Jennifer Way – författare

Are you fascinated by wind, tornadoes, and hurricanes? Do you wish you could chase them? Then maybe a career in weather science is for you! Through interviews and stories of exciting—and terrifying—encounters with actual storms, you''ll learn what these storm chasers do, how they study the weather, and what they can learn from it.

Extreme or irrational fears are called phobias. From aerophobia to zoophobia, this book explores the many phobias that exist and the crippling effects they can have on phobics. An extensive list of phobias helps identify them, while treatment plans shed light on how to manage symptoms.

Are you anxious, depressed, obsessive, or afraid? Do you wonder what causes these conditions and how are they treated? This book discusses the evolving understanding of how stress and anxiety affect people''s lives and includes the foremost research on treating these conditions. Personal stories give readers an intimate look at how others are managing these sometimes-debilitating conditions.

Jennifer Way''s study The Politics of Vietnamese Craft uncovers a little-known chapter in the history of American cultural diplomacy, in which Vietnamese craft production was encouraged and shaped by the US State Department as an object for consumption by middle class America.Way explores how American business and commerce, department stores, the art world and national museums variously guided the marketing and meanings of Vietnamese craft in order to advance American diplomatic and domestic interests. Conversely, American uses of Vietnamese craft provide an example of how the United States aimed to absorb post-colonial South Vietnam into the ''Free World'', in a Cold War context of American anxiety about communism spreading throughout Southeast Asia. Way focuses in particular on the part played by the renowned American designer Russel Wright, contracted by the US International Cooperation Administration''s aid programs for South Vietnam to survey the craft industry in South Vietnam and manage its production, distribution and consumption abroad and at home. Way shows how Wright and his staff brought American ideas about Vietnamese history and culture to bear in managing the making of Vietnamese craft.

Jennifer Way''s study The Politics of Vietnamese Craft uncovers a little-known chapter in the history of American cultural diplomacy, in which Vietnamese craft production was encouraged and shaped by the US State Department as an object for consumption by middle class America.Way explores how American business and commerce, department stores, the art world and national museums variously guided the marketing and meanings of Vietnamese craft in order to advance American diplomatic and domestic interests. Conversely, American uses of Vietnamese craft provide an example of how the United States aimed to absorb post-colonial South Vietnam into the ''Free World'', in a Cold War context of American anxiety about communism spreading throughout Southeast Asia. Way focuses in particular on the part played by the renowned American designer Russel Wright, contracted by the US International Cooperation Administration''s aid programs for South Vietnam to survey the craft industry in South Vietnam and manage its production, distribution and consumption abroad and at home. Way shows how Wright and his staff brought American ideas about Vietnamese history and culture to bear in managing the making of Vietnamese craft.

Jennifer Way's study The Politics of Vietnamese Craft uncovers a little-known chapter in the history of American cultural diplomacy, in which Vietnamese craft production was encouraged and shaped by the US State Department as an object for consumption by middle class America.Way explores how American business and commerce, department stores, the art world and national museums variously guided the marketing and meanings of Vietnamese craft in order to advance American diplomatic and domestic interests. Conversely, American uses of Vietnamese craft provide an example of how the United States aimed to absorb post-colonial South Vietnam into the 'Free World', in a Cold War context of American anxiety about communism spreading throughout Southeast Asia.Way focuses in particular on the part played by the renowned American designer Russel Wright, contracted by the US International Cooperation Administration’s aid programs for South Vietnam to survey the craft industry in South Vietnam and manage its production, distribution and consumption abroad and at home. Way shows how Wright and his staff brought American ideas about Vietnamese history and culture to bear in managing the making of Vietnamese craft.

Examining the diverse ways in which craft has participated in wars from the mid-19th century to the present day, this book brings together a wealth of scholarship to redress an understudied area of modern craft history. Craft and War explores issues of fabrication, makers, objects, uses and users throughout conflicts across the world to provide a critical understanding of the relationship between craft and contexts of war.Chapters look at the impact of colonization on making practices and acts of preserving cultural heritage in times of dislocation and migration. Authors provide insights into repurposing tools of oppression and the appropriation of material culture as a device of warfare, in addition to embroidery and tactics of resistance, and the role of craft and folk art in international feminist peace activism. Organized into four thematic sections, this book reveals how craft developed in different regions during and after armed conflicts, including research on trench art and objects, quilts and rugs commissioned in wartime, and ceramics and the art of commemoration. Craft and War also provides a breadth of analysis on crafting as a rehabilitative activity and traces government initiatives across different countries for postwar healing involving crafts.This important contribution to modern craft history addresses multiple facets of a rich and complex subject to provide cross-national, cultural and chronological comparisons of craft’s participation in situations of conflict and stages of war.

