Contributors to this special issue explore the ways literature and literary studies contribute to historical understandings and imagined futures of infrastructure under conditions of planetary ecological emergency. Focusing particularly on the infrastructures of empire and capital, as well as the local and global environmental ramifications of their historical unfolding, the authors consider the roles that literature can play in the theorization of infrastructure. The issue covers how settler capitalism has shaped the infrastructural transformation of the continent, from the settler colonial project of the nineteenth century to “transform dirt into infrastructure” to the deep entanglement of ecological emergency with the arrival of the internet in the United States. The issue also focuses on the intersections of infrastructure with the ongoing emergencies of racial oppression. It covers topics ranging from an emergent formal technique in contemporary African American fiction called “geomemory”-where the racial emergencies of the present are revealed to be the result of still-active infrastructures of the plantation-to the conglomeration of the buildings, laws, institutions, and capital markets that constitute the US healthcare system.Contributors. John Levi Barnard, Suzanne F. Boswell, Rebecca Evans, Stephanie Foote, Michelle N. Huang, Jessica Hurley, Jeffrey Insko, Andrew Kopec, Kelly McKisson, Jamin Creed Rowan

A new approach to the vast nuclear infrastructure and the apocalypses it produces, focusing on Black, queer, Indigenous, and Asian American literaturesSince 1945, America has spent more resources on nuclear technology than any other national project. Although it requires a massive infrastructure that touches society on myriad levels, nuclear technology has typically been discussed in a limited, top-down fashion that clusters around powerful men. In Infrastructures of Apocalypse, Jessica Hurley turns this conventional wisdom on its head, offering a new approach that focuses on neglected authors and Black, queer, Indigenous, and Asian American perspectives.Exchanging the usual white, male “nuclear canon” for authors that include James Baldwin, Leslie Marmon Silko, and Ruth Ozeki, Infrastructures of Apocalypse delivers a fresh literary history of post-1945 America that focuses on apocalypse from below. Here Hurley critiques the racialized urban spaces of civil defense and reads nuclear waste as a colonial weapon. Uniting these diverse lines of inquiry is Hurley’s belief that apocalyptic thinking is not the opposite of engagement but rather a productive way of imagining radically new forms of engagement.Infrastructures of Apocalypse offers futurelessness as a place from which we can construct a livable world. It fills a blind spot in scholarship on American literature of the nuclear age, while also offering provocative, surprising new readings of such well-known works as Atlas Shrugged, Infinite Jest, and Angels in America. Infrastructures of Apocalypse is a revelation for readers interested in nuclear issues, decolonial literature, speculative fiction, and American studies.

Contributors to this special issue explore the ways literature and literary studies contribute to historical understandings and imagined futures of infrastructure under conditions of planetary ecological emergency. Focusing particularly on the infrastructures of empire and capital, as well as the local and global environmental ramifications of their historical unfolding, the authors consider the roles that literature can play in the theorization of infrastructure. The issue covers how settler capitalism has shaped the infrastructural transformation of the continent, from the settler colonial project of the nineteenth century to “transform dirt into infrastructure” to the deep entanglement of ecological emergency with the arrival of the internet in the United States. The issue also focuses on the intersections of infrastructure with the ongoing emergencies of racial oppression. It covers topics ranging from an emergent formal technique in contemporary African American fiction called “geomemory”-where the racial emergencies of the present are revealed to be the result of still-active infrastructures of the plantation-to the conglomeration of the buildings, laws, institutions, and capital markets that constitute the US healthcare system.Contributors. John Levi Barnard, Suzanne F. Boswell, Rebecca Evans, Stephanie Foote, Michelle N. Huang, Jessica Hurley, Jeffrey Insko, Andrew Kopec, Kelly McKisson, Jamin Creed Rowan

A new approach to the vast nuclear infrastructure and the apocalypses it produces, focusing on Black, queer, Indigenous, and Asian American literaturesSince 1945, America has spent more resources on nuclear technology than any other national project. Although it requires a massive infrastructure that touches society on myriad levels, nuclear technology has typically been discussed in a limited, top-down fashion that clusters around powerful men. In Infrastructures of Apocalypse, Jessica Hurley turns this conventional wisdom on its head, offering a new approach that focuses on neglected authors and Black, queer, Indigenous, and Asian American perspectives.Exchanging the usual white, male “nuclear canon” for authors that include James Baldwin, Leslie Marmon Silko, and Ruth Ozeki, Infrastructures of Apocalypse delivers a fresh literary history of post-1945 America that focuses on apocalypse from below. Here Hurley critiques the racialized urban spaces of civil defense and reads nuclear waste as a colonial weapon. Uniting these diverse lines of inquiry is Hurley’s belief that apocalyptic thinking is not the opposite of engagement but rather a productive way of imagining radically new forms of engagement.Infrastructures of Apocalypse offers futurelessness as a place from which we can construct a livable world. It fills a blind spot in scholarship on American literature of the nuclear age, while also offering provocative, surprising new readings of such well-known works as Atlas Shrugged, Infinite Jest, and Angels in America. Infrastructures of Apocalypse is a revelation for readers interested in nuclear issues, decolonial literature, speculative fiction, and American studies.