Jennifer Powell – författare

Sexual harassment is degrading and illegal. Studies show it has a negative effect on the ability of women to engage in research at the same level as men. Sexual assault on college campuses is a critical concern for students, policy makers, college administrators, and parents of current and prospective students. Chapter 1 identifies the range and scope of policies and practices related to the investigation and adjudication of sexual assaults on college campuses in the U.S. While many workers in the United States experience workplace sexual harassment—resulting in substantial costs to them and their employers—the extent of sexual harassment and the magnitude of its effects are not fully understood as discussed in Chapter 2. Chapter 3 reviews federal science agency policies and procedures for addressing sexual harassment involving federally-funded STEM researchers and their trainees. The book will also explore lessons learned, enduring challenges, and future opportunities for preventing and mitigating the negative impact of sexual harassment in STEM studies and careers. Chapter 4 is the full transcript of the “Combating Sexual Harassment in Science Act of 2019.” Title IX prohibits discrimination on the basis of sex in education programs or activities that receive federal financial assistance. Chapter 5 examines some of the major changes established by the Title IX regulations, highlighting many of the most significant new requirements and noting where those obligations depart from prior ED guidance and the NPRM.

Published to coincide with Antony Gormley SUBJECT at Kettle's Yard in 2018, this book features installation shots and drawings alongside texts by Caroline Collier and Jennifer Powell, and Antony Gormley in conversation with architect Jamie Fobert.Devised for the new galleries and spaces at Kettle’s Yard, SUBJECT highlighted many of Antony Gormley’s interests, including how sculpture can activate both the space that it occupies and the body of the viewer. The exhibition offered a series of physical and metaphysical encounters, exploring our relationship to space and our sense of self.SUBJECT encompassed both galleries, the Learning Studio and the Research Space. The exhibition included the first in a new series of works, Subject (2018), from which the title of the show derives, and the first UK showing of Infinite Cube II (2018), made of one-way mirror glass and 1,000 LED lights.

Richard Pousette-Dart (1916–92), working in New York in the 1940s, created beautiful, layered paintings as well as experimenting with drawing, photography and sculpture. This publication, produced to coincide with the 2018 exhibition Richard Pousette-Dart: Beginnings reflects new research into the life and work of Richard Pousette-Dart and his significant contribution to American art in the 20th Century.Playing a key role in the genesis of Abstract Expressionism and the New York School, which transformed American art in the post-war years, Pousette-Dart’s contemporaries included Jackson Pollock, Mark Rothko, Barnett Newman and Willem de Kooning. Jim Ede, creator of Kettle’s Yard, first met Pousette-Dart in New York in 1940. Research exploring their transatlantic correspondence over subsequent decades was a catalyst for the first solo exhibition of the work of Pousette-Dart in the UK, held at Kettle's Yard in 2018. The majority of works on display were borrowed from US museums and collections, and had not previously been seen in this country.