Jessica Jacobs – författare

Illustrated by revealing interviews with women and men in the tourist resorts in the Sinai, Egypt, this book is ostensibly about western women who sleep with 'native' men while on holiday. Broadening the scope of issues involved, it examines the link between these holiday romances and a much wider romanticism of place and people - of the landscapes of paradise, deserts and the lure of the Bedouin sheikh - that are used to sell these destinations. It argues that the romantic stereotyping and deliberate positioning of 'Third World' resorts as places that somehow exist outside of the modernities the women come from is inextricably bound up in the relationships. Similarly, for the local man the tourist resort is perceived as a place other than his own cultural space and time and represents a modernity that is otherwise only found in the 'West'. The relationships that ensue can therefore only occur because the tourist resort acts as an intermediate space. In analyzing the interaction of these men and women within the context of modernity, the book provides insights into gender issues to do with globalization, travel and sexuality, as well as opening up the debate on sex tourism and showing this to be a lot more ambiguous and complicated than it might at first appear.

Illustrated by revealing interviews with women and men in the tourist resorts in the Sinai, Egypt, this book is ostensibly about western women who sleep with 'native' men while on holiday. Broadening the scope of issues involved, it examines the link between these holiday romances and a much wider romanticism of place and people - of the landscapes of paradise, deserts and the lure of the Bedouin sheikh - that are used to sell these destinations. It argues that the romantic stereotyping and deliberate positioning of 'Third World' resorts as places that somehow exist outside of the modernities the women come from is inextricably bound up in the relationships. Similarly, for the local man the tourist resort is perceived as a place other than his own cultural space and time and represents a modernity that is otherwise only found in the 'West'. The relationships that ensue can therefore only occur because the tourist resort acts as an intermediate space. In analyzing the interaction of these men and women within the context of modernity, the book provides insights into gender issues to do with globalization, travel and sexuality, as well as opening up the debate on sex tourism and showing this to be a lot more ambiguous and complicated than it might at first appear.

Illustrated by revealing interviews with women and men in the tourist resorts in the Sinai, Egypt, this book is ostensibly about western women who sleep with ''native'' men while on holiday. Broadening the scope of issues involved, it examines the link between these holiday romances and a much wider romanticism of place and people - of the landscapes of paradise, deserts and the lure of the Bedouin sheikh - that are used to sell these destinations. It argues that the romantic stereotyping and deliberate positioning of ''Third World'' resorts as places that somehow exist outside of the modernities the women come from is inextricably bound up in the relationships. Similarly, for the local man the tourist resort is perceived as a place other than his own cultural space and time and represents a modernity that is otherwise only found in the ''West''. The relationships that ensue can therefore only occur because the tourist resort acts as an intermediate space. In analyzing the interaction of these men and women within the context of modernity, the book provides insights into gender issues to do with globalization, travel and sexuality, as well as opening up the debate on sex tourism and showing this to be a lot more ambiguous and complicated than it might at first appear.

Illustrated by revealing interviews with women and men in the tourist resorts in the Sinai, Egypt, this book is ostensibly about western women who sleep with ''native'' men while on holiday. Broadening the scope of issues involved, it examines the link between these holiday romances and a much wider romanticism of place and people - of the landscapes of paradise, deserts and the lure of the Bedouin sheikh - that are used to sell these destinations. It argues that the romantic stereotyping and deliberate positioning of ''Third World'' resorts as places that somehow exist outside of the modernities the women come from is inextricably bound up in the relationships. Similarly, for the local man the tourist resort is perceived as a place other than his own cultural space and time and represents a modernity that is otherwise only found in the ''West''. The relationships that ensue can therefore only occur because the tourist resort acts as an intermediate space. In analyzing the interaction of these men and women within the context of modernity, the book provides insights into gender issues to do with globalization, travel and sexuality, as well as opening up the debate on sex tourism and showing this to be a lot more ambiguous and complicated than it might at first appear.

This applied text provides students and researchers with a practical, step-by-step guide to using film to produce research. Despite the recent explosion in the use of digital technologies like smartphones, there has been huge lack of practical information for researchers who want to use film in their work. Until now. Each chapter in this guide uses case studies to provide practical advice and recommendations, including advice from film professionals. Explanations of the necessary theory are provided throughout to give in-depth context to your research. In two sections - on method and on output – this guide explains film as a visual methodolog, covering:

technologies of film - equipment and software constructing the sound and the image filming - using your camera in the field editing - from the first cut to post-production impact and the audience

 This highly-informative resource - including web-based materials - provides anyone with a smartphone in their pocket with the tools to use film in their research. From the qualitative issues of film as a method to the practical issues of film as an output, this is the social science researcher’s A-Z.

This applied text provides students and researchers with a practical, step-by-step guide to using film to produce research. Despite the recent explosion in the use of digital technologies like smartphones, there has been huge lack of practical information for researchers who want to use film in their work. Until now. Each chapter in this guide uses case studies to provide practical advice and recommendations, including advice from film professionals. Explanations of the necessary theory are provided throughout to give in-depth context to your research. In two sections - on method and on output – this guide explains film as a visual methodolog, covering:

technologies of film - equipment and software constructing the sound and the image filming - using your camera in the field editing - from the first cut to post-production impact and the audience

 This highly-informative resource - including web-based materials - provides anyone with a smartphone in their pocket with the tools to use film in their research. From the qualitative issues of film as a method to the practical issues of film as an output, this is the social science researcher’s A-Z.

Living with a peanut allergy is hard, and peanuts are everywhere! Ben ate peanut butter when he was young and he had a bad allergic reaction. At first he was too scared to speak up about his allergy and tell people that he couldn’t be around peanuts. Now at six years old, he knows that speaking up is very important, since he encounters food with peanuts at school, at T-ball practice, at birthday parties, and during the holidays. Because Ben’s friends and family care about him, they are always understanding of his condition and are happy to put away dangerous foods if Ben asks them to. The Peanut Pickle will help children learn how to tell others about a food allergy and explain that they need a safe environment. It will teach them how to deal with difficult and awkward situations that inevitably arise when a child has a life-threatening food allergy. It also includes a guide for parents to help their children with food allergies.

A biography-in-poems of Georgia O'Keeffe, interwoven with the poet's lyric accounts of a solitary month in a primitive desert cabin. A narrative-driven collection that reads like a novel, this book delves into issues of creativity, feminism, and relationships, while exploring turn-of-the last century New York City and the New Mexico high desert of the 1930s and today. "Georgia O'Keeffe's remarkable life and work inspired this poetic meditation on everything from the pleasures and pains of love to the transformations that time works on an individual. And just as the artist distilled the essence of her subject matter, abstracting from flowers and bones, landscapes and clouds, a vivid story of her walk in the sun, so Jessica Jacobs discovers a vibrant music rooted in portraiture. 'How little it takes/ to make home unfamiliar,' she writes. And home in this stunning book turns out to be the entire universe. Make yourself comfortable. There is so much to taste and see."--Christopher Merrill, Necessities and From the Faraway Nearby: Georgia O'Keeffe as Icon