Jenny Erpenbeck - Böcker

Winner of the 2015 Independent Foreign Fiction PrizeFrom one of the most daring voices in European fiction, this is a story of the twentieth century traced through the various possible lives of one woman. She is a baby who barely suffocates in the cradle. Or perhaps not? She lives to become as an adult and dies beloved. Or dies betrayed. Or perhaps not? Her memory is honoured. Or she is forgotten by everyone. Moving from a small Galician town at the turn of the century, through pre-war Vienna and Stalin's Moscow to present-day Berlin, Jenny Erpenbeck homes in on the moments when life follows a particular branch and 'fate' suddenly emerges from the sly interplay between history, character and pure chance. The End of Days is a novel that pulls apart the threads of destiny and allows us to see the present and the past anew.

In The Book of Words, Jenny Erpenbeck captures with amazing virtuosity the inner life of a young girl who survives the totalitarian regime of a curiously unnamed South American country (most likely Argentina during its "dirty war"). Raised by parents whose real identity ends up shocking her, the girl comes of age in a country where gunshots are mistaken for blown tires, innocent citizens are dragged off buses, and tortured and disappeared friends and family return to visit her from the dead.

A forested property on a Brandenburg lake outside Berlin lies at the heart of this darkly sensual, elegiac novel. Encompassing over one hundred years of German history, from the nineteenth century to the Weimar Republic, from World War II to the Socialist German Democratic Republic, and finally reunification and its aftermath, Visitation offers the life stories of twelve individuals who seek to make their home in this one magical little house. The novel breaks into the everyday life of the house and shimmers through it, while relating the passions and fates of its inhabitants. Elegant and poetic, Visitation forms a literary mosaic of the last century, tearing open wounds and offering moments of reconciliation, with its drama and its exquisite evocation of a landscape no political upheaval can truly change.

The End of Days, by acclaimed German writer Jenny Erpenbeck, consists essentially of five “books,” each leading to a different death of an unnamed woman protagonist. How could it all have gone differently? the narrator asks in the intermezzos between. The first chapter begins with the death of a baby in the early twentieth-century Hapsburg Empire. In the next chapter, the same girl grows up in Vienna, but her strange relationship with a boy leads to another death. In the next scenario, she survives  adolescence and moves to Russia with her husband. Both are dedicated Communists, but our heroine is sent to a labor camp. She is spared in the next chapter with the help of someone’s intervention and returns to Berlin to become a respected writer. . . . The End of Days is a brilliant novel of contingency and fate. A novel of incredible breadth, yet amazing concision, The End of Days offers a unique overview of German and German-Jewish history by “one of the finest, most exciting authors alive” (Michael Faber).

Winner of the Independent Foreign Fiction Prize and the Hans Fallada Prize, The End of Days, by the acclaimed German writer Jenny Erpenbeck, consists essentially of five “books,” each leading to a different death of the same unnamed female protagonist. How could it all have gone differently?—the narrator asks in the intermezzos. The first chapter begins with the death of a baby in the early twentieth-century Hapsburg Empire. In the next chapter, the same girl grows up in Vienna after World War I, but a pact she makes with a young man leads to a second death. In the next scenario, she survives adolescence and moves to Russia with her husband. Both are dedicated Communists, yet our heroine ends up in a labor camp. But her fate does not end there….A novel of incredible breadth and amazing concision, The End of Days offers a unique overview of the twentieth century.

Go, Went, Gone is the masterful new novel by the acclaimed German writer Jenny Erpenbeck, “one of the most significant German-language novelists of her generation” (The Millions). The novel tells the tale of Richard, a retired classics professor who lives in Berlin. His wife has died, and he lives a routine existence until one day he spies some African refugees staging a hunger strike in Alexanderplatz. Curiosity turns to compassion and an inner transformation, as he visits their shelter, interviews them, and becomes embroiled in their harrowing fates. Go, Went, Gone is a scathing indictment of Western policy toward the European refugee crisis, but also a touching portrait of a man who finds he has more in common with the Africans than he realizes. Exquisitely translated by Susan Bernofsky, Go, Went, Gone addresses one of the most pivotal issues of our time, facing it head-on in a voice that is both nostalgic and frightening.

Jenny Erpenbeck’s highly acclaimed novel Go, Went, Gone was a New York Times notable book and launched one of Germany’s most admired writers into the American spotlight. In the New Yorker, James Wood wrote: “When Erpenbeck wins the Nobel Prize in a few years, I suspect that this novel will be cited.”On the heels of this literary breakthrough comes  , a book of personal, profound, often humorous meditations and reflections. Erpenbeck writes, “With this collection of texts, I am looking back for the first time at many years of my life, at the thoughts that filled my life from day to day.”Starting with her childhood days in East Berlin (“I start with my life as a schoolgirl … my own conscious life begins at the same time as the socialist life of Leipziger Strasse”), Not a Novel provides a glimpse of growing up in the GDR and of what it was like to be twenty-two when the wall collapsed; it takes us through Erpenbeck’s early adult years, working in a bakery after immersing herself in the worlds of music, theater, and opera, and ultimately discovering her path as a writer.There are lively essays about her literary influences (Thomas Bernhard, the Brothers Grimm, Kafka, and Thomas Mann), unforgettable reflections on the forces at work in her novels (including history, silence, and time), and scathing commentaries on the dire situation of America and Europe today. “Why do we still hear laments for the Germans who died attempting to flee over the wall, but almost none for the countless refugees who have drowned in the Mediterranean in recent years, turning the sea into a giant grave?”With deep insight and warm intelligence, Jenny Erpenbeck provides us with a collection of unforgettable essays that take us into the heart and mind of “one of the finest and most exciting writers alive” (Michel Faber).

