Jessica Norledge - Böcker

Digital Teaching for Linguistics re-imagines the teaching of linguistics in a digital environment. It provides both an introduction to digital pedagogy and a discussion of technologically driven teaching practices that could be applied to any field of study.Drawing on the authors’ extensive experience of successful delivery of web-based instruction and assessment, this book:• provides extended analysis and discussion of the best practices for teaching in an online and blended context;• features examples and case studies based on current research and teaching practice;• proposes new methods of teaching and assessment in line with innovations in educational technology.This book is essential reading for educators in the areas of linguistics, English language, and education seeking guidance and advice on how to design or adapt their teaching for a digital world.

Digital Teaching for Linguistics re-imagines the teaching of linguistics in a digital environment. It provides both an introduction to digital pedagogy and a discussion of technologically driven teaching practices that could be applied to any field of study.Drawing on the authors’ extensive experience of successful delivery of web-based instruction and assessment, this book:• provides extended analysis and discussion of the best practices for teaching in an online and blended context;• features examples and case studies based on current research and teaching practice;• proposes new methods of teaching and assessment in line with innovations in educational technology.This book is essential reading for educators in the areas of linguistics, English language, and education seeking guidance and advice on how to design or adapt their teaching for a digital world.

Reading Fictional Languages brings together scholars, creators, designers and speakers of fictional languages from across the world in a unique book that explores the imagined languages of fantasy, science fiction, dystopia and alternate realities. It explores the role of invented languages in world-building, characterisation, and the feeling of authentic immersion in the forms of thought of aliens, animals, machines, and the people who inhabit alternative worlds from our own.

Reading Fictional Languages brings together scholars, creators, designers and speakers of fictional languages from across the world in a unique book that explores the imagined languages of fantasy, science fiction, dystopia and alternate realities. It explores the role of invented languages in world-building, characterisation, and the feeling of authentic immersion in the forms of thought of aliens, animals, machines, and the people who inhabit alternative worlds from our own.

Immersion is the common readerly feeling of being lost in a book, your consciousness transported elsewhere, so that fictional places and people can feel vivid and real. It rests on a familiar human capacity for being completely absorbed by the object whether that is literature, film, gaming, sport, music, theatre, or play. This book contains fourteen explorations of immersion focusing on literary fiction, but also in poetry, song lyric, painting, social media, conspiracy theories, and children's literature. Immersion is one of the features of literature that is the most powerful, the most valued, and the most compelling aspect of the experience of literary reading.

This book presents an extended account of the language of dystopia, exploring the creativity and style of dystopian narratives and mapping the development of the genre from its early origins through to contemporary practice. Drawing upon stylistic, cognitive-poetic and narratological approaches, the work proposes a stylistic profile of dystopia, arguing for a reader-led discussion of genre that takes into account reader subjectivity and personal conceptualisations of prototypicality. In examining and identifying those aspects of language that characterise dystopian narratives and the experience of reading dystopian fictions, the work discusses in particular the manipulation and construction of dystopian languages, the conceptualisation of dystopian worlds, the reading of dystopian minds, the projection of dystopian ethics, the unreliability of dystopian refraction, and the evolution and hybridity of the dystopian genre.