Jeremy Agnew – författare

This accessible text provides a comprehensive narrative and interpretative account of the entire history of the Communist International, 1919-1943. By incorporating the most recent Western and Soviet research the authors explain the legendary complexities of Comintern history and chart its degeneration from a revolutionary internationalist organisation into an obedient instrument of Soviet foreign policy. Key themes include: continuities and discontinuities between the Leninist and Stalinist phases, Bolshevisation versus national traditions, and the role of leading individuals in the Comintern apparatus. A selection of documents will elucidate these central themes.

The healing arts as practiced in the Old West often meant the difference between life and death for American pioneers. Whether the challenge was sickness, an Indian arrow, a gunshot wound, or a fall from a horse, a pioneer in the western territories required care for medical emergencies, but often had to make do until a doctor could be found. This historical overview addresses the perils to health that were present during the expansion of the American frontier, and the methods used by doctors to treat and overcome them. Numerous black and white photographs are provided, as well as a glossary of medical terms. Appendices list commonly used drugs and typical surgical instruments from the 1850-1900 era.

Miners, loggers, railroad men, and others flooded into the American West after the discovery of gold in 1848, and entertainers seeking to fill the demand for distraction from the workers' daily toil soon followed. Actors, actresses and traveling troupes crisscrossed the American frontier, performing in tents, saloons, fancy theaters, and the open air. This exploration of the heyday of popular theater in the Old West chronicles its emergence and growth from 1850 to the early twentieth century. Here is the story of the men and women who provided myriad types of entertainment in the Old West, and brought excitement, laughter and tears to generations of pioneers.

For many years, movie audiences have carried on a love affair with the American West, believing Westerns are escapist entertainment of the best kind, harkening back to the days of the frontier. This work compares the reality of the Old West to its portrayal in movies, taking an historical approach to its consideration of the cowboys, Indians, gunmen, lawmen and others who populated the Old West in real life and on the silver screen. Starting with the Westerns of the early 1900s, it follows the evolution in look, style, and content as the films matured from short vignettes of good-versus-bad into modern plots.

This book explores the role and influence of drink and drugs (primarily opium) in the Old West, which for this book is considered to be America west of the Mississippi from the California gold rush of the 1840s to the closing of the Western Frontier in roughly 1900. This period was the first time in American history that heavy drinking and drug abuse became a major social concern.Drinking was considered to be an accepted pursuit for men at the time. Smoking opium was considered to be deviant and associated with groups on the fringes of mainstream society, but opium use and addiction by women was commonplace. This book presents the background of both substances and how their use spread across the West, at first for medicinal purposes--but how overuse and abuse led to the Temperance Movement and eventually to National Prohibition. This book reports the historical reality of alcohol and opium use in the Old West without bias.

As business interests have commercialized the American West and publishers and studios have created compelling imagery, the expectations of readers and moviegoers have influenced perceptions of the cowboy as a hero. This book describes the evolution of the cowboy hero as a mythic persona created by dime novels, television and Hollywood. Much of our concept of the cowboy comes to us from movies and the book's main focus is his changing image in cinema. The development of the hero image and the fictional West is traced from early novels and films to the present, along with shifting audience expectations and economic pressures.

The traditional narrative of the American West tells of a frontier settled by pioneers emigrating from the east to the Pacific coast. Yet Spanish conquistadors arrived in Central America 150 years before the Pilgrims landed at Plymouth Rock. With them came missionaries who tried to convert the Pueblo and Plains Indians to Christianity by force, a suppression of native religious beliefs that led to cultural clashes and outright war.This is the story--fully documented--of how Spanish explorers, soldiers and men of the church pushed north from Mexico in the 1500s, seeking riches and establishing settlements from Texas to California 250 years before the influx of American settlers in the mid-1800s.

Western movies are full of images of swaggering outlaws brought to justice by valiant lawmen shooting them down in daring gunfights before riding off into the sunset. In reality it would not have happened that way. Real lawmen did not simply walk away from a gunfight--they had to face the legal system and justify shooting a civilian in the line of duty.Providing a more realistic view of criminal justice in the Old West, this history focuses on how criminals came into conflict with the law and how the law responded. The process is described in detail, from the common crimes of the day--such as train robbery and cattle theft--to the methods of apprehending criminals to their adjudication and punishment by incarceration, flogging or hanging.

