Against the Wind is an elegantly written story of relationships involving six principal characters, strands of whose lives braid together after a chance reunion among three of them. A successful environmental lawyer is forced to take himself to task when he realizes that everything about his work has betrayed his core beliefs. A high school English teacher asks her former high school love to take up her environmental cause. A transgender adolescent male raised by his grandparents struggles to excel in a world hostile to his kind. A French-Canadian political science professor finds himself left with a choice between his cherished separatist cause and his marriage and family. An accomplished engineer is chronically unable to impress his more accomplished father sufficiently to be named head of the international wind technology company his father founded. The Quebec separatist party’s Minister of Natural Resources, a divorcée, finds herself caught between her French-Canadian lover and an unexpected English-Canadian suitor.

Ripples in the Fabric of the Universe: New & Selected Poems is a new collection that delves into the current raw state of the country and the world, and both new and older poems that explore interpersonal relationships.In Ripples in the Fabric of the Universe, Jim Tilley draws on his experience as a poet and mathematician to fix a lens on the current raw state of the country and the world and on interpersonal relationships. At times, his mood is merely contemplative, especially while expressing his fondness for nostalgia and in his testaments to family and friends, but as he delves relentlessly into matters political, ecological, and environmental, that mood turns darker, even ominous, infused occasionally with humor to present a more optimistic outlook.

In Ripples in the Fabric of the Universe, Jim Tilley draws on his experience as a poet and mathematician to fix a lens on the current raw state of the country and the world and on interpersonal relationships. At times, his mood is merely contemplative, especially while expressing his fondness for nostalgia and in his testaments to family and friends, but as he delves relentlessly into matters political, ecological, and environmental, that mood turns darker, even ominous, infused occasionally with humor to present a more optimistic outlook.

“Confront personal losses as well as the numerous harbingers of environmental collapse, from birds to beavers to beetles along Red River or beside Lake Marie, eddies and currents evoking social, economic, and political conflicts beyond the trails hiked in many of these poems.”—James Scruton, author of The Rules When Godot Arrived uses eighty-one free-verse sonnets to explore the intersections of family, environment, politics, and the human condition, balancing contemplative reflection with dark humor and lyrical precision in a world of uncertainty. JimTilley's latest poetry collection, When Godot Arrived, eighty-onefree-verse sonnets, continues the explorations from the set of new poems in hisprevious book, Ripples in the Fabric of the Universe. As in thatprevious book, he draws on his experience as a poet and mathematician to fix alens on the current raw state of the country and the world and on interpersonalrelationships. At times, his mood is merely contemplative, especially in histestaments to family, but as he delves relentlessly into matters political,ecological, and environmental, that mood turns darker, even ominous, infusedoccasionally with humor to present a more optimistic outlook. Together with Ripplesin the Fabric of the Universe, When Godot Arrived is a mostexpansive read.

“Confront personal losses as well as the numerous harbingers of environmental collapse, from birds to beavers to beetles along Red River or beside Lake Marie, eddies and currents evoking social, economic, and political conflicts beyond the trails hiked in many of these poems.”—James Scruton, author of The Rules When Godot Arrived uses eighty free-verse sonnets to explore the intersections of family, environment, politics, and the human condition, balancing contemplative reflection with dark humor and lyrical precision in a world of uncertainty. JimTilley's latest poetry collection, When Godot Arrived, eighty-onefree-verse sonnets, continues the explorations from the set of new poems in hisprevious book, Ripples in the Fabric of the Universe. As in thatprevious book, he draws on his experience as a poet and mathematician to fix alens on the current raw state of the country and the world and on interpersonalrelationships. At times, his mood is merely contemplative, especially in histestaments to family, but as he delves relentlessly into matters political,ecological, and environmental, that mood turns darker, even ominous, infusedoccasionally with humor to present a more optimistic outlook. Together with Ripplesin the Fabric of the Universe, When Godot Arrived is a mostexpansive read.

