Jim Cullen - Böcker

How do perceptions of the past--not just of particular events, but of the trajectory of history as a whole--shape our experience of the world? To answer this (and other) questions, Jim Cullen looks closely at the work of what might be considered an unlikely source of historical insight--the work of six major Hollywood stars. Indeed, Cullen offers a fascinating portrait of pivotal movements that have shaped our history as reflected in the work of Clint Eastwood, Daniel Day-Lewis, Denzel Washington, Tom Hanks, Meryl Streep, and Jodie Foster. By focusing on the career choices made by these powerful actors, all of whom have the rare ability to put their personal stamp on their work, Cullen reveals a discrete set of historical narratives, including a surprising strain of Jeffersonian communitarianism that runs through Eastwood's work, a sense of how the frontier shaped American character as reflected in the roles chosen by Day-Lewis, the Lincoln-styled belief in institutions and the power of ordinary people that runs through the films of Tom Hanks (like Jimmy Stewart before him), and the history of liberal feminism of the last century captured in the movies of Meryl Streep. That these historical patterns emerge in the work of these six artists--almost certainly unintentionally--sheds much light on the way that, for all of us, historical forces can shape our understanding of the world without our being aware of them.

How do perceptions of the past--not just of particular events, but of the trajectory of history as a whole--shape our experience of the world? To answer this (and other) questions, Jim Cullen looks closely at the work of what might be considered an unlikely source of historical insight--the work of six major Hollywood stars. Indeed, Cullen offers a fascinating portrait of pivotal movements that have shaped our history as reflected in the work of Clint Eastwood, Daniel Day-Lewis, Denzel Washington, Tom Hanks, Meryl Streep, and Jodie Foster. By focusing on the career choices made by these powerful actors, all of whom have the rare ability to put their personal stamp on their work, Cullen reveals a discrete set of historical narratives, including a surprising strain of Jeffersonian communitarianism that runs through Eastwood's work, a sense of how the frontier shaped American character as reflected in the roles chosen by Day-Lewis, the Lincoln-styled belief in institutions and the power of ordinary people that runs through the films of Tom Hanks (like Jimmy Stewart before him), and the history of liberal feminism of the last century captured in the movies of Meryl Streep. That these historical patterns emerge in the work of these six artists--almost certainly unintentionally--sheds much light on the way that, for all of us, historical forces can shape our understanding of the world without our being aware of them.

The second edition of Popular Culture in American History updates the text for a contemporary readership and explores academic developments in this area of study over the last decade. Fully revised second edition with over 50 percent new materialCompact and classroom-friendly formatIncludes the best writing on popular culture from the 1970s onwardsEssays examine pivotal moments, issues, and genres in American popular culture, from the ‘penny press’ to the Internet

A unique introduction to sexual and gender identity and queer studiesLesbian, gay, bisexual, and transgendered people are becoming more and more visible in all aspects of American culture, from party politics to MTV videos.Despite the recent queer publishing explosion, few texts cover a broad range of topics around sexual and gender identities. Most existing works are high-level theory books, texts focused upon specific disciplines or topics, or practical guides aimed primarily at a heterosexual audience or people just beginning to come out. There has been to date no general, accessible, and inclusive work suitable for use as an introduction to Queer Studies.In this collection, contributors assess the conflict between postmodernism and identity, the concept which typically serves as a linchpin for social and political organizing. Others address queer theory, looking specifically at how we define it, how it informs political activism, and how we can theorize such aspects of sexual performance/behaviors as s/m or butch-femme relationships.The volume contains contributions from both established and newly emerging Queer Studies scholars, including Amber Ault, M. V. Lee Badgett, Warren J. Blumenfeld, Gregory Conerly, Patricia L. Duncan, Ruth Goldman, Lynda Goldstein, Sherrie A. Inness, Christopher James, Amanda Udis-Kessler, JeeYeun Lee, Michele E. Lloyd, Tracy D. Morgan, Ki Namaste, Vernon Rosario II, Paula Rust, and Siobhan Somerville.

