Jennifer Nelson – författare

Anxious about the threat of Ottoman invasion and a religious schism that threatened Christianity from within, sixteenth-century northern Europeans increasingly saw their world as disharmonious and full of mutual contradictions. Examining the work of four unusual but influential northern Europeans as they faced Europe’s changing identity, Jennifer Nelson reveals the ways in which these early modern thinkers and artists grappled with the problem of cultural, religious, and cosmological difference in relation to notions of universals and the divine.Focusing on northern Europe during the first half of the sixteenth century, this book proposes a complementary account of a Renaissance and Reformation for which epistemology is not so much destabilized as pluralized. Addressing a wide range of media—including paintings, etchings and woodcuts, university curriculum regulations, clocks, sundials, anthologies of proverbs, and astrolabes—Nelson argues that inconsistency, discrepancy, and contingency were viewed as fundamental features of worldly existence. Taking as its starting point Hans Holbein’s famously complex double portrait The Ambassadors, and then examining Philipp Melanchthon’s measurement-minded theology of science, Georg Hartmann’s modular sundials, and Desiderius Erasmus’s eclectic Adages, Disharmony of the Spheres is a sophisticated and challenging reconsideration of sixteenth-century northern European culture and its discomforts.Carefully researched and engagingly written, Disharmony of the Spheres will be of vital interest to historians of early modern European art, religion, science, and culture.

Anxious about the threat of Ottoman invasion and a religious schism that threatened Christianity from within, sixteenth-century northern Europeans increasingly saw their world as disharmonious and full of mutual contradictions. Examining the work of four unusual but influential northern Europeans as they faced Europe’s changing identity, Jennifer Nelson reveals the ways in which these early modern thinkers and artists grappled with the problem of cultural, religious, and cosmological difference in relation to notions of universals and the divine.Focusing on northern Europe during the first half of the sixteenth century, this book proposes a complementary account of a Renaissance and Reformation for which epistemology is not so much destabilized as pluralized. Addressing a wide range of media—including paintings, etchings and woodcuts, university curriculum regulations, clocks, sundials, anthologies of proverbs, and astrolabes—Nelson argues that inconsistency, discrepancy, and contingency were viewed as fundamental features of worldly existence. Taking as its starting point Hans Holbein’s famously complex double portrait The Ambassadors, and then examining Philipp Melanchthon’s measurement-minded theology of science, Georg Hartmann’s modular sundials, and Desiderius Erasmus’s eclectic Adages, Disharmony of the Spheres is a sophisticated and challenging reconsideration of sixteenth-century northern European culture and its discomforts.Carefully researched and engagingly written, Disharmony of the Spheres will be of vital interest to historians of early modern European art, religion, science, and culture.

This unique collection of essays, accompanied by a pioneering DVD, at last brings a dazzling view of the literary, social, and performative aspects of American Sign Language to a wide audience. The book presents the work of a renowned and diverse group of deaf, hard-of-hearing, and hearing scholars who examine original ASL poetry, narrative, and drama. The DVD showcases the poems and narratives under discussion in their original form, providing access to them for hearing non-signers for the first time. Together, the book and DVD provide new insight into the history, culture, and creative achievements of the deaf community while expanding the scope of the visual and performing arts, literary criticism, and comparative literature.

This unique collection of essays, accompanied by videos, at last brings a dazzling view of the literary, social, and performative aspects of American Sign Language to a wide audience. The book presents the work of a renowned and diverse group of deaf, hard-of-hearing, and hearing scholars who examine original ASL poetry, narrative, and drama. The videos showcases the poems and narratives under discussion in their original form, providing access to them for hearing non-signers for the first time. Together, the book and videos provide new insight into the history, culture, and creative achievements of the deaf community while expanding the scope of the visual and performing arts, literary criticism, and comparative literature. The videos may be viewed online at ucpress.edu/go/signingthebodypoetic.

Uncovers the truth behind the ideas, struggles, and eventually success of Black and Puerto Rican Nationalists regarding key feminist issues of the 1960s, 1970s, and 1980sWhile most people believe that the movement to secure voluntary reproductive control for women centered solely on abortion rights, for many women abortion was not the only, or even primary, focus. Jennifer Nelson tells the story of the feminist struggle for legal abortion and reproductive rights in the 1960s, 1970s, and early 1980s through the particular contributions of women of color. She explores the relationship between second-wave feminists, who were concerned with a woman's right to choose, Black and Puerto Rican Nationalists, who were concerned that Black and Puerto Rican women have as many children as possible "for the revolution," and women of color themselves, who negotiated between them. Contrary to popular belief, Nelson shows that women of color were able to successfully remake the mainstream women's liberation and abortion rights movements by appropriating select aspects of Black Nationalist politics—including addressing sterilization abuse, access to affordable childcare and healthcare, and ways to raise children out of poverty—for feminist discourse.

