Jeremy Rosen – författare

How do genres develop? In what ways do they reflect changing political and cultural trends? What do they tell us about the motivations of publishers and readers? Combining close readings and formal analysis with a sociology of literary institutions and markets, Minor Characters Have Their Day offers a compelling new approach to genre study and contemporary fiction. Focusing on the booming genre of books that transform minor characters from canonical literary texts into the protagonists of new works, Jeremy Rosen makes broader claims about the state of contemporary fiction, the strategies of the publishing industry over recent decades, and the function of literary characters. Rosen traces the recent surge in "minor-character elaboration" to the late 1960s and works such as Jean Rhys's Wide Sargasso Sea and Tom Stoppard's Rosencrantz and Guildenstern Are Dead. These early examples often recover the voices of marginalized individuals and groups. As the genre has exploded between the 1980s and the present, with novels about Ahab's wife, Huck Finn's father, and Mr. Dalloway, it has begun to embody the neoliberal commitments of subjective experience, individual expression, and agency.Eventually, large-scale publishers capitalized on the genre as a way to appeal to educated audiences aware of the prestige of the classics and to draw in identity-based niche markets. Rosen's conclusion ties the understudied evolution of minor-character elaboration to the theory of literary character.

Originating in the 12th century, Kabbalah is a mystical movement that arose within the Jewish faith and become one of the most beautiful and enigmatic of all the spiritual traditions.This book traces Kabbalah's most profound, thought provoking and imaginative themes, including: creation myths; the tree of life and the ten sefirot; the significance of the Hebrew alphabet; the link with the Garden of Eden and the mind of Adam; and the mystic sexual union which can contribute to cosmic well being.  Coverage is also give to the origins of Kabbalah in medieval Provence and Spain, to its greatest texts, especially The Zohar (Book of Radiance), and to Kabbalah's continuing popularity in modern times.Kabbalah Inspirations captures the character of this fascinating system of ideas and practices and opens up its mysteries to a whole new audience—that is, everyone inspired by the profound truths and poetic beautifes of mysticism.

Detective, horror, fantasy, romance, science fiction, spy thrillers, westerns, zombie novels. In recent decades, acclaimed and ambitious writers of literary fiction have increasingly gravitated to popular fiction genres. In this comprehensive account, Jeremy Rosen describes literary fiction's embrace of genre fiction's conceits as "genre bending" and argues that while literary writers adopt genres for a wide variety of purposes, what they share is a revitalized attitude toward genre—a recognition that while genres can be used in formulaic ways, they can also be adapted and transformed endlessly.Rosen reads across the outpouring of fiction of the last several decades by writers like Margaret Atwood, Michael Chabon, Jennifer Egan, Louise Erdrich, Kazuo Ishiguro, Chang-rae Lee, David Mitchell, Cormac McCarthy, Ian McEwan, Haruki Murakami, and Colson Whitehead. He finds that literary writers' embrace of popular genres is the product of several seemingly contradictory forces, including their attempt to extend a modernist-inspired project of formal experiment, to pursue high cultural prestige, and to preserve the distinctiveness of the literary, which they perceive to be under threat, while also embracing the role of providing pleasure to readers. Examining what today's most critically acclaimed and widely read literary writers have done with the genres of genre fiction, Genre Bending reveals the values, practices, and forms, as well as the tensions, that constitute literary fiction today.

Detective, horror, fantasy, romance, science fiction, spy thrillers, westerns, zombie novels. In recent decades, acclaimed and ambitious writers of literary fiction have increasingly gravitated to popular fiction genres. In this comprehensive account, Jeremy Rosen describes literary fiction's embrace of genre fiction's conceits as "genre bending" and argues that while literary writers adopt genres for a wide variety of purposes, what they share is a revitalized attitude toward genre—a recognition that while genres can be used in formulaic ways, they can also be adapted and transformed endlessly.Rosen reads across the outpouring of fiction of the last several decades by writers like Margaret Atwood, Michael Chabon, Jennifer Egan, Louise Erdrich, Kazuo Ishiguro, Chang-rae Lee, David Mitchell, Cormac McCarthy, Ian McEwan, Haruki Murakami, and Colson Whitehead. He finds that literary writers' embrace of popular genres is the product of several seemingly contradictory forces, including their attempt to extend a modernist-inspired project of formal experiment, to pursue high cultural prestige, and to preserve the distinctiveness of the literary, which they perceive to be under threat, while also embracing the role of providing pleasure to readers. Examining what today's most critically acclaimed and widely read literary writers have done with the genres of genre fiction, Genre Bending reveals the values, practices, and forms, as well as the tensions, that constitute literary fiction today.