Jerónimo Pizarro – författare
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11 produkter
11 produkter
Inbunden, Engelska, 2017
268 kr
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The Book of Disquiet is the Portuguese modernist master Fernando Pessoa’s greatest literary achievement. An “autobiography” or “diary” containing exquisite melancholy observations, aphorisms, and ruminations, this classic work grapples with all the eternal questions. Now, for the first time the texts are presented chronologically, in a complete English edition by master translator Margaret Jull Costa. Most of the texts in The Book of Disquiet are written under the semi-heteronym Bernardo Soares, an assistant bookkeeper. This existential masterpiece was first published in Portuguese in 1982, forty-seven years after Pessoa’s death. A monumental literary event, this exciting, new, complete edition spans Fernando Pessoa’s entire writing life.
Häftad, Engelska, 2023
239 kr
Skickas inom 5-8 vardagar
Álvaro de Campos is one of the most influential heteronyms created by Portugal’s great modernist writer Fernando Pessoa. According to Pessoa, Campos was born in Tavira (Algarve) in 1890 and studied mechanical engineering in Glasgow, although he never managed to complete his degree. In his own day, Campos was celebrated—and slandered—for his vociferous poetry imbued with a Whitman-inspired free verse, his praise of the rise of technology and his polemical views that appeared in manifestos, interviews and essays. Here in Margaret Jull Costa and Patricio Ferrari’s translations are the complete poems of Campos. This edition is based on the Portuguese Tinta-da-china edition and includes an illuminating introduction about Campos by the Portuguese editors Jerónimo Pizarro and Antonio Cardiello, facsimiles of original manuscripts and a generous selection of Campos’s prose texts.
Inbunden, Engelska, 2025
1 143 kr
Skickas inom 5-8 vardagar
Essays on teaching a major Portuguese writerThe writings of Fernando Pessoa, one of Portugal's most renowned authors, stand alongside other significant works of modernist world literature and offer a view into the specific milieu of early-twentieth-century Lisbon. Writing under several identities known as heteronyms, Pessoa created works in many genres, including fragments that were assembled into his best-known text, The Book of Disquiet, only after his death.The essays in this volume explore questions raised by Pessoa about the nature of the self, the stability of the text, and the conflict between tradition and innovation. Part 1, "Materials," describes editions, translations, and other resources. The essays in part 2, "Approaches," address Pessoa's works and delve into the author's historical and cultural contexts, heteronyms and multiplicity, archives and editing processes, and connections with other authors and fields of study.
Häftad, Engelska, 2025
497 kr
Skickas inom 5-8 vardagar
Essays on teaching a major Portuguese writerThe writings of Fernando Pessoa, one of Portugal's most renowned authors, stand alongside other significant works of modernist world literature and offer a view into the specific milieu of early-twentieth-century Lisbon. Writing under several identities known as heteronyms, Pessoa created works in many genres, including fragments that were assembled into his best-known text, The Book of Disquiet, only after his death.The essays in this volume explore questions raised by Pessoa about the nature of the self, the stability of the text, and the conflict between tradition and innovation. Part 1, "Materials," describes editions, translations, and other resources. The essays in part 2, "Approaches," address Pessoa's works and delve into the author's historical and cultural contexts, heteronyms and multiplicity, archives and editing processes, and connections with other authors and fields of study.
