Jerome Loving – författare

Whitman is today regarded as America's Homer or Dante, and his work the touchstone for literary originality in the New World. In Leaves of Grass, he abandoned the rules of traditional poetry - breaking the standard metred line, discarding the obligatory rhyming scheme, and using the vernacular. Emily Dickinson condemned his sexual and physiological allusions as `disgraceful', but Emerson saw the book as the `most extraordinary piece of wit and wisdom that America has yet contributed'. A century later it is his judgement of this autobiographical vision of the vigour of the American nation that has proved the more enduring. This is the most up-to-date edition for student use, with full critical apparatus. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

McTeague (1899) chronicles the demise of a San Francisco couple at the end of the nineteenth century. Inspired by an actual crime that was sensationalized in the San Francisco papers, it tells the story of charlatan dentist McTeague, his wife Trina, and their spiralling descent into moral corruption. Norris is often considered to be the `American Zola', and this is one of the most purely naturalistic American novels of the nineteenth century. With its compelling portrayal of human nature at its most basic level, McTeague is a gripping and passionate tale of greed, degeneration and death. It is also one of the first major works of literature to set in California, and it provided the story for Erich von Stroheim's classic of the silent screen, Greed. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

"Walt Whitman: The Song of Himself" is the first full-length critical biography of Walt Whitman in more than forty years. Jerome Loving makes use of recently unearthed archival evidence and newspaper writings to present the most accurate, complete, and complex portrait of the poet to date. This authoritative biography affords fresh, often revelatory insights into many aspects of the poet's life, including his attitudes toward the emerging urban life of America, his relationships with his family members, his developing notions of male-male love, his attitudes toward the vexed issue of race, and his insistence on the union of American states. Virtually every chapter presents material that was previously unknown or unavailable, and Whitman emerges as never before, in all his complexity as a corporal, cerebral, and spiritual being. Loving gives us a new Poet of Democracy, one for the twenty-first century. Loving brings to life the elusive early Whitman, detailing his unhappy teaching career, typesetting jobs, quarrels with editors, and relationships with family and friends.He takes us through the Civil War - with Whitman's moving descriptions of the wounded and dying he nursed, the battlegrounds and camps he visited - demonstrating why the war became one of the defining events of Whitman's life and poetry. Loving's account of Whitman's relationship with Ralph Waldo Emerson is one of the most complete and fascinating available. He also draws insights from new material about Whitman's life as a civil servant, his Lincoln lectures, and his abiding campaign to gain acceptance for what was regarded by many as a 'dirty book.' He examines each edition of Leaves of Grass in connection with the life and times that produced it, demonstrating how Whitman's poetry serves as a priceless historical document - marking such events as Grant's death, the completion of the Washington monument, Custer's defeat, and the Johnstown flood - at the same time that it reshapes the canon of American literature. The most important gap in the Whitman record is his journalism, which has never been completely collected and edited. Previous biographers have depended on a very incomplete and inaccurate collection.Loving has found long-forgotten runs of the newspapers Whitman worked on and has gathered the largest collection of his journalism to date. He uses these pieces to significantly enhance our understanding of where Whitman stood in the political and ideological spectra of his era. Loving tracks down the sources of anecdotes about Whitman, how they got passed from one biographer to another, were embellished and re-contextualized. The result is a biography in which nothing is claimed without a basis in the factual record. "Walt Whitman: The Song of Himself" will be an invaluable tool for generations to come, an essential resource in understanding "Leaves of Grass" and its poet - who defied literary decorum, withstood condemnation, and stubbornly pursued his own way.

When Theodore Dreiser first published "Sister Carrie" in 1900 it was suppressed for its seamy plot, colloquial language, and immorality - for, as one reviewer put it, its depiction of 'the godless side of American life'. It was a side of life experienced firsthand by Dreiser, whose own circumstances often paralleled those of his characters in the turbulent, turn-of-the-century era of immigrants, black lynchings, ruthless industrialists, violent labor movements, and the New Woman. This masterful critical biography, the first on Dreiser in more than half a century, is the only study to fully weave Dreiser's literary achievement into the context of his life. Jerome Loving gives us a Dreiser for a new generation in a brilliant evocation of a writer who boldly swept away Victorian timidity to open the twentieth century in American literature.Dreiser was a controversial figure in his time, not only because of his literary efforts, which included publication of the brutal and heartbreaking "An American Tragedy" in 1925, but also because of his personal life, which featured numerous sexual liaisons, included membership in the communist party, merited a 180-page FBI file, and ended in Hollywood. "The Last Titan" paints a full portrait of the mature Dreiser between the two world wars - through the roaring twenties, the stock market crash, and the Depression - and describes his contact with important figures from Emma Goldman and H.L. Mencken to two presidents Roosevelt. Tracing Dreiser's literary roots in Hawthorne, Emerson, Thoreau, and especially Whitman, Loving has written what will surely become the standard biography of one of America's best novelists.