The bestselling and award-winning German author Jenny Erpenbeck has gained international praise for her novels including Visitation, Kairos, and Go, Went, Gone. Things that Disappear is an exciting collection of interlinked miniature prose pieces that grapple with the phenomenon of disappearance on scales both large and small. The things that disappear in these pages range from everyday objects such as socks and cheese to close friends and the social norms of common courtesy, to sites and objects resonant with East German history, such as the Palace of the Republic or the lines of sight now blocked by new construction in Berlin. Erpenbeck asks: “Is there some kind of perpetrator who makes things that I know cherish and disappear?” These things disappear, and yet do they really? Do they remain in our memories more fully than if they continued to exist? Translated beautifully by Kurt Beals, Things that Disappear follows on the heels of Erpenbeck’s Man Booker-Prize winning novel Kairos and offers a window into a renowned writer’s sense of the past, and of her own self as a writer.

WINNER OF THE 2024 INTERNATIONAL BOOKER PRIZELONGLISTED FOR THE 2023 NATIONAL BOOK AWARD FOR TRANSLATED LITERATURELONGLISTED FOR THE 2024 NATIONAL TRANSLATION AWARD IN PROSEAn epic storyteller with the most powerful voice in contemporary German literature, Jenny Erpenbeck has created an unforgettably compelling masterpiece with Kairos. The story of a romance begun in East Berlin at the end of the 1980s: the passionate yet difficult long-running affair of Katharina and Hans hits the rocks as a whole world—the socialist GDR—melts away. As the Times Literary Supplement writes: “The weight of history, the particular experiences of East and West, and the ways in which cultural and subjective memory shape individual identity has always been present in Erpenbeck’s work. She knows that no one is all bad, no state all rotten, and she masterfully captures the existential bewilderment of his period between states and ideologies.”In the opinion of her superbly gifted translator Michael Hofmann, Kairos is the great post-Unification novel.

Not a Novel is the best of Jenny Erpenbeck's non-fiction. Moving and insightful, the pieces range from personal essays and literary criticism to reflections on Germany's history, interrogating life and politics, language and freedom, hope and despair. By turns both luminous and explosive, this collection shows one of the most acclaimed European writers reckoning with her country's divided past, and responding to the world today with intelligence and humanity.

'An ambitious story of love and betrayal' - Irish Times'The ending is like a bomb thrown into your room -- you'll be reeling for days and weeks to come.' - Neel MukherjeeBerlin. 11 July 1986. They meet by chance on a bus. She is a young student, he is older and married. Theirs is an intense and sudden attraction, fuelled by a shared passion for music and art, and heightened by the secrecy they must maintain. But when she strays for a single night he cannot forgive her and a dangerous crack forms between them, opening up a space for cruelty, punishment and the exertion of power. And the world around them is changing too: as the GDR begins to crumble, so too do all the old certainties and the old loyalties, ushering in a new era whose great gains also involve profound loss.From a prize-winning German writer, this is the intimate and devastating story of the path of two lovers through the ruins of a relationship, set against the backdrop of a seismic period in European history.

WINNER OF THE INTERNATIONAL BOOKER PRIZE 2024'An ambitious story of love and betrayal' - Irish Times'The ending is like a bomb thrown into your room -- you'll be reeling for days and weeks to come.' - Neel MukherjeeBerlin. 11 July 1986. They meet by chance on a bus. She is a young student, he is older and married. Theirs is an intense and sudden attraction, fuelled by a shared passion for music and art, and heightened by the secrecy they must maintain. But when she strays for a single night he cannot forgive her and a dangerous crack forms between them, opening up a space for cruelty, punishment and the exertion of power. And the world around them is changing too: as the GDR begins to crumble, so too do all the old certainties and the old loyalties, ushering in a new era whose great gains also involve profound loss.From a prize-winning German writer, this is the intimate and devastating story of the path of two lovers through the ruins of a relationship, set against the backdrop of a seismic period in European history.

Shortlisted for the 2011 Independent Foreign Fiction PrizeBy the side of a lake in Brandenburg, a young architect builds the house of his dreams - a summerhouse with wrought-iron balconies, stained-glass windows the colour of jewels, and a bedroom with a hidden closet, all set within a beautiful garden. But the land on which he builds has a dark history of violence that began with the drowning of a young woman in the grip of madness and that grows darker still over the course of the century: the Jewish neighbours disappear one by one; the Red Army requisitions the house, burning the furniture and trampling the garden; a young East German attempts to swim his way to freedom in the West; a couple return from brutal exile in Siberia and leave the house to their granddaughter, who is forced to relinquish her claim upon it and sell to new owners intent upon demolition. Reaching far into the past, and recovering what was lost and what was buried, Jenny Erpenbeck tells a story both beautiful and brutal, about the things that haunt a home.