Inbunden, Engelska, 2020
2 045 kr
Skickas inom 5-8 vardagar
A Critical Introduction proposes a new didactic and dynamic way of reading the great twentieth-century poet Fernando Pessoa (1888-1935). The aim is to present a holistic vision of this complex poet, promoting his literary geniality in order to better understand his orthonymic-heteronymic poetry. A guiding motif is Pessoa's own Be as plural as the universe. In leading the reader through the poet's published literary work, Jerónimo Pizarro allows an intimate perspective, alongside an academic one, to better understand the workings of Pessoa's mind and life. Discussion centres on the dilemmas an editor faces when editing posthumously. A prime question revolves around the genesis of Pessoa's heteronyms and orthonyms. Understanding is revealed by a critical perspective on the unity that exists in all of Pessoa's literary work. Interpretations of the poems; explanation of the profundity of The Book of Disquiet; and his isms of Paulism, Caeirism, Intersectionism and Cessationism, are discussed and analysed. The issue of Pessoa's astrological predictions his birth year and the effects of this event on Portuguese national history is debated. A chapter is devoted to the effect that translating Omar Khayyám's Rubáiyát had on the poet. The work contains eleven texts written by Pessoa in English (including an autobiographical note from 1935), a substantive dual language bibliography, and is highly illustrated with facsimiles of the poet's own written material. A Critical Introduction is essential reading for all scholars and students of Pessoa's literary output and life circumstances. The work has been written to appeal to cultural studies (arts and aesthetics) enthusiasts in general at both undergraduate and postgraduate level, but given the engagement of new critical material it also provides a structured resource for future research.
Häftad, Engelska, 2021
686 kr
Skickas inom 5-8 vardagar
A Critical Introduction proposes a new didactic and dynamic way of reading the great twentieth-century poet Fernando Pessoa (1888-1935). The aim is to present a holistic vision of this complex poet, promoting his literary geniality in order to better understand his orthonymic-heteronymic poetry. A guiding motif is Pessoa's own Be as plural as the universe. In leading the reader through the poet's published literary work, Jerónimo Pizarro allows an intimate perspective, alongside an academic one, to better understand the workings of Pessoa's mind and life. Discussion centres on the dilemmas an editor faces when editing posthumously. A prime question revolves around the genesis of Pessoa's heteronyms and orthonyms. Understanding is revealed by a critical perspective on the unity that exists in all of Pessoa's literary work. Interpretations of the poems; explanation of the profundity of The Book of Disquiet; and his isms of Paulism, Caeirism, Intersectionism and Cessationism, are discussed and analysed. The issue of Pessoa's astrological predictions his birth year and the effects of this event on Portuguese national history is debated. A chapter is devoted to the effect that translating Omar Khayyám's Rubáiyát had on the poet. The work contains eleven texts written by Pessoa in English (including an autobiographical note from 1935), a substantive dual language bibliography, and is highly illustrated with facsimiles of the poet's own written material. A Critical Introduction is essential reading for all scholars and students of Pessoa's literary output and life circumstances. The work has been written to appeal to cultural studies (arts and aesthetics) enthusiasts in general at both undergraduate and postgraduate level, but given the engagement of new critical material it also provides a structured resource for future research.
Inbunden, Tyska, 2010
465 kr
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E-bok
Tyska, 2014397 kr
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›Genie und Wahnsinn‹ fasst annähernd alle Nachlassfragmente zusammen, die von der großen Schlüsselfigur des portugiesischen Modernismus zu Themen wie Genie, Wahnsinn, Degeneration oder Psychopathologie niedergeschrieben wurden.Der junge Pessoa erweist sich als ein beachtlicher Kenner beinahe aller Abhandlungen, die bezüglich dieser Materie in Europa vor dem Ersten Weltkrieg im Umlauf waren und die in der damaligen Zeit die intellektuelle Aufmerksamkeit beherrschten.Zwischen den sehr vielfältigen Texten befinden sich beispielsweise kunstvolle Kommentare zu wissenschaftlichen und pseudowissenschaftlichen Abhandlungen, welche von Cesare Lombroso über Gabriel Tarde bis hin zu Max Nordau reichen; es gibt ausgeklügelte Versuche, die psychische Konstitution Shakespeares oder eigener Zeitgenossen zu deuten, und es lassen sich umfangreiche Ansätze ausmachen, mit denen der junge Pessoa seine eigene Seelenverfassung ergründen will.