Uncovers the truth behind the ideas, struggles, and eventually success of Black and Puerto Rican Nationalists regarding key feminist issues of the 1960s, 1970s, and 1980sWhile most people believe that the movement to secure voluntary reproductive control for women centered solely on abortion rights, for many women abortion was not the only, or even primary, focus. Jennifer Nelson tells the story of the feminist struggle for legal abortion and reproductive rights in the 1960s, 1970s, and early 1980s through the particular contributions of women of color. She explores the relationship between second-wave feminists, who were concerned with a woman's right to choose, Black and Puerto Rican Nationalists, who were concerned that Black and Puerto Rican women have as many children as possible "for the revolution," and women of color themselves, who negotiated between them. Contrary to popular belief, Nelson shows that women of color were able to successfully remake the mainstream women's liberation and abortion rights movements by appropriating select aspects of Black Nationalist politics—including addressing sterilization abuse, access to affordable childcare and healthcare, and ways to raise children out of poverty—for feminist discourse.

In 1948, the Constitution of the World Health Organization declared, "Health is a state of complete physical, mental and social well-being and not merely the absence of disease or infirmity." Yet this idea was not predominant in the United States immediately after World War II, especially when it came to women's reproductive health. Both legal and medical institutions—and the male legislators and physicians who populated those institutions—reinforced women's second class social status and restricted their ability to make their own choices about reproductive health care.In More Than Medicine, Jennifer Nelson reveals how feminists of the '60s and '70s applied the lessons of the new left and civil rights movements to generate a women's health movement. The new movement shifted from the struggle to revolutionize health care to the focus of ending sex discrimination and gender stereotypes perpetuated in mainstream medical contexts. Moving from the campaign for legal abortion to the creation of community clinics and feminist health centers, Nelson illustrates how these activists revolutionized health care by associating it with the changing social landscape in which women had power to control their own life choices.More Than Medicine poignantly reveals how social justice activists in the United States gradually transformed the meaning of health care, pairing traditional notions of medicine with less conventional ideas of "healthy" social and political environments.

In 1948, the Constitution of the World Health Organization declared, "Health is a state of complete physical, mental and social well-being and not merely the absence of disease or infirmity." Yet this idea was not predominant in the United States immediately after World War II, especially when it came to women's reproductive health. Both legal and medical institutions—and the male legislators and physicians who populated those institutions—reinforced women's second class social status and restricted their ability to make their own choices about reproductive health care.In More Than Medicine, Jennifer Nelson reveals how feminists of the '60s and '70s applied the lessons of the new left and civil rights movements to generate a women's health movement. The new movement shifted from the struggle to revolutionize health care to the focus of ending sex discrimination and gender stereotypes perpetuated in mainstream medical contexts. Moving from the campaign for legal abortion to the creation of community clinics and feminist health centers, Nelson illustrates how these activists revolutionized health care by associating it with the changing social landscape in which women had power to control their own life choices.More Than Medicine poignantly reveals how social justice activists in the United States gradually transformed the meaning of health care, pairing traditional notions of medicine with less conventional ideas of "healthy" social and political environments.

Technology may not be a magic wand, but innovative technology programming can genuinely help children become adept at navigating our increasingly wired world while also helping them develop deductive reasoning, math, and other vital literacy skills.

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched.Women’s Activism and "Second Wave" Feminism situates late 20th-century feminisms within a global framework of women’s activism. Its chapters, written by leading international scholars, demonstrate how issues of heterogeneity, transnationalism, and intersectionality have transformed understandings of historical feminism. It is no longer possible to imagine that feminism has ever fostered an unproblematic sisterhood among women blind to race, ethnicity, class, sexuality, nationality and citizenship status. The chapters in this collection modify the "wave" metaphor in some cases and in others re-periodize it. By studying individual movements, they collectively address several themes that advance our understandings of the history of feminism, such as the rejection of "hegemonic" feminism by marginalized feminist groups, transnational linkages among women’s organizations, transnational flows of ideas and transnational migration. By analyzing practical activism, the chapters in this volume produce new ways of theorizing feminism and new historical perspectives about the activist locations from which feminist politics emerged. Including histories of feminisms in the United States, Canada, South Africa, India, France, Russia, Japan, Korea, Poland and Chile, Women’s Activism and "Second Wave" Feminism provides a truly global re-appraisal of women’s movements in the late 20th century.The ebook editions of this book are available open access under a CC BY-NC-ND 3.0 licence on bloomsburycollections.com. Open access was funded by Knowledge Unlatched.

