendant surprise, in what one commentator has called Jeffrey Mehlman's amour vache—his injured and occasionally injurious love—for France and the French. The reader will encounter masters of the art of reading in these pages, the exhilaration elicited by their achievements, and the unexpected (and occasionally unsettling) resonances those achievements have had in the author's life. With all its idiosyncrasies, Adventures in the French Trade depicts an intellectual generation in ways that will attract not only people who recall the heady days of the rise and reign of French theory but also those who do not. This provocative book should be of interest to students of intellectual history, literary criticism, Jewish studies, the history of American academia, and the genre of the memoir itself.

Legacies of Anti-Semitism in France was first published in 1983. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.These four essays—on Blanchot, Lacan, Giraudoux, and Gide—have as their focus the barely imaginable coherence which the writings of four major contemporaries take on when read in the light of France's pre-World War II heritage of anti-Jewish thought. As the essays delve into such crucial topics as the inaugural silence in Blanchot's sense of literature, the "style" of Lacan, Giraudoux's relation to Racine, and the sexual politics of Gide, they engage a realm that at times seems—or seemed—anti-Semitic in its essence. Negotiating the complex ramifications of a lost tradition and the structure of its obliteration, Jeffrey Mehlman, in his conclusion, speculates on the emblematic value of Walter Benjamin's perpetually deferred "journey to Palestine via France" and its import for textual interpretation.A French version of Mehlman's essay on Blanchot, published in Tel quel,spurred an impassioned journalistic debate in Paris and London. Broadening still further the context of that inquiry, Legacies will prove a source of provocation and insight to all who are interested in the intellectual history of contemporary France.