Jennifer Cooke – författare

A member of the art history generation from the golden age of the 1920s and 1930s, Millard Meiss (1904–1975) developed a new and multi-faceted methodological approach.This book lays the foundation for a reassessment of this key figure in post-war American and international art history. The book analyses his work alongside that of contemporary art historians, considering both those who influenced him and those who were receptive to his research. Jennifer Cooke uses extensive archival material to give Meiss the critical consideration that his extensive and important art historical, restoration and conservation work deserves.This book will be of interest to scholars in art history, historiography and heritage management and conservation.

A member of the art history generation from the golden age of the 1920s and 1930s, Millard Meiss (1904–1975) developed a new and multi-faceted methodological approach.This book lays the foundation for a reassessment of this key figure in post-war American and international art history. The book analyses his work alongside that of contemporary art historians, considering both those who influenced him and those who were receptive to his research. Jennifer Cooke uses extensive archival material to give Meiss the critical consideration that his extensive and important art historical, restoration and conservation work deserves.This book will be of interest to scholars in art history, historiography and heritage management and conservation.

Intersectional Feminist Research Methodologies: Applications in the Social Sciences and Humanities is a multi-disciplinary volume in which emerging and established scholars present new feminist research methods and re-evaluate existing approaches.This collection examines how both new and established feminist methods address intersecting identities and structures of inequality including gender, race, sexuality, and class. Each chapter provides a case study of a methodology or methodologies that have been adopted, developed, or adapted within the author's field – including sociology, criminology, political science, history, literature, and performance studies. The volume articulates the importance of knowledge production that arises from the situated and lived experiences of individuals, groups, and communities. It discusses how we survive as feminists in today’s neoliberal universities, and includes research on trans and nonbinary people, Indonesian history and the #MeToo movement, world-literature from the Philippines, memory work, and crime on the London transport network. The contributors engage with intersectionality in different ways but collectively they demonstrate the pervasiveness of intersectional thinking and practice in feminist scholarship today.Intersectional Feminist Research Methodologies will be of value to both undergraduate and graduate students conducting research, as well as doctoral researchers and more established feminist researchers.

Intersectional Feminist Research Methodologies: Applications in the Social Sciences and Humanities is a multi-disciplinary volume in which emerging and established scholars present new feminist research methods and re-evaluate existing approaches.This collection examines how both new and established feminist methods address intersecting identities and structures of inequality including gender, race, sexuality, and class. Each chapter provides a case study of a methodology or methodologies that have been adopted, developed, or adapted within the author's field – including sociology, criminology, political science, history, literature, and performance studies. The volume articulates the importance of knowledge production that arises from the situated and lived experiences of individuals, groups, and communities. It discusses how we survive as feminists in today’s neoliberal universities, and includes research on trans and nonbinary people, Indonesian history and the #MeToo movement, world-literature from the Philippines, memory work, and crime on the London transport network. The contributors engage with intersectionality in different ways but collectively they demonstrate the pervasiveness of intersectional thinking and practice in feminist scholarship today.Intersectional Feminist Research Methodologies will be of value to both undergraduate and graduate students conducting research, as well as doctoral researchers and more established feminist researchers.

The New Feminist Literary Studies presents sixteen essays by leading and emerging scholars that examine contemporary feminism and the most pressing issues of today. The book is divided into three sections. This first section , 'Frontiers', contains essays on issues and phenomena that may be considered, if not new, then newly and sometimes uneasily prominent in the public eye: transfeminism, the sexual violence highlighted by #MeToo, Black motherhood, migration, sex worker rights, and celebrity feminism. Essays in the second section, 'Fields', specifically intervene into long-constituted or relatively new academic fields and areas of theory: disability studies, eco-theory, queer studies, and Marxist feminism. Finally, the third section, 'Forms', is dedicated to literary genres and tackles novels of domesticity, feminist dystopias, young adult fiction, feminist manuals and manifestos, memoir, and poetry. Together these essays provide new interventions into the thinking and theorising of contemporary feminism.

The New Feminist Literary Studies presents sixteen essays by leading and emerging scholars that examine contemporary feminism and the most pressing issues of today. The book is divided into three sections. This first section , 'Frontiers', contains essays on issues and phenomena that may be considered, if not new, then newly and sometimes uneasily prominent in the public eye: transfeminism, the sexual violence highlighted by #MeToo, Black motherhood, migration, sex worker rights, and celebrity feminism. Essays in the second section, 'Fields', specifically intervene into long-constituted or relatively new academic fields and areas of theory: disability studies, eco-theory, queer studies, and Marxist feminism. Finally, the third section, 'Forms', is dedicated to literary genres and tackles novels of domesticity, feminist dystopias, young adult fiction, feminist manuals and manifestos, memoir, and poetry. Together these essays provide new interventions into the thinking and theorising of contemporary feminism.

Contemporary Feminist Life-Writing is the first volume to identify and analyse the 'new audacity' of recent feminist writings from life. Characterised by boldness in both style and content, willingness to explore difficult and disturbing experiences, the refusal of victimhood, and a lack of respect for traditional genre boundaries, new audacity writing takes risks with its author's and others' reputations, and even, on occasion, with the law. This book offers an examination and critical assessment of new audacity in works by Katherine Angel, Alison Bechdel, Marie Calloway, Virginie Despentes, Tracey Emin, Sheila Heti, Juliet Jacques, Chris Krauss, Jana Leo, Maggie Nelson, Vanessa Place, Paul Preciado, and Kate Zambreno. It analyses how they write about women's self-authorship, trans experiences, struggles with mental illness, sexual violence and rape, and the desire for sexual submission. It engages with recent feminist and gender scholarship, providing discussions of vulnerability, victimhood, authenticity, trauma, and affect.

Scenes of Intimacy analyzes the representation of acts and relationships of intimacy in contemporary literature, the effect this has upon readers, and the ways these representations resonate with, complement, and challenge the concerns of contemporary theory. Opening with an in-depth interview with literary critic, Derridean, and novelist Professor Nicholas Royle, the volume contains eleven further essays that move from intimate scenes of familial and pedagogic legacy, on to representations of love, of sex, and finally to scenes of death and dying. The essays are textually attentive to how literary techniques create intimacy, and draw upon new and notable theoretical positions and critics from queer theory, affect studies, psychoanalysis, poststructualism and deconstruction to ask difficult and uncomfortable questions about intimacy and its representation. Across the genres of poetry, autobiography, journals, love letters, short stories and novels, Scenes of Intimacy shows that contemporary literature poses new possibilities and questions about our intimate relationalities, their failures and their futures.

Scenes of Intimacy analyzes the representation of acts and relationships of intimacy in contemporary literature, the effect this has upon readers, and the ways these representations resonate with, complement, and challenge the concerns of contemporary theory. Opening with an in-depth interview with literary critic, Derridean, and novelist Professor Nicholas Royle, the volume contains eleven further essays that move from intimate scenes of familial and pedagogic legacy, on to representations of love, of sex, and finally to scenes of death and dying. The essays are textually attentive to how literary techniques create intimacy, and draw upon new and notable theoretical positions and critics from queer theory, affect studies, psychoanalysis, poststructualism and deconstruction to ask difficult and uncomfortable questions about intimacy and its representation. Across the genres of poetry, autobiography, journals, love letters, short stories and novels, Scenes of Intimacy shows that contemporary literature poses new possibilities and questions about our intimate relationalities, their failures and their futures.