In the 1960s, the city of Halifax razed the black community of Africville under a program of urban renewal and 'slum clearance.' The city defended its actions by citing the deplorable living conditions in Africville, ignoring its own role in the creation of these conditions through years of neglect and the refusal of essential services. In the 1980s, the city created a park on Africville's former site, which has been a place of protest and commemoration for black citizens since its opening. As yet, however, the city has not issued a formal apology to Africville residents and has paid no further compensation.Razing Africville examines this history as the prolonged eviction of a community from its own space. By examining a variety of sources - urban planning texts, city council documents, news media, and academic accounts - Jennifer J. Nelson illustrates how Africville went from a slum to a problem to be solved and, more recently, to a public space in which past violence is rendered invisible. Reading historical texts as a critical map of decision-making, she argues that the ongoing measures taken to regulate black bodies and spaces amount to a 'geography of racism.' Through a geographic lens, therefore, she manages to analyse ways in which race requires space and how the control of space is a necessary component of delineating and controlling people.A much needed re-examination of an important historical example, Razing Africville applies contemporary spatial theory to the situation in Africville and offers critical observations about the function of racism.

In the 1960s, the city of Halifax razed the black community of Africville under a program of urban renewal and 'slum clearance.' The city defended its actions by citing the deplorable living conditions in Africville, ignoring its own role in the creation of these conditions through years of neglect and the refusal of essential services. In the 1980s, the city created a park on Africville's former site, which has been a place of protest and commemoration for black citizens since its opening. As yet, however, the city has not issued a formal apology to Africville residents and has paid no further compensation.Razing Africville examines this history as the prolonged eviction of a community from its own space. By examining a variety of sources – urban planning texts, city council documents, news media, and academic accounts – Jennifer J. Nelson illustrates how Africville went from a slum to a problem to be solved and, more recently, to a public space in which past violence is rendered invisible. Reading historical texts as a critical map of decision-making, she argues that the ongoing measures taken to regulate black bodies and spaces amount to a 'geography of racism.' Through a geographic lens, therefore, she manages to analyse ways in which race requires space and how the control of space is a necessary component of delineating and controlling people.A much needed re-examination of an important historical example, Razing Africville applies contemporary spatial theory to the situation in Africville and offers critical observations about the function of racism.

Cancer on the Margins presents the findings of the Ontario Breast Cancer Community Research Iniative, an organization created to investigate the experiences of women with breast cancer from marginalized and underrepresented groups. The authors examine the psychosocial needs of women living with breast cancer, while investigating differences in treatment, care, and survivorship amongst Aboriginal women, women of colour, francophone women, lesbians, as well as young women, lower-income women, and women in rural areas.Structured as a guide for similar research, Cancer on the Margins provides a "start to finish" format that reveals the complexities of doing such work at each stage of research, beginning with the study design and ending with the dissemination of results. The authors address the challenges of working with and speaking for these groups of women, the tension between description and interpretation, and the challenge for qualitative work to present findings that positively influence the circumstances of research participants. With a strong commitment to social justice, this volume also shows how participatory research can lead to social change, and indicates effective ways to ensure that research not only reaches, but is also employed in, the communities it intends to serve.Bridging the gap between a wide range of audiences, this vitally important work will be of interest to health professionals, new researchers, policy makers, new researchers, and experienced investigators, as well as the public.

Cancer on the Margins presents the findings of the Ontario Breast Cancer Community Research Iniative, an organization created to investigate the experiences of women with breast cancer from marginalized and underrepresented groups. The authors examine the psychosocial needs of women living with breast cancer, while investigating differences in treatment, care, and survivorship amongst Aboriginal women, women of colour, francophone women, lesbians, as well as young women, lower-income women, and women in rural areas.Structured as a guide for similar research, Cancer on the Margins provides a "start to finish" format that reveals the complexities of doing such work at each stage of research, beginning with the study design and ending with the dissemination of results. The authors address the challenges of working with and speaking for these groups of women, the tension between description and interpretation, and the challenge for qualitative work to present findings that positively influence the circumstances of research participants. With a strong commitment to social justice, this volume also shows how participatory research can lead to social change, and indicates effective ways to ensure that research not only reaches, but is also employed in, the communities it intends to serve.Bridging the gap between a wide range of audiences, this vitally important work will be of interest to health professionals, new researchers, policy makers, new researchers, and experienced investigators, as well as the public.

