Jeffrey N. Cox – författare
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13 produkter
13 produkter
Häftad, Engelska, 2008
277 kr
Skickas inom 5-8 vardagar
For this reason, this volume presents the writings in the order of publication rather than composition. Readers can trace the poems through letters, reviews, and related material chronologically interleaved with the texts themselves. This edition offers extensive apparatus to help readers fully appreciate Keats’s poetry and legacy, including an introduction, headnotes, explanatory annotations, and a wealth of contextual documents.“Criticism” includes twelve important commentaries on Keats and his poetry, by Paul de Man, Marjorie Levinson, Grant F. Scott, Margaret Homans, Nicholas Roe, Stuart Sperry, Neil Fraistat, Jack Stillinger, James Chandler, Alan Bewell, and Jeffrey N. Cox.
Del 31 - Cambridge Studies in Romanticism
Poetry and Politics in the Cockney School
Keats, Shelley, Hunt and their Circle
Häftad, Engelska, 2004
565 kr
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Jeffrey N. Cox refines our conception of 'second generation' Romanticism by placing it within the circle of writers around Leigh Hunt that came to be known as the 'Cockney School'. Offering a theory of the group as a key site for cultural production, Cox challenges the traditional image of the Romantic poet as an isolated figure by recreating the social nature of the work of Shelley, Keats, Hunt, Hazlitt, Byron, and others, as they engaged in literary contests, wrote poems celebrating one another, and worked collaboratively on journals and other projects. Cox also recovers the work of neglected writers such as John Hamilton Reynolds, Horace Smith, and Cornelius Webb as part of the rich social and cultural context of Hunt's circle. This 1999 book not only demonstrates convincingly that a 'Cockney School' existed, but shows that it was committed to putting literature in the service of social, cultural, and political reform.
Del 31 - Cambridge Studies in Romanticism
Poetry and Politics in the Cockney School
Keats, Shelley, Hunt and their Circle
Inbunden, Engelska, 1999
1 539 kr
Skickas inom 7-10 vardagar
Jeffrey N. Cox refines our conception of 'second generation' Romanticism by placing it within the circle of writers around Leigh Hunt that came to be known as the 'Cockney School'. Offering a theory of the group as a key site for cultural production, Cox challenges the traditional image of the Romantic poet as an isolated figure by recreating the social nature of the work of Shelley, Keats, Hunt, Hazlitt, Byron, and others, as they engaged in literary contests, wrote poems celebrating one another, and worked collaboratively on journals and other projects. Cox also recovers the work of neglected writers such as John Hamilton Reynolds, Horace Smith, and Cornelius Webb as part of the rich social and cultural context of Hunt's circle. This 1999 book not only demonstrates convincingly that a 'Cockney School' existed, but shows that it was committed to putting literature in the service of social, cultural, and political reform.
Häftad, Engelska, 1993
949 kr
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This volume, growing out of the celebrated turn toward history in literary criticism, showcases some of the best new historical work being done today in textual theory, literary history, and cultural criticism. The collection brings together for the first time key representativesfrom various schools of historicist scholarship, including leading critics whose work has helped define new historicism. The essays illuminate literary periods ranging from Anglo-Saxon to postmodern, a variety of literary texts that includes The Siege of Thebes, Macbeth, The Jazz Singer, and The Chosen Place, the Timeless People, and central issues that have marked new historicism: power, ideology, textuality, othering, marginality, exile, and liberation. The contributors are Janet Aikins, Lawrence Buell, Ralph Cohen, Margaret Ezell, Stephen Greenblatt, Terence Hoagwood, Jerome McGann, Robert Newman, Katherine O'Keeffe, Lee Patterson, Michael Rogin, Edward Said, and Hortense Spillers. The editors' introduction situates the various essays within contemporary criticism and explores the multiple, contestatory issues at stake within the historicist enterprise.
1 199 kr
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This volume, growing out of the celebrated turn toward history in literary criticism, showcases some of the best new historical work being done today in textual theory, literary history, and cultural criticism. The collection brings together for the first time key representativesfrom various schools of historicist scholarship, including leading critics whose work has helped define new historicism. The essays illuminate literary periods ranging from Anglo-Saxon to postmodern, a variety of literary texts that includes The Siege of Thebes, Macbeth, The Jazz Singer, and The Chosen Place, the Timeless People, and central issues that have marked new historicism: power, ideology, textuality, othering, marginality, exile, and liberation. The contributors are Janet Aikins, Lawrence Buell, Ralph Cohen, Margaret Ezell, Stephen Greenblatt, Terence Hoagwood, Jerome McGann, Robert Newman, Katherine O''Keeffe, Lee Patterson, Michael Rogin, Edward Said, and Hortense Spillers. The editors'' introduction situates the various essays within contemporary criticism and explores the multiple, contestatory issues at stake within the historicist enterprise.
Häftad, Engelska, 1993
435 kr
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The Gothic drama came at a critical moment in the history of the theater, of British culture, and of European politics in the shadow of France's revolution and the fall of Napoleon. It offered playwrights a medium to express the prevailing ideological tensions of romanticism and revolution, and also responded to a growing and changing theater audience.In a wide-ranging introduction, Cox explores Gothic drama's links with romanticism and its relation to other social and ideological shifts of the day. The texts are presented so as to reflect the dual life of dramatic works—on the stage and on the page. The plays are annotated and accompanied by biographic and bibliographic sketches.Includes The Kentish Barons, by Francis North; Julia of Louvain; or, Monkish Cruelty, by J.C. Cross; The Castle Spectre, by Matthew G. Lewis; The Captive, by Matthew G. Lewis; De Monfort, by Joanna Baillie; Bertram; or, The Castle of St. Aldobrand, by C.R. Maturin; and Presumption; or, The Fate of Frankenstein, by R.B. Peake.