In Confidence is Jim Tilley’s first book of poems, ranging from lyric to narrative in form. About half of the 60 poems are open-form sonnets, most of which fit a broad theme of personal and societal “dislocation.” The collection covers a variety of subjects, from father-son and husband-wife relationships to issues of politics, the economy, and the environment. Stephen Dobyns cautions readers to look beyond the apparent calmness and elegance of the poems to the dangers that lurk beneath the surface. Many of the stories have unhappy endings. Several of the poems are presented in pairs with the same underlying setting or situation but markedly different development, exhibiting a kind of “quantum” picture with both states existing at the same time, not surprising since the poet was formerly a physicist. Billy Collins claims that Jim Tilley wins readers’ confidence by keeping a steady hand on the poem while maintaining a steady gaze at the world. This is a book of poems in which readers will find bits and pieces of their own lives.

New Hope for the Dead: Uncollected Matthews is the last of poet William Matthews' posthumous collections, following Search Party: Collected Poems (Houghton Mifflin) and The Poetry Blues: Essays & Interviews (University of Michigan Press), all edited by son Sebastian Matthews and close friend and fellow poet Stanley Plumly. New Hope for the Dead features the best of Matthews' remaining uncollected work, including over 30 poems spanning Matthews' prolific but tragically cut-short career. But unlike the first two collections, New Hope for the Dead features Matthews' unheralded talents as a short story writer, food writ

In Lessons from Summer Camp, Jim Tilley takes a fifty-year retrospective look at a ten-year period during his childhood and adolescence to discover what summer camp was really about. In both a wistful and an appreciative look back on the days of our youth, the poems reminisce on the memorable events of those summers, from fire-lighting contests at Council Ring, to races in war canoes during Tribal Games, learning to swim, and writing letters home—to the inevitable sadness of departing at the end of the summer, saying goodbyes at the station until next year. The poems evoke memories of experiences we've all shared and bring perspective to how lessons from summer camp often become apparent only later in life.

In Lessons from Summer Camp, Jim Tilley takes a fifty-year retrospective look at a ten-year period during his childhood and adolescence to discover what summer camp was really about. In both a wistful and an appreciative look back on the days of our youth, the poems reminisce on the memorable events of those summers, from fire-lighting contests at Council Ring, to races in war canoes during Tribal Games, learning to swim, and writing letters home—to the inevitable sadness of departing at the end of the summer, saying goodbyes at the station until next year. The poems evoke memories of experiences we've all shared and bring perspective to how lessons from summer camp often become apparent only later in life.

In Confidence is Jim Tilley’s first book of poems, ranging from lyric to narrative in form. About half of the 60 poems are open-form sonnets, most of which fit a broad theme of personal and societal “dislocation.” The collection covers a variety of subjects, from father-son and husband-wife relationships to issues of politics, the economy, and the environment. Stephen Dobyns cautions readers to look beyond the apparent calmness and elegance of the poems to the dangers that lurk beneath the surface. Many of the stories have unhappy endings. Several of the poems are presented in pairs with the same underlying setting or situation but markedly different development, exhibiting a kind of “quantum” picture with both states existing at the same time, not surprising since the poet was formerly a physicist. Billy Collins claims that Jim Tilley wins readers’ confidence by keeping a steady hand on the poem while maintaining a steady gaze at the world. This is a book of poems in which readers will find bits and pieces of their own lives.

Against the Wind is an elegantly written story of relationships involving six principal characters, strands of whose lives braid together after a chance reunion among three of them. A successful environmental lawyer is forced to take himself to task when he realizes that everything about his work has betrayed his core beliefs. A high school English teacher asks her former high school love to take up her environmental cause. A transgender adolescent male raised by his grandparents struggles to excel in a world hostile to his kind. A French-Canadian political science professor finds himself left with a choice between his cherished separatist cause and his marriage and family. An accomplished engineer is chronically unable to impress his more accomplished father sufficiently to be named head of the international wind technology company his father founded. The Quebec separatist party’s Minister of Natural Resources, a divorcée, finds herself caught between her French-Canadian lover and an unexpected English-Canadian suitor.

Ripples in the Fabric of the Universe: New & Selected Poems is a new collection that delves into the current raw state of the country and the world, and both new and older poems that explore interpersonal relationships.In Ripples in the Fabric of the Universe, Jim Tilley draws on his experience as a poet and mathematician to fix a lens on the current raw state of the country and the world and on interpersonal relationships. At times, his mood is merely contemplative, especially while expressing his fondness for nostalgia and in his testaments to family and friends, but as he delves relentlessly into matters political, ecological, and environmental, that mood turns darker, even ominous, infused occasionally with humor to present a more optimistic outlook.