Moving beyond the biographical and journalistic approaches of most writing on Bruce Springsteen, Born in the U.S.A. was the first major work of cultural criticism to situate Springsteen's work in the broader sweep of American history-the heir of Walt Whitman and Woody Guthrie, Abraham Lincoln and Martin Luther King. Springsteen is an influential chronicler of our society, says Jim Cullen, a "good conservative" who preserves the traditional values of hard work, inclusive families, and genuine concern for the less fortunate. In the new edition to this landmark work, Cullen also discusses new currents in Springsteen's music since 9/11, notably his 2002 album The Rising. This Wesleyan edition includes a new foreword, introduction, and afterword. Must reading for any serious fan-or anyone who has ever been curious about what all the fuss has been about.

Value investing moves in and out of favour, but the data doesn't lie. It has always worked, and will continue to work – as long as investors apply a value discipline and invest for the long term.In The Case for Long-Term Value Investing, experienced Wall Street pro Jim Cullen presents the eye-opening data that backs this up, explaining how investors can use the value approach for successful investing today, as well as sharing a wealth of fascinating stories from his time on the Street.Discover:- The true principles of value investing- Jim's stock-picking method in detail- Inspiring case studies of successful value investments- How to apply the value discipline through practical strategies.The Case for Long-Term Value Investing also includes a concise history of the last 100 years of market history – showing just how crazy the market can be – with a review of bear markets, recessions, bubbles, melt-ups, interest rates, and much, much more.The Case for Long-Term Value Investing is the ultimate introductory guide to how and why value investing works, how to understand the markets, and how to be a successful investor.

DEMOCRATIC EMPIRE DEMOCRATIC EMPIRE The United States Since 1945 Democracy and empire often seem like competing, even opposing, concepts. And yet, since the end of World War II, the United States has integrated elements of both in the process of becoming a dominant global power. Democratic Empire: The United States Since 1945 explores the way democracy and empire have converged and been challenged both at home and abroad, surveying the nation’s recent cultural, political and economic history. This account pays particular attention to mass media, the fine arts, and intellectual currents in the era of the American Dream. Concise and engagingly written, Democratic Empire presents a unique analysis of US history since 1945 and the egalitarian and imperial forces that have shaped contemporary America.

DEMOCRATIC EMPIRE DEMOCRATIC EMPIRE The United States Since 1945 Democracy and empire often seem like competing, even opposing, concepts. And yet, since the end of World War II, the United States has integrated elements of both in the process of becoming a dominant global power. Democratic Empire: The United States Since 1945 explores the way democracy and empire have converged and been challenged both at home and abroad, surveying the nation’s recent cultural, political and economic history. This account pays particular attention to mass media, the fine arts, and intellectual currents in the era of the American Dream. Concise and engagingly written, Democratic Empire presents a unique analysis of US history since 1945 and the egalitarian and imperial forces that have shaped contemporary America.

Learn to craft the perfect historical research paper with this approachable and practical guideEssaying the Past: How to Read, Write, and Think about History, 4th Edition continues the tradition of excellence established by the previous editions. Equal parts research manual, study guide, and introduction to the study of history, this book teaches readers how to write excellent historical prose with approachable strategies and actionable tips.Noted teacher and writer Jim Cullen has created an invaluable resource for novices and experts in the field of historical study, offering practical insights into determining how questions should be framed, developing strong introduction and topic sentences, choosing evidence, and properly revising your work.Essaying the Past includes six appendices covering the major issues facing students today, including the pitfalls and temptations of plagiarism and the role of the internet. It also contains an annotated case study outlining one student's process of writing an essay and demonstrating the application of the concepts contained within the book. Essaying the Past covers topics including: How to think and read about history and ask the right questions about what you're readingThe three components of crafting a compelling argumentHow to deal with counterarguments and counterevidenceHow to properly construct a bibliography and insert footnotesHow to assess the credibility of online resourcesPerfect for students taking surveys or courses in methods or historiography, Essaying the Past also belongs on the bookshelf of anyone with even a passing interest in studying, researching, consuming, or writing about history.