Mark Twain, who was often photographed with a cigar, once remarked that he came into the world looking for a light. In this new biography, published on the centennial of the writer's death, Jerome Loving focuses on Mark Twain, humorist and quipster, and sheds new light on the wit, pathos, and tragedy of the author of "Adventures of Huckleberry Finn." In brisk and compelling fashion, Loving follows Twain from Hannibal to Hawaii to the Holy Land, showing how the southerner transformed himself into a westerner and finally a New Englander. This re-examination of Twain's life is informed by newly discovered archival materials that provide the most complex view of the man and writer to date.

When Theodore Dreiser first published Sister Carrie in 1900 it was suppressed for its seamy plot, colloquial language, and immorality—for, as one reviewer put it, its depiction of "the godless side of American life." It was a side of life experienced firsthand by Dreiser, whose own circumstances often paralleled those of his characters in the turbulent, turn-of-the-century era of immigrants, black lynchings, ruthless industrialists, violent labor movements, and the New Woman. This masterful critical biography, the first on Dreiser in more than half a century, is the only study to fully weave Dreiser''s literary achievement into the context of his life. Jerome Loving gives us a Dreiser for a new generation in a brilliant evocation of a writer who boldly swept away Victorian timidity to open the twentieth century in American literature. Dreiser was a controversial figure in his time, not only because of his literary efforts, which included publication of the brutal and heartbreaking An American Tragedy in 1925, but also because of his personal life, which featured numerous sexual liaisons, included membership in the communist party, merited a 180-page FBI file, and ended in Hollywood. The Last Titan paints a full portrait of the mature Dreiser between the two world wars—through the roaring twenties, the stock market crash, and the Depression—and describes his contact with important figures from Emma Goldman and H.L. Mencken to two presidents Roosevelt. Tracing Dreiser''s literary roots in Hawthorne, Emerson, Thoreau, and especially Whitman, Loving has written what will surely become the standard biography of one of America''s best novelists.

Mark Twain, who was often photographed with a cigar, once remarked that he came into the world looking for a light. In this new biography, published on the centennial of the writer’s death, Jerome Loving focuses on Mark Twain, humorist and quipster, and sheds new light on the wit, pathos, and tragedy of the author of Adventures of Huckleberry Finn. In brisk and compelling fashion, Loving follows Twain from Hannibal to Hawaii to the Holy Land, showing how the southerner transformed himself into a westerner and finally a New Englander. This re-examination of Twain’s life is informed by newly discovered archival materials that provide the most complex view of the man and writer to date.

In Emily Dickinson: The Poet on the Second Story Professor Jerome Loving provides an intuitive and 'interiorized' reading of the poet's most important works. Using biographical matters as a frame for his interpretations, Loving demonstrates how Dickinson's life is bound up with any series reading of her work. Literally, Dickinson wrote on the second storey of her father's house, but Loving argues that she also used that 'story' (or art) as both a retreat from the transitory nature of life and as a way of experiencing life in what might be termed the 'subjunctive' instead of the 'imperative'. Her persona, therefore, is as disembodied in the poems as was the reclusive poet to visitors to the Amherst 'Homestead'. Loving attempts to show that the voice we hear in the poems is that of the 'mind alone', as Dickinson herself said, 'without corporeal friend'. Of interest to students and scholars of American literature, this critical study will also interest more general readers who enjoy Dickinson's poetry.

A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Loving finds in the lives and works of the two writers a symbiosis of spirit that transcends the question of literary influence. Tracing the parallel careers of Emerson and Whitman, the author shows how each served his literary apprenticeship, moved beyond his vocation, prospered, and, finally, declined in his literary achievements. In both cases, Loving follows his subject from vision to wisdom and, along the way, examines the aspects of the relationship that have aroused controversy.Originally published in 1982.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

The fall of Saigon in 1975 marked the end of the Vietnam War—more than fifty years later, its memory is already fading, although its cultural impact remains. Beginning in the mid-1950s with the Republic of South Vietnam in a civil war with North Vietnam over communism, the United States's military commitment rose to half a million soldiers, airmen, and sailors. Among them was Jerome Loving, a twenty-four-year-old college graduate. Over the next two decades, the conflict took the lives of nearly three million Vietnamese and sixty thousand Americans. Loving returned home from Vietnam in the final days of 1966 to watch the war as he pursued graduate degrees and pondered the cataclysm he had witnessed.As part of the first major wave of American troops, Loving describes in After the Good War: A Vietnam Memoir his life of nearly nine months in the combat zone between the treacherous streets of Saigon and the harbor and air base at Cam Ranh Bay. Loving's memoir, primarily based on letters he wrote while "in-country" to his wife and a diary kept during his service in Vietnam, is not a war story per se but a lament. Its looming symbol is the Vietnam Veterans Memorial at National Mall and Memorial Parks in Washington, DC; unlike previous war memorials or statues, it's a wall of words with the names of the deceased American combatants.After the Good War offers a deeply personal, nuanced meditation on the war and its aftereffects, both on American society and in the minds and hearts of the Americans who fought there.