In the 1960s, the city of Halifax razed the black community of Africville under a program of urban renewal and 'slum clearance.' The city defended its actions by citing the deplorable living conditions in Africville, ignoring its own role in the creation of these conditions through years of neglect and the refusal of essential services. In the 1980s, the city created a park on Africville's former site, which has been a place of protest and commemoration for black citizens since its opening. As yet, however, the city has not issued a formal apology to Africville residents and has paid no further compensation.Razing Africville examines this history as the prolonged eviction of a community from its own space. By examining a variety of sources - urban planning texts, city council documents, news media, and academic accounts - Jennifer J. Nelson illustrates how Africville went from a slum to a problem to be solved and, more recently, to a public space in which past violence is rendered invisible. Reading historical texts as a critical map of decision-making, she argues that the ongoing measures taken to regulate black bodies and spaces amount to a 'geography of racism.' Through a geographic lens, therefore, she manages to analyse ways in which race requires space and how the control of space is a necessary component of delineating and controlling people.A much needed re-examination of an important historical example, Razing Africville applies contemporary spatial theory to the situation in Africville and offers critical observations about the function of racism.

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched.Women’s Activism and "Second Wave" Feminism situates late 20th-century feminisms within a global framework of women’s activism. Its chapters, written by leading international scholars, demonstrate how issues of heterogeneity, transnationalism, and intersectionality have transformed understandings of historical feminism. It is no longer possible to imagine that feminism has ever fostered an unproblematic sisterhood among women blind to race, ethnicity, class, sexuality, nationality and citizenship status. The chapters in this collection modify the "wave" metaphor in some cases and in others re-periodize it. By studying individual movements, they collectively address several themes that advance our understandings of the history of feminism, such as the rejection of "hegemonic" feminism by marginalized feminist groups, transnational linkages among women’s organizations, transnational flows of ideas and transnational migration. By analyzing practical activism, the chapters in this volume produce new ways of theorizing feminism and new historical perspectives about the activist locations from which feminist politics emerged. Including histories of feminisms in the United States, Canada, South Africa, India, France, Russia, Japan, Korea, Poland and Chile, Women’s Activism and "Second Wave" Feminism provides a truly global re-appraisal of women’s movements in the late 20th century.The ebook editions of this book are available open access under a CC BY-NC-ND 3.0 licence on bloomsburycollections.com. Open access was funded by Knowledge Unlatched.

Glamour. Cosmo. SELF. Ladies' Home Journal. Vogue. In an industry that has been in a downward spiral for years, these magazines,and other women,focused magazines like them,have not only retained their readership, they've increased it. Every month, five million-plus women peel back the slick cover of their favourite magazine to thumb through pages filled with tidings and advice about fashion, beauty, sex, relationships, dieting, health, and lifestyle. But do women's magazines offer valuable information, or do they merely peddle fluff and fantasy,and in either case, do women take their messages to heart?In Airbrushed Nation, Jennifer Nelson,a longtime industry insider,exposes the naked truth behind the glossy pages of women's magazines, both good and bad. Nelson delves deep into the world of glossies, explaining the ways in which these magazines have been positive for women, highlighting the ways in which their agendas have been misguided, and asking the questions that have long gone unasked: What do women think and believe about the retouched photos, the ubiquitous sex advice, the constant offensive on aging, and the fantasy fashion spreads featuring unaffordable clothing and accessories? Do the unrealistic ads, images, and ideals that permeate glossies damage women's self-esteem . . . and is it intentional?

This captivating biography brings Lucas Cranach the Elder into the spotlight for the twenty-first century. The illuminating narrative unveils an artist whose vision transcended personal brilliance as he sought to elevate a nascent nation and foster a sense of community with his work. Perhaps Cranach’s most remarkable achievement lay in forging a robust Lutheran community, endowed with a resounding message of salvation.Using prints, the prevailing medium of mass communication, and multiple versions of paintings, he developed an intricate and appealing symbolism that resonated with the populace in early modern Germany. Along with Cranach’s more well-known works, Jennifer Nelson explores his extensive repertoire of female nudes, and shows how these seductive artworks not only tantalized his patrons but constructed a deep history of Germany’s notional connections with ancient Greece and Rome.