Jill Caskey – författare

Art and Architecture of the Middle Ages is a panoramic survey that focuses on the arts of medieval Europe, Byzantium, and the Islamicate world. From majestic monuments to exquisite tableware, Jill Caskey, Adam S. Cohen, and Linda Safran deftly guide readers over twelve centuries of art and architecture created by the diverse peoples and religious groups of western Eurasia and North Africa. This textbook, intended for a wide range of courses in the history of medieval art and architecture, uniquely features: • More than 450 color illustrations of fascinating works produced between ca. 250 CE and ca. 1450 CE• Coverage of secular and religious arts, including polytheistic, Zoroastrian, Jewish, Christian, and Islamic traditions • Informational text boxes on key issues and a glossary of terms• Diverse cultures interwoven in a single chronological framework • Five broad interpretive themes—artistic production, status and identity, connection to the past, ideology, and access to the sacredComplemented by a website (artofthemiddleages.com) with additional works, dynamic maps and timelines, podcasts, new primary-source translations, and more, Art and Architecture of the Middle Ages brilliantly expands and recalibrates the story of medieval art history.

An important trade centre in the Medieval Mediterranean, Amalfi and the surrounding region of southern Italy sustained strong art production and patronage from the eleventh through to the thirteenth centuries. Merchant patrons realised a wide variety of religious and residential complexes that were evocative of Byzantine, Islamic, Western, and local traditions. With the rise of the Angevin kingdom, a demise of this eclectic art tradition took place and by the fourteenth century, Amalfitan painting and sculpture reflected compromises between local and Neapolitan styles, demonstrating the erosion of its autonomy. Originally published in 2004, this book evaluates the Amalfitan art production in terms of moral, economic, and social structures, including investment strategies, anxieties about wealth and salvation, and southern Italy's diverse religious communities. Historiographical analyses and postcolonial models of interpretation offer further insight into Amalfitan art and its ever-shifting relationship to the visual cultures of sovereign authorities in southern Italy.