There is an extraordinary range of material in this anthology, from Lincoln’s Gettysburg address to a contemporary account of a visit from the Ku Klux Klan. The primary sources reproduced are both visual and written, and the secondary materials present a remarkable breadth and quality of relevant scholarship. Contains an extensive selection of writings and illustrations on the American Civil WarReflects society and culture as well as the politics and key battles of the Civil WarReproduces and links primary and secondary sources to encourage exploration of the materialIncludes editorial introductions and study questions to aid understanding

There is an extraordinary range of material in this anthology, from Lincoln’s Gettysburg address to a contemporary account of a visit from the Ku Klux Klan. The primary sources reproduced are both visual and written, and the secondary materials present a remarkable breadth and quality of relevant scholarship. Contains an extensive selection of writings and illustrations on the American Civil WarReflects society and culture as well as the politics and key battles of the Civil WarReproduces and links primary and secondary sources to encourage exploration of the materialIncludes editorial introductions and study questions to aid understanding

A Short History of the Modern Media presents a concise history of the major media of the last 150 years, including print, stage, film, radio, television, sound recording, and the Internet. Offers a compact, teaching-friendly presentation of the history of mass mediaFeatures a discussion of works in popular culture that are well-known and easily availablePresents a history of modern media that is strongly interdisciplinary in nature

A Short History of the Modern Media presents a concise history of the major media of the last 150 years, including print, stage, film, radio, television, sound recording, and the Internet. Offers a compact, teaching-friendly presentation of the history of mass mediaFeatures a discussion of works in popular culture that are well-known and easily availablePresents a history of modern media that is strongly interdisciplinary in nature

Between 1971 and 1979, All in the Family was more than just a wildly popular television sitcom that routinely drew 50 million viewers weekly. It was also a touchstone of American life, so much so that the living room chairs of the two main characters have spent the last 40 years on display at the Smithsonian. How did a show this controversial and boundary-breaking manage to become so widely beloved?Those Were the Days is the first full-length study of this remarkable television program. Created by Norman Lear and produced by Bud Yorkin, All in the Family dared to address such taboo topics as rape, abortion, menopause, homosexuality, and racial prejudice in a way that no other sitcom had before. Through a close analysis of the sitcom’s four main characters-boorish bigot Archie Bunker, his devoted wife Edith, their feminist daughter Gloria, and her outspoken liberal husband Mike-Jim Cullen demonstrates how All in the Family was able to bridge the generation gap and appeal to a broad spectrum of American viewers in an age when a network broadcast model of television created a shared national culture.Locating All in the Family within the larger history of American television, this book shows how it transformed the medium, not only spawning spinoffs like Maude and The Jeffersons, but also helping to inspire programs like Roseanne, Married... with Children, and The Simpsons. And it raises the question: could a show this edgy ever air on broadcast television today?

Our understanding of history is often mediated by popular culture, and television series set in the past have provided some of our most indelible images of previous times. Yet such historical television programs always reveal just as much about the era in which they are produced as the era in which they are set; there are few more quintessentially late-90s shows than That '70s Show, for example.  From Memory to History takes readers on a journey through over fifty years of historical dramas and sitcoms that were set in earlier decades of the twentieth century. Along the way, it explores how comedies like M*A*S*H and Hogan's Heroes offered veiled commentary on the Vietnam War, how dramas ranging like Mad Men echoed current economic concerns, and how The Americans and Halt and Catch Fire used the Cold War and the rise of the internet to reflect upon the present day. Cultural critic Jim Cullen is lively, informative, and incisive, and this book will help readers look at past times, present times, and prime time in a new light.

Our understanding of history is often mediated by popular culture, and television series set in the past have provided some of our most indelible images of previous times. Yet such historical television programs always reveal just as much about the era in which they are produced as the era in which they are set; there are few more quintessentially late-90s shows than That '70s Show, for example.  From Memory to History takes readers on a journey through over fifty years of historical dramas and sitcoms that were set in earlier decades of the twentieth century. Along the way, it explores how comedies like M*A*S*H and Hogan's Heroes offered veiled commentary on the Vietnam War, how dramas ranging like Mad Men echoed current economic concerns, and how The Americans and Halt and Catch Fire used the Cold War and the rise of the internet to reflect upon the present day. Cultural critic Jim Cullen is lively, informative, and incisive, and this book will help readers look at past times, present times, and prime time in a new light.