Sensationalistic literature is reading material that is intended to shock, startle, excite, or arouse intense interest in a reader through the use of subject matter, style, language, or artistic expression. Readers throughout the ages have been fascinated by lurid fiction about crime, assault, killings, thievery, kidnapping, murder, and the associated villains of the worst type. This type of reading material has provided escapism that has thrilled and shocked readers from the appearance of dime novels around the time of the American Civil War to the decline of the pulp magazines after World War II and the transition into what have become today’s paperback novels. This popular history of dime novels and pulp magazines during the time period from approximately 1850 to 1960 describes how sensational pulp literature filled a need among readers and flowered during the evolving social conditions of the Industrial Revolution. It provides a comprehensive story of why pulp books and magazines appeared, what this type of literature was, how it became popular, how it was the basis for the later pulp magazines of the 1930s and 1940s, and then continued on into today’s thrillers.

Modern spas are wellness resorts that offer beauty treatments, massages and complementary therapies. Victorian spas were sanitariums, providing "water cure" treatments supplemented by massage, vibration, electricity and radioactivity.Rooted in the palliative health reforms of the early 19th century, spas of the Victorian Age grew out of the hydrotherapy institutions of the 1840s--an alternative to the horrors of bleeding and purging. The regimen focused on diet, rest, cessation of alcohol and foods that upset the stomach, stress reduction and plenty of water. The treatments, though sometimes of a dubious nature, formed the transition from the primitive methods of "heroic medicine" to the era of scientifically based practices.

Western films have often been tributes to place and setting, with the magnificent backdrops mirroring the wildness of the narratives. As the splendid outdoor scenery of Westerns could not be found on a studio back lot or on a Hollywood sound stage, the movies have been filmed in the wide open spaces of the American West and beyond.This book chronicles the history of filming Westerns on location, from shooting on the East Coast in the early 1900s; through the use of locations in Utah, Arizona, and California in the 1940s and 1950s; and filming Westerns in Mexico, Spain, and other parts of the world in the 1960s. Also studied is the relationship between the filming location timeline and the evolving motion picture industry of the twentieth century, and how these factors shaped audience perceptions of the "Real West."

Through the Victorian and Edwardian eras, various health movements emerged in the transition to the modern age of scientific medicine. Strange medical devices and quack cures were pushed, often using crude remedies based on simplistic beliefs and the placebo effect. Currently, some of these treatments appear absurd, even cruel. Because some were properly used as appropriate therapies, it is difficult to label them altogether as bogus. This book takes a thorough look at unconventional medical gadgets, as well as the strange devices and therapies used by both fringe and legitimate healers, and places them in the perspective of modern medicine. The author argues that quackery should not be defined by the ineffectiveness of a therapy, but rather be based on the fraudulent intent of the people who pushed dishonest and deceptive remedies.

Prohibition was imposed by eager temperance movements organizers who sought to shape public behavior through alcoholic beverage control in the 19th and early 20th centuries. The success of reformers' efforts resulted in National Prohibition in America from 1920 to 1933, but it also resulted in a thriving illegal business in the manufacture and distribution of illegal liquor. The history of Prohibition and the resulting illegal drinking is frequently told through the lens of crime and violence in Chicago and other major East Coast cities. Often neglected are the effects of Prohibition on the Western part of the United States and how Westerners rose to the challenge of avoiding the consequences of illegal drinking. Illegal liquor was imported from abroad, made in stills using strange ingredients that were sometimes poisonous to the unlucky drinker. This history includes stories ranging from serious to quirky, and provides an entertaining account of how misguided efforts resulted in numerous unintended consequences.

Sensationalistic stories have attracted readers for as long as reading has been a popular form of entertainment. Readers have been frightened, revolted, yet fascinated by stories of death, thievery, kidnapping, murder, rape, scandal, love triangles, and colorful miscreants. Starting in the 1830s this morbid interest in lurid stories fueled the unprecedented growth of sensationalist newspapers that titillated and shocked their many readers. This study of sensationalism describes how newspapers added lurid details to their coverage of news events in an effort to attract as many readers as they could. Employing hyperbole and exaggerated details, they meant to grab the attention of the reader and keep him or her reading. For the next hundred years this form of journalism continued, later spilling over into radio and television news. Along the way, the "yellow journalism" wars of the 1880s and 1890s produced bold headlines, eye-catching illustrations, exaggeration of news events, and even false quotes and misleading information. Sensational reporting continued with muckraking reporting in the early 1900s as journalistic crusaders worked to expose municipal corruption, corporate greed, and misconduct in American business.