Jessica Winegar – författare

The Egyptian art world is the oldest and largest in the Arab Middle East. Its artists must reckon with the histories of ancient Egypt, European modernism, anti-colonial nationalism, and state socialism-all in the context of a growing neoliberal economy marked by American global dominance. At this crucial intersection of culture, politics, and economy, Egypt's art and artists provide unique insight into current struggles for cultural identity and sovereignty in the Middle East.This book examines the heated cultural politics in today's Arab world, and tells how art-making has become an unexpectedly central part of that. It offers a lively analysis of the battles between artists, curators, and audiences over cultural authenticity, cultural policy, public art in a changing urban Egypt, and the new global marketing of Egyptian art. The art world it shows powerfully exemplifies how people in the Middle East reckon with global transformations that are changing how culture is made in societies with colonial and socialist pasts.

U.S. involvement in the Middle East has brought the region into the media spotlight and made it a hot topic in American college classrooms. At the same time, anthropology—a discipline committed to on-the-ground research about everyday lives and social worlds—has increasingly been criticized as "useless" or "biased" by right-wing forces. What happens when the two concerns meet, when such accusations target the researchers and research of a region so central to U.S. military interests?This book is the first academic study to shed critical light on the political and economic pressures that shape how U.S. scholars research and teach about the Middle East. Lara Deeb and Jessica Winegar show how Middle East politics and U.S. gender and race hierarchies affect scholars across their careers—from the first decisions to conduct research in the tumultuous region, to ongoing politicized pressures from colleagues, students, and outside groups, to hurdles in sharing expertise with the public. They detail how academia, even within anthropology, an assumed "liberal" discipline, is infused with sexism, racism, Islamophobia, and Zionist obstruction of any criticism of the Israeli state. Anthropology's Politics offers a complex portrait of how academic politics ultimately hinders the education of U.S. students and potentially limits the public's access to critical knowledge about the Middle East.