More than perhaps any other major filmmaker, Martin Scorsese has grappled with the idea of the American Dream. His movies are full of working-class strivers hoping for a better life, from the titular waitress and aspiring singer of Alice Doesn't Live Here Anymore to the scrappy Irish immigrants of Gangs of New York. And in films as varied as Casino, The Aviator, and The Wolf of Wall Street, he vividly displays the glamour and power that can come with the fulfillment of that dream, but he also shows how it can turn into a nightmare of violence, corruption, and greed.    This book is the first study of Scorsese's profound ambivalence toward the American Dream, the ways it drives some men and women to aspire to greatness, but leaves others seduced and abandoned. Showing that Scorsese understands the American dream in terms of a tension between provincialism and cosmopolitanism, Jim Cullen offers a new lens through which to view such seemingly atypical Scorsese films as The Age of Innocence, Hugo, and Kundun. Fast-paced, instructive, and resonant, Martin Scorsese and the American Dream illuminates an important dimension of our national life and how a great artist has brought it into focus.

More than perhaps any other major filmmaker, Martin Scorsese has grappled with the idea of the American Dream. His movies are full of working-class strivers hoping for a better life, from the titular waitress and aspiring singer of Alice Doesn't Live Here Anymore to the scrappy Irish immigrants of Gangs of New York. And in films as varied as Casino, The Aviator, and The Wolf of Wall Street, he vividly displays the glamour and power that can come with the fulfillment of that dream, but he also shows how it can turn into a nightmare of violence, corruption, and greed.    This book is the first study of Scorsese's profound ambivalence toward the American Dream, the ways it drives some men and women to aspire to greatness, but leaves others seduced and abandoned. Showing that Scorsese understands the American dream in terms of a tension between provincialism and cosmopolitanism, Jim Cullen offers a new lens through which to view such seemingly atypical Scorsese films as The Age of Innocence, Hugo, and Kundun. Fast-paced, instructive, and resonant, Martin Scorsese and the American Dream illuminates an important dimension of our national life and how a great artist has brought it into focus.

1980 was a turning point in American history. When the year began, it was still very much the 1970s, with Jimmy Carter in the White House, a sluggish economy marked by high inflation, and the disco still riding the airwaves. When it ended, Ronald Reagan won the presidency in a landslide, inaugurating a rightward turn in American politics and culture. We still feel the effects of this tectonic shift today, as even subsequent Democratic administrations have offered neoliberal economic and social policies that owe more to Reagan than to FDR or LBJ. To understand what the American public was thinking during this pivotal year, we need to examine what they were reading, listening to, and watching.  1980: America's Pivotal Year puts the news events of the era—everything from the Iran hostage crisis to the rise of televangelism—into conversation with the year's popular culture. Separate chapters focus on the movies, television shows, songs, and books that Americans were talking about that year, including both the biggest hits and some notable flops that failed to capture the shifting zeitgeist. As he looks at the events that had Americans glued to their screens, from the Miracle on Ice to the mystery of Who Shot J.R., cultural historian Jim Cullen garners surprising insights about how Americans' attitudes were changing as they entered the 1980s.Praise for Jim Cullen's previous Rutgers University Press books:"Informed and perceptive" —Norman Lear on Those Were the Days: Why All in the Family Still Matters "Jim Cullen is one of the most acute cultural historians writing today." —Louis P. Masur, author of The Sum of Our Dreams on Martin Scorsese and the American Dream "This is a terrific book, fun and learned and provocative....Cullen provides an entertaining and thoughtful account of the ways that we remember and how this is influenced and directed by what we watch." —Jerome de Groot, author of Consuming History on From Memory to History

Born four months apart, Bruce Springsteen and Billy Joel both released their debut albums in the early 1970s, quickly becoming two of the most successful rock stars of their generation. While their critical receptions have been very different, surprising parallels emerge when we look at the arcs of their careers and the musical influences that have inspired them.Bridge and Tunnel Boys compares the life and work of Long Islander Joel and Asbury Park, New Jersey, native Springsteen, considering how each man forged a distinctive sound that derived from his unique position on the periphery of the Big Apple. Locating their music within a longer tradition of the New York metropolitan sound, dating back to the early 1900s, cultural historian Jim Cullen explores how each man drew from the city’s diverse racial and ethnic influences. His study explains how, despite frequently releasing songs that questioned the American dream, Springsteen and Joel were able to appeal to wide audiences during both the national uncertainty of the 1970s and the triumphalism of the Reagan era. By placing these two New York–area icons in a new context, Bridge and Tunnel Boys allows us to hear their most beloved songs with new appreciation.