Jennifer Drouin – författare

Shakespeare / Sex interrogates the relationship between Shakespeare and sex by challenging readers to consider Shakespeare’s texts in light of the most recent theoretical approaches to gender and sexuality studies. It takes as its premise that gender and sexuality studies are key to any interpretation of Shakespeare, be it his texts and their historical contexts, contemporary stage and cinematic productions, or adaptations from the Restoration to the present day. Approaching ‘sex’ from four main perspectives – heterosexuality, third-wave intersectional feminism, queer studies and trans studies – this book tackles a range of key topics, such as medical science, rape culture, the environment, disability, religion, childhood sexuality, race, homoeroticism and trans bodies.The 12 essays range across Shakespeare’s poems and plays, including the Sonnets and The Rape of Lucrece, Coriolanus, A Midsummer Night’s Dream, Measure for Measure, Richard III and The Two Noble Kinsmen. Encouraged to push the envelope, contributors to this essay collection open new avenues of inquiry for the study of gender and sexuality in Shakespeare.

Shakespeare / Sex interrogates the relationship between Shakespeare and sex by challenging readers to consider Shakespeare''s texts in light of the most recent theoretical approaches to gender and sexuality studies. It takes as its premise that gender and sexuality studies are key to any interpretation of Shakespeare, be it his texts and their historical contexts, contemporary stage and cinematic productions, or adaptations from the Restoration to the present day. Approaching ''sex'' from four main perspectives – heterosexuality, third-wave intersectional feminism, queer studies and trans studies – this book tackles a range of key topics, such as medical science, rape culture, the environment, disability, religion, childhood sexuality, race, homoeroticism and trans bodies.The 12 essays range across Shakespeare''s poems and plays, including the Sonnets and The Rape of Lucrece, Coriolanus, A Midsummer Night''s Dream, Measure for Measure, Richard III and The Two Noble Kinsmen. Encouraged to push the envelope, contributors to this essay collection open new avenues of inquiry for the study of gender and sexuality in Shakespeare.

Shakespeare / Sex interrogates the relationship between Shakespeare and sex by challenging readers to consider Shakespeare''s texts in light of the most recent theoretical approaches to gender and sexuality studies. It takes as its premise that gender and sexuality studies are key to any interpretation of Shakespeare, be it his texts and their historical contexts, contemporary stage and cinematic productions, or adaptations from the Restoration to the present day. Approaching ''sex'' from four main perspectives – heterosexuality, third-wave intersectional feminism, queer studies and trans studies – this book tackles a range of key topics, such as medical science, rape culture, the environment, disability, religion, childhood sexuality, race, homoeroticism and trans bodies.The 12 essays range across Shakespeare''s poems and plays, including the Sonnets and The Rape of Lucrece, Coriolanus, A Midsummer Night''s Dream, Measure for Measure, Richard III and The Two Noble Kinsmen. Encouraged to push the envelope, contributors to this essay collection open new avenues of inquiry for the study of gender and sexuality in Shakespeare.

Shakespeare / Sex interrogates the relationship between Shakespeare and sex by challenging readers to consider Shakespeare’s texts in light of the most recent theoretical approaches to gender and sexuality studies. It takes as its premise that gender and sexuality studies are key to any interpretation of Shakespeare, be it his texts and their historical contexts, contemporary stage and cinematic productions, or adaptations from the Restoration to the present day. Approaching ‘sex’ from four main perspectives – heterosexuality, third-wave intersectional feminism, queer studies and trans studies – this book tackles a range of key topics, such as medical science, rape culture, the environment, disability, religion, childhood sexuality, race, homoeroticism and trans bodies.The 12 essays range across Shakespeare’s poems and plays, including the Sonnets and The Rape of Lucrece, Coriolanus, A Midsummer Night’s Dream, Measure for Measure, Richard III and The Two Noble Kinsmen. Encouraged to push the envelope, contributors to this essay collection open new avenues of inquiry for the study of gender and sexuality in Shakespeare.

In Shakespeare in QuÉbec, Jennifer Drouin analyses representations of nation and gender in Shakespearean adaptations written in QuÉbec since the Quiet Revolution. Using postcolonial and gender theory, Drouin traces the evolution of discourses of nation and gender in QuÉbec from the Conquest of New France to the present, and she elaborates a theory of adaptation specific to Shakespeare studies.Drouin’s book explains why QuÉbÉcois playwrights seem so obsessed with rewriting “le grand Will,” what changes they make to the Shakespearean text, and how the differences between Shakespeare and the adaptations engage the nationalist, feminist, and queer concerns of QuÉbec society.Close readings from ten plays investigate the radical changes to content that allowed QuÉbÉcois playwrights to advocate for political change and contribute to the hot debates of the Quiet Revolution, the 1970 October Crisis, the 1980 and 1995 referenda, the rise of feminism, and the emergence of AIDS. Drouin reveals not only how Shakespeare has been adapted in QuÉbec but also how QuÉbÉcois adaptations have evolved in response to changes in the political climate. As a critical analysis in English of rich but largely ignored French plays, Shakespeare in QuÉbec bridges Canada’s “two solitudes.”

In Shakespeare in QuÉbec, Jennifer Drouin analyses representations of nation and gender in Shakespearean adaptations written in QuÉbec since the Quiet Revolution. Using postcolonial and gender theory, Drouin traces the evolution of discourses of nation and gender in QuÉbec from the Conquest of New France to the present, and she elaborates a theory of adaptation specific to Shakespeare studies.Drouin’s book explains why QuÉbÉcois playwrights seem so obsessed with rewriting “le grand Will,” what changes they make to the Shakespearean text, and how the differences between Shakespeare and the adaptations engage the nationalist, feminist, and queer concerns of QuÉbec society.Close readings from ten plays investigate the radical changes to content that allowed QuÉbÉcois playwrights to advocate for political change and contribute to the hot debates of the Quiet Revolution, the 1970 October Crisis, the 1980 and 1995 referenda, the rise of feminism, and the emergence of AIDS. Drouin reveals not only how Shakespeare has been adapted in QuÉbec but also how QuÉbÉcois adaptations have evolved in response to changes in the political climate. As a critical analysis in English of rich but largely ignored French plays, Shakespeare in QuÉbec bridges Canada’s “two solitudes.”