E-bok
Spanska, 2014272 kr
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Cuando se piensa en el proceso y los resultados de la "mediación editorial", es decir, en la intervención sucesiva de varios editores en la construcción colectiva de un conjunto de obras, se piensa más en el papel que puede desempeñar una casa editora en esa construcción, y menos en el rol que cumplen una serie de editores individuales en ella. En este libro se considera el alcance, la hondura, la dimensión y la delicadeza de la mediación editorial, para destacar el lugar de la edición en la historia de un texto y defender que esta historia no se limita a la publicación, la circulación y la apropiación del mismo. La edición involucra un minucioso acto de lectura e interpretación; cada editor es un nuevo lector, que media entre la palabra escrita y otros lectores.
E-bok
PDF, Spanska, 2018125 kr
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Entre el archivo y el público más vasto, que no visita una sala de documentos reservados; entre el texto y la lectura, que necesita de objetos tangibles para ser llevada a cabo; entre un término y otro, media con frecuencia un tercero, que produce un trabajo crítico. Hoy es necesario "acercar lo que la tradición occidental alejó tenazmente: por un lado, la comprensión y el comentario de las obras; por otro lado, el análisis de las condiciones técnicas o sociales de su publicación, circulación y apropiación" (Chartier, ¿Qué es un texto?). el volumen presente pretende disipar una serie de separaciones perniciosas y de larga data entre edición e interpretación, producción y recepción, tradición editorial e historia textual, entre otras.Este libro resulta una serie de foros abiertos en los que se discutió la conservación, conformación, circulación y apropiación de los acervos bibliográficos en general, y muy particularmente en algunos archivos literarios de los siglos XIX y XX. En ellos se encontraron estudiantes, profesionales e investigadores interesados en la edición, el patrimonio, la crítica textual y las humanidades digitales. Ante las ilusiones que genera la aparente originalidad de los documentos guardados en un lugar específico, se reivindicó la relación de esos documentos con otros – la necesidad de entrar y salir de cualquier mundo cerrado – y la dimensión social de toda construcción colectiva.
E-bok
Spanska, 201766 kr
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Este volumen reúne las intervenciones del conversatorio "Los futuros de Fernando Pessoa" (octubre de 2011), actividad que congregó a Ani Bustamante, Julio del Valle, Jerónimo Pizarro y Jorge Wiesse en la Universidad del Pacífico (Lima, Perú). Además de estos textos críticos, se incluyen traducciones de poesías y prosas de Fernando Pessoa (Lisboa, 1888–1935), con las obras originales en espejo. Tradujeron los poemas y las prosas Jerónimo Pizarro y Jorge Wiesse. Jorge WiesseEs profesor principal e investigador y jefe del Departamento Académico de Humanidades de la Universidad del Pacífico (UP). Es licenciado en Lingüística y Literatura con mención en Literatura Hispánica por la Pontificia Universidad Católica del Perú. Ha sido vicedecano de Estudios Comunes, jefe de la Oficina de Formación Universitaria y Presidente del Comité Electoral de la UP. Es miembro del Instituto Riva-Agüero, la Sociedad Peruana de Estudios Clásicos, la Asociación Internacional de Hispanistas y de la Asociación Internacional Siglo de Oro. Sus poemas, artículos y contribuciones han aparecido en revistas especializadas del Perú y del extranjero. Además, tiene una amplia trayectoria como docente a cargo de cursos de Lenguaje y Literatura.Jerónimo PizarroCursó estudios en la Universidad de Los Andes. Es Doctor en Lingüística Portuguesa por la Universidad de Lisboa y en Literatura Hispánica por la Universidad de Harvard. Fue profesor del programa de Crítica Textual de la Universidad de Lisboa y es miembro del grupo de trabajo que desde 1988 publica la edición crítica de las obras completas de Fernando Pessoa. Sus áreas de interés y conocimiento son la crítica textual, la literatura hispánica y la literatura de expresión portuguesa. Ha editado varios libros; entre otros, la primera edición crítica del Livro do Desasocego [Libro del desasosiego], Portuguese Modernisms. Multiple Perspectives on Literature and the Visual Arts, La mediación editorial. Sobre la vida póstuma de lo escrito, y Alias Pessoa.