Examining the diverse ways in which craft has participated in wars from the mid-19th century to the present day, this book brings together a wealth of scholarship to redress an understudied area of modern craft history. Craft and War explores issues of fabrication, makers, objects, uses and users throughout conflicts across the world to provide a critical understanding of the relationship between craft and contexts of war.Chapters look at the impact of colonization on making practices and acts of preserving cultural heritage in times of dislocation and migration. Authors provide insights into repurposing tools of oppression and the appropriation of material culture as a device of warfare, in addition to embroidery and tactics of resistance, and the role of craft and folk art in international feminist peace activism. Organized into four thematic sections, this book reveals how craft developed in different regions during and after armed conflicts, including research on trench art and objects, quilts and rugs commissioned in wartime, and ceramics and the art of commemoration. Craft and War also provides a breadth of analysis on crafting as a rehabilitative activity and traces government initiatives across different countries for postwar healing involving crafts.This important contribution to modern craft history addresses multiple facets of a rich and complex subject to provide cross-national, cultural and chronological comparisons of craft’s participation in situations of conflict and stages of war.

Examining the diverse ways in which craft has participated in wars from the mid-19th century to the present day, this book brings together a wealth of scholarship to redress an understudied area of modern craft history. Craft and War explores issues of fabrication, makers, objects, uses and users throughout conflicts across the world to provide a critical understanding of the relationship between craft and contexts of war.Chapters look at the impact of colonization on making practices and acts of preserving cultural heritage in times of dislocation and migration. Authors provide insights into repurposing tools of oppression and the appropriation of material culture as a device of warfare, in addition to embroidery and tactics of resistance, and the role of craft and folk art in international feminist peace activism. Organized into four thematic sections, this book reveals how craft developed in different regions during and after armed conflicts, including research on trench art and objects, quilts and rugs commissioned in wartime, and ceramics and the art of commemoration. Craft and War also provides a breadth of analysis on crafting as a rehabilitative activity and traces government initiatives across different countries for postwar healing involving crafts.This important contribution to modern craft history addresses multiple facets of a rich and complex subject to provide cross-national, cultural and chronological comparisons of craft's participation in situations of conflict and stages of war.

Examining the diverse ways in which craft has participated in wars from the mid-19th century to the present day, this book brings together a wealth of scholarship to redress an understudied area of modern craft history. Craft and War explores issues of fabrication, makers, objects, uses and users throughout conflicts across the world to provide a critical understanding of the relationship between craft and contexts of war.Chapters look at the impact of colonization on making practices and acts of preserving cultural heritage in times of dislocation and migration. Authors provide insights into repurposing tools of oppression and the appropriation of material culture as a device of warfare, in addition to embroidery and tactics of resistance, and the role of craft and folk art in international feminist peace activism. Organized into four thematic sections, this book reveals how craft developed in different regions during and after armed conflicts, including research on trench art and objects, quilts and rugs commissioned in wartime, and ceramics and the art of commemoration. Craft and War also provides a breadth of analysis on crafting as a rehabilitative activity and traces government initiatives across different countries for postwar healing involving crafts.This important contribution to modern craft history addresses multiple facets of a rich and complex subject to provide cross-national, cultural and chronological comparisons of craft's participation in situations of conflict and stages of war.

The Politics of Vietnamese Craft uncovers a little-known chapter in the history of American cultural diplomacy, in which Vietnamese craft production was encouraged and shaped by the US State Department as an object for consumption by middle class America.Jennifer Way explores how American business and commerce, department stores, the art world and national museums variously guided the marketing and meanings of Vietnamese craft in order to advance American diplomatic and domestic interests. Conversely, American uses of Vietnamese craft provide an example of how the United States aimed to absorb post-colonial South Vietnam into the 'Free World', in a Cold War context of American anxiety about communism spreading throughout Southeast Asia.Way focuses in particular on the part played by the renowned American designer Russel Wright, contracted by the US International Cooperation Administration’s aid programs for South Vietnam to survey the craft industry in South Vietnam and manage its production, distribution and consumption abroad and at home. Way shows how Wright and his staff brought American ideas about Vietnamese history and culture to bear in managing the making of Vietnamese craft.

These unique book will engage young readers through color action photography and age-appropriate text. They will want to hop, and hop, and hop!

Children will read about how running moves a body through space. A person can run in a straight line, on a curved path, or even sideways.

These unique book will engage young readers through color action photography and age-appropriate text. They will want to hop, and hop, and hop!

The iconic image of King Kong climbing the Empire State Building has been a pop-culture staple since the original King Kong film premiered in 1933. Since then, there have been King Kong remakes, comic books, television series, and even a musical. King Kong also inspired other films, such as the Planet of the Apes franchise and big-ape documentaries. This resource will take readers behind the scenes of these thrilling movies with posters and stills from each era of the King Kong phenomenon, discussion of special effects, and more.

The tenth edition of the four-yearly review of mathematics education research in Australasia, compiled by the Mathematics Education Research Group of Australasia (MERGA), critically reviews research in mathematics education in the four years from 2016 to 2019. Its goals are to provide a reference guide for researchers, and to promote further quality research in Australasia.