Jessica A. Boon – författare

The Mystical Science of the Soul explores the unexamined influence of medieval discourses of science and spirituality on recogimiento, the unique Spanish genre of recollection mysticism that served as the driving force behind the principal developments in Golden Age mysticism. Building on recent research in medieval optics, physiology, and memory in relation to the devotional practices of the late Middle Ages, Jessica A. Boon probes the implications of an ‘embodied soul’ for the intellectual history of Spanish mysticism.Boon proposes a fundamental rereading of the key recogimiento text Subida del Monte SiÓn (1535/1538), which melds the traditionally distinct spiritual techniques of moral self-examination, Passion meditation, and negative theology into one cognitively adept path towards mystical union. She is also the first English-language scholar to treat the author of this influential work – the Renaissance physician Bernardino de Laredo, a pivotal figure in the transition from medieval to early modern spirituality on the Iberian peninsula and a source for Teresa of Avila’s mystical language.

The Mystical Science of the Soul explores the unexamined influence of medieval discourses of science and spirituality on recogimiento, the unique Spanish genre of recollection mysticism that served as the driving force behind the principal developments in Golden Age mysticism. Building on recent research in medieval optics, physiology, and memory in relation to the devotional practices of the late Middle Ages, Jessica A. Boon probes the implications of an ‘embodied soul’ for the intellectual history of Spanish mysticism.Boon proposes a fundamental rereading of the key recogimiento text Subida del Monte SiÓn (1535/1538), which melds the traditionally distinct spiritual techniques of moral self-examination, Passion meditation, and negative theology into one cognitively adept path towards mystical union. She is also the first English-language scholar to treat the author of this influential work – the Renaissance physician Bernardino de Laredo, a pivotal figure in the transition from medieval to early modern spirituality on the Iberian peninsula and a source for Teresa of Avila’s mystical language.

The Mystical Science of the Soul explores the unexamined influence of medieval discourses of science and spirituality on recogimiento, the unique Spanish genre of recollection mysticism that served as the driving force behind the principal developments in Golden Age mysticism. Building on recent research in medieval optics, physiology, and memory in relation to the devotional practices of the late Middle Ages, Jessica A. Boon probes the implications of an ‘embodied soul’ for the intellectual history of Spanish mysticism.Boon proposes a fundamental rereading of the key recogimiento text Subida del Monte SiÓn (1535/1538), which melds the traditionally distinct spiritual techniques of moral self-examination, Passion meditation, and negative theology into one cognitively adept path towards mystical union. She is also the first English-language scholar to treat the author of this influential work – the Renaissance physician Bernardino de Laredo, a pivotal figure in the transition from medieval to early modern spirituality on the Iberian peninsula and a source for Teresa of Avila’s mystical language.

This essay collection studies the Apocalypse and the end of the world, as these themes occupied the minds of biblical scholars, theologians, and ordinary people in Antiquity, the Middle Ages, and Early Modernity. It opens with an innovative series of studies on “Gendering the Apocalypse,” devoted to the texts and contexts of the apocalyptic through the lens of gender. A second section of essays studies the more traditional problem of “Apocalyptic Theory and Exegesis,” with a focus on authors such as Augustine of Hippo and Joachim of Fiore. A final series of essays extends the thematic scope to “The Eschaton in Political, Liturgical, and Literary Contexts.” In these essays, scholars of history, theology, and literature create a dialogue that considers how fear of the end of the world, among the most pervasive emotions in human experience, underlies a great part of Western cultural production.