Jessa Crispin – författare

When Jessa Crispin was thirty, she burned her settled Chicago life to the ground and took off for Berlin with a pair of suitcases and no plan beyond leaving. Half a decade later, she's still on the road, in search not so much of a home as of understanding, a way of being in the world that demands neither constant struggle nor complete surrender. The Dead Ladies Project is an account of that journey-but it's also much, much more. Fascinated by exile, Crispin travels an itinerary of key locations in its literary map, of places that have drawn writers who needed to break free from their origins and start afresh. As she reflects on William James struggling through despair in Berlin, Nora Barnacle dependant on and dependable for James Joyce in Trieste, Maud Gonne fomenting revolution and fostering myth in Dublin, or Igor Stravinsky starting over from nothing in Switzerland, Crispin interweaves biography, incisive literary analysis, and personal experience into a rich meditation on the complicated interactions of place, personality, and society that can make escape and reinvention such an attractive, even intoxicating proposition.Personal and profane, funny and fervent, The Dead Ladies Project ranges from the nineteenth century to the present, from historical figures to brand-new hangovers, in search, ultimately, of an answer to a bedrock question: How does a person decide how to live their life?

Sharp and thought-provoking, this memoir-meets-cultural criticism upends the romanticism of the Great Plains and the patriarchy at the core of its ideals.  For many Americans, Kansas represents a vision of Midwestern life that is good and wholesome and evokes the American ideals of god, home, and country. But for those like Jessa Crispin who have grown up in Kansas,  the realities are much harsher. She argues that the Midwestern values we cling to cover up a long history of oppression and control over Native Americans, women, and the economically disadvantaged.Blending personal narrative with social commentary, Crispin meditates on why the American Midwest still enjoys an esteemed position in our country's mythic self-image. Ranging from The Wizard of Oz to race, from chastity to rape, from radical militias and recent terrorist plots to Utopian communities, My Three Dads opens on a comic scene in a Kansas rent house the author shares with a (masculine) ghost. This prompts Crispin to think about her intellectual fathers, her spiritual fathers, and her literal fathers. She is curious to understand what she has learned from them and what she needs to unlearn about how a person should be in a family, as a citizen, and as a child of god—ideals, Crispin argues, that have been established and reproduced in service to hierarchy, oppression, and wealth.  Written in Crispin’s well-honed voice—smart, assured, comfortable with darkness—My Three Dads offers a kind of bleak redemption, the insight that no matter where you go, no matter how far from home you roam, the place you came from is always with you, “like it or not.”

A hip, accessible, and practical guide for artists and creative people looking to tarot for guidance and inspiration in the tradition of The Secret Language of Birthdaysand Steal Like an Artist. What if the path to creativity was not as challenging as everyone thinks? What if you could find that spark, plot twist, or next project by simply looking at your life and your art through a different lens? Written for novices and seasoned readers alike, The Creative Tarotis a unique guidebook that reimagines tarot cards and the ways they can boost the creative process. Jessa Crispin guides you through the intuitive world of the tarot to get those creative juices flowing again. Thought to be esoteric and mystical, tarot cards are approachable and endlessly helpful to overcoming creative blocks. Crispin offers spiritual readings of the cards, practical information for the uninspired artist, and a wealth of fascinating anecdotes about famous artists including Virginia Woolf, Rembrandt, and David Bowie, and how they found inspiration. With five original tarot spreads and beautiful illustrations throughout, The Creative Tarotis an accessible, colourful guide that demystifies both the tarot and the creative process.

Har dagens feminism upphört att vara en i grunden upprorisk och samhällskritisk rörelse och istället mer och mer kommit att handla om livsstilsval och omfördelningspolitik inom den etablerade ordningens ramar? Har feminismen fokuserat för mycket på identitetsfrågor och glömt bort aspekter som klass och ekonomi? Riskerar den berättigade vreden över patriarkalt förtryck att leda till ett okritiskt grupptänkande och en självrättfärdig offermentalitet? Jessa Crispins bok ställer ett antal viktiga frågor till dagens och morgondagens feminister. Frågor som kanske kan provocera. Men Crispin är inte intresserad av provokationer för provokationernas egen skull. Hon vill få läsaren att tänka efter ordentligt och betrakta sig själv, men inte nödvändigtvis hålla med om allt. Och hon vill inte avskaffa feminismen, hon vill uppfinna den på nytt. "Nu har jag läst ut Jessa Crispins bok Därför Är Jag Inte Feminist. Det var länge sen jag strök under så mycket i en bok. Ännu längre sen jag kände mig så anklagad och samtidigt så mentalt uppfriskad." /Nina Åkestam "The author’s ferocious critique effectively reframes the terms of any serious discussion of feminism. You’ll never trust a you-go-girl just-lean-in bromide again. Forget busting glass ceilings. Crispin has taken a wrecking ball to the whole structure.” /Kirkus starred review "Very, very funny. . . . The whole book is packed with delightfully offbeat prose . . . as raw as it is sophisticated, as quirky as it is intense.” /The Chicago Tribune