Jill McCorkle – författare

Jill McCorkle's new collection of twelve short stories is peopled with characters brilliantly like us-flawed, clueless, endearing. These stories are also animaled with all manner of mammal, bird, fish, reptile-also flawed and endearing. She asks, what don't humans share with the so-called lesser species? Looking for the answer, she takes us back to her fictional home town of Fulton, North Carolina, to meet a broad range of characters facing up to the double-edged sword life offers hominids. The insight with which McCorkle tells their stories crackles with wit, but also with a deeper-and more forgiving-wisdom than ever before. In Billy Goats, Fulton's herd of seventh graders cruises the summer nights, peeking into parked cars, maddening the town madman. In Monkeys, a widow holds her husband's beloved spider monkey close along with his deepest secrets. In Dogs, a single mother who works for a veterinarian compares him-unfavorably-with his patients. In Snakes, a seasoned wife sees what might have been a snake in the grass and decides to step over it. And, in the exquisite final story, Fish, a grieving daughter remembers her father's empathy for the ugliest of all fishes. The success behind Jill McCorkle's short stories-and her novels-is, as one reviewer noted, her skill as an archaeologist of the absurd, an expert at excavating and examining the comedy of daily life (Richmond Times-Dispatch). Yes, and also the tragedy.

McCorkle, author of the New York Times bestselling Life After Life and the widely acclaimed Hieroglyphics ("One of our wryest, warmest, wisest storytellers" -Rebecca Makkai), brings us a breath-taking collection of stories that offers an intimate look at the moments when a person's life changes forever.Old Crimes delves into the lives of characters who hold their secrets and misdeeds close, even as the past continues to reverberate over time and across generations. And despite the characters' yearnings for connection, they can't seem to tell the whole truth. In "Low Tones," a woman uses her hearing impairment as a way to guard herself from her husband's commentary. In "Lineman," a telephone lineman strains to connect to his family even as he feels pushed aside in a digital world. In "Confessional," a young couple buys a confessional booth for fun, only to discover the cost of honesty.Profoundly moving and unforgettable, for fans of Alice Munro, Elizabeth Strout, and Lily King, the stories in Old Crimes reveal why McCorkle has long been considered a master of the form, probing lives full of great intensity, longing and affection, and deep regret."Jill McCorkle has had an extraordinary ear for the music of ordinary life since the beginning of her career, able to work with the voices we know so well to write these stories about what they will not tell us, what they would rather not tell us, what they hope to tell us, what too often goes unsaid. And this collection is a new wonder." -Alexander Chee, author of How to Write an Autobiographical Novel

“Hieroglyphics is a novel that tugs at the deepest places of the human soul—a beautiful, heart-piercing meditation on life and death and the marks we leave on this world. It is the work of a wonderful writer at her finest and most profound.”—Jessica Shattuck, author of The Women in the Castle After many years in Boston, Lil and Frank have retired to North Carolina. The two of them married young, having bonded over how they both—suddenly, tragically—lost a parent when they were children. Now, Lil has become deter­mined to leave a history for their own kids. She sifts through letters and notes and diary entries, uncovering old stories—and perhaps revealing more secrets than Frank wants their children to know. Meanwhile, Frank has become obsessed with the house he lived in as a boy on the outskirts of town, where a young single mother, Shelley, is now raising her son. For Shelley, Frank’s repeated visits begin to trigger memories of her own family, memories that she’d hoped to keep buried. Because, after all, not all parents are ones you wish to remember. Empathetic and profound, this novel from master storyteller Jill McCorkle deconstructs and reconstructs what it means to be a father or a mother, and to be a child trying to know your parents—a child learning to make sense of the hieroglyphics of history and memory.