Jerónimo Pizarro - Böcker

The Book of Disquiet is the Portuguese modernist master Fernando Pessoa’s greatest literary achievement. An “autobiography” or “diary” containing exquisite melancholy observations, aphorisms, and ruminations, this classic work grapples with all the eternal questions. Now, for the first time the texts are presented chronologically, in a complete English edition by master translator Margaret Jull Costa. Most of the texts in The Book of Disquiet are written under the semi-heteronym Bernardo Soares, an assistant bookkeeper. This existential masterpiece was first published in Portuguese in 1982, forty-seven years after Pessoa’s death. A monumental literary event, this exciting, new, complete edition spans Fernando Pessoa’s entire writing life.

Álvaro de Campos is one of the most influential heteronyms created by Portugal’s great modernist writer Fernando Pessoa. According to Pessoa, Campos was born in Tavira (Algarve) in 1890 and studied mechanical engineering in Glasgow, although he never managed to complete his degree. In his own day, Campos was celebrated—and slandered—for his vociferous poetry imbued with a Whitman-inspired free verse, his praise of the rise of technology and his polemical views that appeared in manifestos, interviews and essays. Here in Margaret Jull Costa and Patricio Ferrari’s translations are the complete poems of Campos. This edition is based on the Portuguese Tinta-da-china edition and includes an illuminating introduction about Campos by the Portuguese editors Jerónimo Pizarro and Antonio Cardiello, facsimiles of original manuscripts and a generous selection of Campos’s prose texts.

Essays on teaching a major Portuguese writerThe writings of Fernando Pessoa, one of Portugal's most renowned authors, stand alongside other significant works of modernist world literature and offer a view into the specific milieu of early-twentieth-century Lisbon. Writing under several identities known as heteronyms, Pessoa created works in many genres, including fragments that were assembled into his best-known text, The Book of Disquiet, only after his death.The essays in this volume explore questions raised by Pessoa about the nature of the self, the stability of the text, and the conflict between tradition and innovation. Part 1, "Materials," describes editions, translations, and other resources. The essays in part 2, "Approaches," address Pessoa's works and delve into the author's historical and cultural contexts, heteronyms and multiplicity, archives and editing processes, and connections with other authors and fields of study.

Essays on teaching a major Portuguese writerThe writings of Fernando Pessoa, one of Portugal's most renowned authors, stand alongside other significant works of modernist world literature and offer a view into the specific milieu of early-twentieth-century Lisbon. Writing under several identities known as heteronyms, Pessoa created works in many genres, including fragments that were assembled into his best-known text, The Book of Disquiet, only after his death.The essays in this volume explore questions raised by Pessoa about the nature of the self, the stability of the text, and the conflict between tradition and innovation. Part 1, "Materials," describes editions, translations, and other resources. The essays in part 2, "Approaches," address Pessoa's works and delve into the author's historical and cultural contexts, heteronyms and multiplicity, archives and editing processes, and connections with other authors and fields of study.

A Critical Introduction proposes a new didactic and dynamic way of reading the great twentieth-century poet Fernando Pessoa (1888-1935). The aim is to present a holistic vision of this complex poet, promoting his literary geniality in order to better understand his orthonymic-heteronymic poetry. A guiding motif is Pessoa's own Be as plural as the universe. In leading the reader through the poet's published literary work, Jerónimo Pizarro allows an intimate perspective, alongside an academic one, to better understand the workings of Pessoa's mind and life. Discussion centres on the dilemmas an editor faces when editing posthumously. A prime question revolves around the genesis of Pessoa's heteronyms and orthonyms. Understanding is revealed by a critical perspective on the unity that exists in all of Pessoa's literary work. Interpretations of the poems; explanation of the profundity of The Book of Disquiet; and his isms of Paulism, Caeirism, Intersectionism and Cessationism, are discussed and analysed. The issue of Pessoa's astrological predictions his birth year and the effects of this event on Portuguese national history is debated. A chapter is devoted to the effect that translating Omar Khayyám's Rubáiyát had on the poet. The work contains eleven texts written by Pessoa in English (including an autobiographical note from 1935), a substantive dual language bibliography, and is highly illustrated with facsimiles of the poet's own written material. A Critical Introduction is essential reading for all scholars and students of Pessoa's literary output and life circumstances. The work has been written to appeal to cultural studies (arts and aesthetics) enthusiasts in general at both undergraduate and postgraduate level, but given the engagement of new critical material it also provides a structured resource for future research.

A Critical Introduction proposes a new didactic and dynamic way of reading the great twentieth-century poet Fernando Pessoa (1888-1935). The aim is to present a holistic vision of this complex poet, promoting his literary geniality in order to better understand his orthonymic-heteronymic poetry. A guiding motif is Pessoa's own Be as plural as the universe. In leading the reader through the poet's published literary work, Jerónimo Pizarro allows an intimate perspective, alongside an academic one, to better understand the workings of Pessoa's mind and life. Discussion centres on the dilemmas an editor faces when editing posthumously. A prime question revolves around the genesis of Pessoa's heteronyms and orthonyms. Understanding is revealed by a critical perspective on the unity that exists in all of Pessoa's literary work. Interpretations of the poems; explanation of the profundity of The Book of Disquiet; and his isms of Paulism, Caeirism, Intersectionism and Cessationism, are discussed and analysed. The issue of Pessoa's astrological predictions his birth year and the effects of this event on Portuguese national history is debated. A chapter is devoted to the effect that translating Omar Khayyám's Rubáiyát had on the poet. The work contains eleven texts written by Pessoa in English (including an autobiographical note from 1935), a substantive dual language bibliography, and is highly illustrated with facsimiles of the poet's own written material. A Critical Introduction is essential reading for all scholars and students of Pessoa's literary output and life circumstances. The work has been written to appeal to cultural studies (arts and aesthetics) enthusiasts in general at both undergraduate and postgraduate level, but given the engagement of new critical material it also provides a structured resource for future research.