E-bok
PDF, Engelska, 20201 083 kr
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Most writers associated with the first generation of British Romanticism - Blake, Coleridge, Wordsworth, Southey, Thelwall, and others - wrote against the slave trade. This edition collects a corpus of work which reflects the issues and theories concerning slavery and the status of the slave.
E-bok
Engelska, 20201 083 kr
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Most writers associated with the first generation of British Romanticism - Blake, Coleridge, Wordsworth, Southey, Thelwall, and others - wrote against the slave trade. This edition collects a corpus of work which reflects the issues and theories concerning slavery and the status of the slave.
Del 107 - Cambridge Studies in Romanticism
Romanticism in the Shadow of War
Literary Culture in the Napoleonic War Years
Inbunden, Engelska, 2014
1 539 kr
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Jeffrey N. Cox reconsiders the history of British Romanticism, seeing the work of Byron, the Shelleys, and Keats responding not only to the 'first generation' Romantics led by Wordsworth, but more directly to the cultural innovations of the Napoleonic War years. Recreating in depth three moments of political crisis and cultural creativity - the Peace of Amiens, the Regency Crisis, and Napoleon's first abdication - Cox shows how 'second generation' Romanticism drew on cultural 'border raids', seeking a global culture at a time of global war. This book explores how the introduction on the London stage of melodrama in 1803 shaped Romantic drama, how Barbauld's prophetic satire Eighteen Hundred and Eleven prepares for the work of the Shelleys, and how Hunt's controversial Story of Rimini showed younger writers how to draw on the Italian cultural archive. Responding to world war, these writers sought to embrace a radically new vision of the world.
Del 107 - Cambridge Studies in Romanticism
Romanticism in the Shadow of War
Literary Culture in the Napoleonic War Years
Häftad, Engelska, 2017
534 kr
Skickas inom 7-10 vardagar
Jeffrey N. Cox reconsiders the history of British Romanticism, seeing the work of Byron, the Shelleys, and Keats responding not only to the 'first generation' Romantics led by Wordsworth, but more directly to the cultural innovations of the Napoleonic War years. Recreating in depth three moments of political crisis and cultural creativity - the Peace of Amiens, the Regency Crisis, and Napoleon's first abdication - Cox shows how 'second generation' Romanticism drew on cultural 'border raids', seeking a global culture at a time of global war. This book explores how the introduction on the London stage of melodrama in 1803 shaped Romantic drama, how Barbauld's prophetic satire Eighteen Hundred and Eleven prepares for the work of the Shelleys, and how Hunt's controversial Story of Rimini showed younger writers how to draw on the Italian cultural archive. Responding to world war, these writers sought to embrace a radically new vision of the world.
Inbunden, Engelska, 1999
2 378 kr
Skickas inom 10-15 vardagar
Most writers associated with the first generation of British Romanticism - Blake, Coleridge, Wordsworth, Southey, Thelwall, and others - wrote against the slave trade. This edition collects a corpus of work which reflects the issues and theories concerning slavery and the status of the slave.
E-bok
Engelska, 2014619 kr
Läs direkt efter köp
Jeffrey N. Cox reconsiders the history of British Romanticism, seeing the work of Byron, the Shelleys, and Keats responding not only to the ''first generation'' Romantics led by Wordsworth, but more directly to the cultural innovations of the Napoleonic War years. Recreating in depth three moments of political crisis and cultural creativity - the Peace of Amiens, the Regency Crisis, and Napoleon''s first abdication - Cox shows how ''second generation'' Romanticism drew on cultural ''border raids'', seeking a global culture at a time of global war. This book explores how the introduction on the London stage of melodrama in 1803 shaped Romantic drama, how Barbauld''s prophetic satire Eighteen Hundred and Eleven prepares for the work of the Shelleys, and how Hunt''s controversial Story of Rimini showed younger writers how to draw on the Italian cultural archive. Responding to world war, these writers sought to embrace a radically new vision of the world.
E-bok
PDF, Engelska, 2014619 kr
Läs direkt efter köp
Jeffrey N. Cox reconsiders the history of British Romanticism, seeing the work of Byron, the Shelleys, and Keats responding not only to the ''first generation'' Romantics led by Wordsworth, but more directly to the cultural innovations of the Napoleonic War years. Recreating in depth three moments of political crisis and cultural creativity - the Peace of Amiens, the Regency Crisis, and Napoleon''s first abdication - Cox shows how ''second generation'' Romanticism drew on cultural ''border raids'', seeking a global culture at a time of global war. This book explores how the introduction on the London stage of melodrama in 1803 shaped Romantic drama, how Barbauld''s prophetic satire Eighteen Hundred and Eleven prepares for the work of the Shelleys, and how Hunt''s controversial Story of Rimini showed younger writers how to draw on the Italian cultural archive. Responding to world war, these writers sought to embrace a radically new vision of the world.