Jim Steinmeyer – författare

Magic has enchanted humankind for millennia, evoking terror, laughter, shock, and amazement. Once persecuted as heretics and sorcerers, magicians have always been conduits to a parallel universe of limitless possibility—whether invoking spirits, reading minds, or inverting the laws of nature by sleight of hand. Long before science fiction, virtual realities, video games, and the Internet, the craft of magic was the most powerful fantasy world man had ever known. As the pioneers of special effects throughout history, magicians have never ceased to mystify us by making the impossible possible.This book celebrates more than 500 years of the stunning visual culture of the world’s greatest magicians. Featuring more than 750 rarely seen vintage posters, photographs, handbills, and engravings as well as paintings by Hieronymus Bosch and Bruegel among others, Magic traces the history of magic as a performing art from the 1400s to the 1950s. Combining sensational images with incisive text, the book explores the evolution of the magicians’ craft, from medieval street performers to the brilliant stage magicians who gave rise to cinematic special effects; from the 19th century’s golden age of magic to groundbreaking daredevils like Houdini and the early 20th century’s vaudevillians.

This is the story of the Golden Age of magic and of the world's most legendary magicians: the eccentric personalities who patented the first ghost and competed fiendishly in the race to make things materialize, levitate and disappear.We meet Harry Kellar, the ruthless thief of secrets who was the model for the Wizard of Oz, and PT Selbit, the first man to saw a woman in half on stage.We meet John Nevil Maskelyne, whose Egyptian Theatre was a London institution for sixty years. Hiding the Elephant is the masterwork of a man who has dedicated his life to magic, who knows the tricks inside out, and still believes.

The acclaimed author of The Last Greatest Magician in the World sleuths out literature's iconic vampire, uncovering the source material—from folklore and history, to personas including Oscar Wilde and Walt Whitman—behind Bram Stoker's lord of the undead.Praise for Who Was Dracula? “A fantastic, well-documented story.” —Library Journal (starred review) “[A] well-researched and entertaining take on Dracula’s origin story.” —Publishers Weekly “Who Was Dracula? chronicles the misadventures of Bram Stoker and his numerous friends and colleagues, both famous and obscure, hoping to unearth the recipe for a truly iconic character.” —San Francisco Book Review “Who Was Dracula? is a book you’ll want to sink your teeth into.” —“The Bookworm Sez”

In a biography woven from equal parts enchantment and mystery, master illusion designer and today's foremost magic historian, Jim Steinmeyer, unveils the astonishing secrets behind the enigmatic performer Chung Ling Soo, the "marvellous Chinese Conjurer" , a magician whose life of intrigue and daring remains unparalleled to this day. He learned his art during a revolutionary era in show business, just as minstrel, circus, and variety saloons were being stirred together and distilled into a heady new concoction: vaudeville. Soo's infamous death in 1918 astonished the world: he was killed during a performance of "Defying the Bullets," his popular act in which he caught marked bullets on a porcelain plate. After his death, the deceptions began to unravel. It was discovered that he was not Chinese, but rather a fifty-six-year-old American named William Ellsworth Robinson, a former magicians' assistant, and the husband of Olive Robinson. But even William Robinson was not who he appeared to be, and for the first time, Jim Steinmeyer has uncovered the truth behind Robinson and the magic world's most glorious deception.

From the author of Hiding the Elephant and The Glorious Deception comes a collection of five essays that shows how the great stage illusions were integrally products of their time, based on the traditions and fashions of the people, and the offspring of the incredible, inventive personalities who brought them to the stage. Like no other author, Jim Steinmeyer gives us insight into the timeless appeal of magic. His human subjects include such characters as Steele MacKaye, Maskelyne, David Devant, P.T. Selbit, Horace Goldin, and Charles Morritt. Illusions he discusses include: The Mascot Moth, Sawing a Lady in Halves, and Morritt's Disappearing Donkey.

Here is the seminal biography of the magician''s magician, Howard Thurston, a man who surpassed Houdini in the eyes of showmen and fans and set the standard fro how stage magic is performed today. Everyone knows Houdini-but who was Thurston? In this rich, vivid biography of the "greatest magician in the world," celebrated historian of stage magic Jim Steinmeyer captures the career and controversies of the wonder-worker extraordinaire, Howard Thurston. The public''s fickleness over magicians has left Thurston all but forgotten today. Yet Steinmeyer shows how his story is one of the most remarkable in show business. During his life, from 1869 to 1936, Thurston successfully navigated the most dramatic changes in entertainment-from street performances to sideshows to wagon tours through America''s still-wild West to stage magic amid the glitter of grand theaters. Thurston became one of America''s most renowned vaudeville stars, boldly performing an act with just a handful of playing cards, and then had the foresight to leave vaudeville, expanding his show into an extravaganza with more than forty tons of apparatusand costumes. His touring production was an American institution for nearly thirty years, and Thurston earned a brand name equal to Ziegfeld or Ringling Brothers. Steinmeyer explores the stage and psychological rivalry between Thurston and Houdini during the first decades of the twentieth century- a contest that Thurston won. He won with a bigger show, a more successful reputation, and the title of America''s greatest magician. In The Last Greatest Magician in the World, Thurston''s magic show is revealed as the one that animates our collective memories.

The acclaimed author of The Last Greatest Magician in the World sleuths out literature''s iconic vampire, uncovering the source material—from folklore and history, to personas including Oscar Wilde and Walt Whitman—behind Bram Stoker''s lord of the undead.Praise for Who Was Dracula? “A fantastic, well-documented story.” —Library Journal (starred review) “[A] well-researched and entertaining take on Dracula’s origin story.” —Publishers Weekly “Who Was Dracula? chronicles the misadventures of Bram Stoker and his numerous friends and colleagues, both famous and obscure, hoping to unearth the recipe for a truly iconic character.” —San Francisco Book Review “Who Was Dracula? is a book you’ll want to sink your teeth into.” —“The Bookworm Sez”

The seminal biography of the twentieth century’s premier chronicler of the paranormal, Charles Fort—a man whose very name gave rise to an adjective, fortean, to describe the unexplained.By the early 1920s, Americans were discovering that the world was a strange place.Charles Fort could demonstrate that it was even stranger than anyone suspected. Frogs fell from the sky. Blood rained from the heavens. Mysterious airships visited the Earth. Dogs talked. People disappeared. Fort asked why, but, even more vexing, he also asked why we weren’t paying attention.Here is the first fully rendered literary biography of the man who, more than any other figure, would define our idea of the anomalous and paranormal. In Charles Fort: The Man Who Invented the Supernatural, the acclaimed historian of stage magic Jim Steinmeyer goes deeply into the life of Charles Fort as he saw himself: first and foremost, a writer.At the same time, Steinmeyer tells the story of an era in which the certainties of religion and science were being turned on their heads. And of how Fort—significantly—was the first man who challenged those orthodoxies not on the grounds of some counter-fundamentalism of his own but simply for the plainest of reasons: they didn’t work. In so doing, Fort gave voice to a generation of doubters who would neither accept the “straight story” of scholastic science nor credulously embrace fantastical visions. Instead, Charles Fort demanded of his readers and admirers the most radical of human acts: Thinking.