Richard has spent his life as a university professor, immersed in the world of books and ideas, but now he is retired, his books remain in their packing boxes and he steps into the streets of his city, Berlin. Here, on Oranienplatz, he discovers a new community -- a tent city, established by African asylum seekers. Hesitantly, getting to know the new arrivals, Richard finds his life changing, as he begins to question his own sense of belonging in a city that once divided its citizens into them and us.At once a passionate contribution to the debate on race, privilege and nationality and a beautifully written examination of an ageing man's quest to find meaning in his life, Go, Went, Gone showcases one of the great contemporary European writers at the height of her powers.

From the 2024 winner of the International Booker Prize, a collection of short essays on the places, people, rituals and objects that slip into the realm of memory.The Palace of the Republic, that once housed the East German parliament, is demolished. A grandmother's laughter passes from life into memory. Furniture that once made a home is taken to the tip. A friendship drops into silence. Old ways are erased by the new.In this fascinating collection of essays, most of them written for her column in the Frankfurter Allgemeine Zeitung, Jenny Erpenbeck meditates, with a sense of both deep melancholy and wry humour, on the disappearance and impermanence of things. Whether recalling the shop that used to darn tights in the days before you could just buy a new pair, reflecting on changing social attitudes, or considering the mysterious vanishing of a piece of cheese from her fridge, Jenny Erpenbeck's sharp intelligence, eye for telling detail, and her nuanced perspective on her country's past and present imbue these brief pieces with lasting power.

A child is found standing on the street with an empty bucket in her hand and no memory of her name, her family or her past. Elsewhere, a girl grows up surrounded by familiar faces - a wet nurse, a piano teacher, a gardener, a best friend and a distant mother - but soon finds them slipping mysteriously from her life. In the company of these girls, we are compelled to tread the uncertain and spiky terrain of memory, where words are dropped like clues to reveal what has been hidden, forgotten or erased.

'[An] absolute must-read. It has stunned and moved everyone who has read it' Arifa Akbar, Independent This multi-award winning novel is the extraordinary story of the twentieth century traced through the various possible lives of one womanShe is a baby who suffocates in the cradle. Or perhaps not? She lives to become as an adult and dies beloved. Or dies betrayed. Or perhaps not? Her memory is honoured. Or she is forgotten by everyone. From a small Galician town at the turn of the twentieth century, through pre-war Vienna and Stalin's Moscow to modern-day Berlin, the twists of fate of her lives take us to some of the most vivid moments in European history. But it is our heroine's choices, her struggles and her humanity - as she faces everything from Nazi-occupied Austria, Soviet secret police and the trials of old age - that make this book so profoundly moving, insightful and unforgettable. Winner of the Independent Foreign Fiction Prize, the Hans Fallada Prize, the Oxford-Weidenfeld Translation Prize and an English PEN Award.'The End of Days prises open the troubled box that is 20th-century European history and entrenches [Erpenbeck's] position as the most brilliant European writer of my generation' Neel Mukherjee, Irish Times Books of the Year'Jenny Erpenbeck makes swift work of the one-life-multiple-outcomes conceit touched on by Kate Atkinson and David Mitchell - and is the best of the bunch' Daily Telegraph Books of the Year

'Vital... [Erpenbeck] is asking a compelling and timely question' Sally Rooney, Irish TimesRichard has spent his life as a university professor, immersed in the world of books and ideas. Recently retired, he steps into the streets of his city, Berlin, and discovers a new community. A tent city has grown up on Oranienplatz, established by African asylum seekers. Hesitantly getting to know the people there, Richard finds his life changing, as he begins to question his own sense of belonging in a city that once divided its citizens into them and us. At once a passionate contribution to the debate on race, and a beautifully written examination of an ageing man's quest for meaning, Go, Went, Gone showcases one of the great contemporary European novelists at the height of her powers. 'Profound, beautiful and deeply affecting... [An] extraordinary novel, bearing unflinching testament to history as it unfolds' Neel Mukherjee, New Statesman'One of Europe's most highly regarded writers... Erpenbeck's most significant work to date' Financial Times

By the side of a lake in Brandenburg, a young architect builds the house of his dreams - a summerhouse with wrought-iron balconies, stained-glass windows the colour of jewels, and a bedroom with a hidden closet, all set within a beautiful garden. But the land on which he builds has a dark history of violence that began with the drowning of a young woman in the grip of madness and that grows darker still over the course of the century: the Jewish neighbours disappear one by one; the Red Army requisitions the house, burning the furniture and trampling the garden; a young East German attempts to swim his way to freedom in the West; a couple return from brutal exile in Siberia and leave the house to their granddaughter, who is forced to relinquish her claim upon it and sell to new owners intent upon demolition. Reaching far into the past, and recovering what was lost and what was buried, Jenny Erpenbeck tells a story both beautiful and brutal, about the things that haunt a home.