In Ripples in the Fabric of the Universe, Jim Tilley draws on his experience as a poet and mathematician to fix a lens on the current raw state of the country and the world and on interpersonal relationships. At times, his mood is merely contemplative, especially while expressing his fondness for nostalgia and in his testaments to family and friends, but as he delves relentlessly into matters political, ecological, and environmental, that mood turns darker, even ominous, infused occasionally with humor to present a more optimistic outlook.

“Confront personal losses as well as the numerous harbingers of environmental collapse, from birds to beavers to beetles along Red River or beside Lake Marie, eddies and currents evoking social, economic, and political conflicts beyond the trails hiked in many of these poems.”—James Scruton, author of The Rules When Godot Arrived uses eighty-one free-verse sonnets to explore the intersections of family, environment, politics, and the human condition, balancing contemplative reflection with dark humor and lyrical precision in a world of uncertainty. JimTilley's latest poetry collection, When Godot Arrived, eighty-onefree-verse sonnets, continues the explorations from the set of new poems in hisprevious book, Ripples in the Fabric of the Universe. As in thatprevious book, he draws on his experience as a poet and mathematician to fix alens on the current raw state of the country and the world and on interpersonalrelationships. At times, his mood is merely contemplative, especially in histestaments to family, but as he delves relentlessly into matters political,ecological, and environmental, that mood turns darker, even ominous, infusedoccasionally with humor to present a more optimistic outlook. Together with Ripplesin the Fabric of the Universe, When Godot Arrived is a mostexpansive read.

“Confront personal losses as well as the numerous harbingers of environmental collapse, from birds to beavers to beetles along Red River or beside Lake Marie, eddies and currents evoking social, economic, and political conflicts beyond the trails hiked in many of these poems.”—James Scruton, author of The Rules When Godot Arrived uses eighty free-verse sonnets to explore the intersections of family, environment, politics, and the human condition, balancing contemplative reflection with dark humor and lyrical precision in a world of uncertainty. JimTilley's latest poetry collection, When Godot Arrived, eighty-onefree-verse sonnets, continues the explorations from the set of new poems in hisprevious book, Ripples in the Fabric of the Universe. As in thatprevious book, he draws on his experience as a poet and mathematician to fix alens on the current raw state of the country and the world and on interpersonalrelationships. At times, his mood is merely contemplative, especially in histestaments to family, but as he delves relentlessly into matters political,ecological, and environmental, that mood turns darker, even ominous, infusedoccasionally with humor to present a more optimistic outlook. Together with Ripplesin the Fabric of the Universe, When Godot Arrived is a mostexpansive read.

In Confidence is Jim Tilley’s first book of poems, ranging from lyric to narrative in form. About half of the 60 poems are open-form sonnets, most of which fit a broad theme of personal and societal “dislocation.” The collection covers a variety of subjects, from father-son and husband-wife relationships to issues of politics, the economy, and the environment. Stephen Dobyns cautions readers to look beyond the apparent calmness and elegance of the poems to the dangers that lurk beneath the surface. Many of the stories have unhappy endings. Several of the poems are presented in pairs with the same underlying setting or situation but markedly different development, exhibiting a kind of “quantum” picture with both states existing at the same time, not surprising since the poet was formerly a physicist. Billy Collins claims that Jim Tilley wins readers’ confidence by keeping a steady hand on the poem while maintaining a steady gaze at the world. This is a book of poems in which readers will find bits and pieces of their own lives.

New Hope for the Dead: Uncollected Matthews is the last of poet William Matthews' posthumous collections, following Search Party: Collected Poems (Houghton Mifflin) and The Poetry Blues: Essays & Interviews (University of Michigan Press), all edited by son Sebastian Matthews and close friend and fellow poet Stanley Plumly. New Hope for the Dead features the best of Matthews' remaining uncollected work, including over 30 poems spanning Matthews' prolific but tragically cut-short career. But unlike the first two collections, New Hope for the Dead features Matthews' unheralded talents as a short story writer, food writ

In Lessons from Summer Camp, Jim Tilley takes a fifty-year retrospective look at a ten-year period during his childhood and adolescence to discover what summer camp was really about. In both a wistful and an appreciative look back on the days of our youth, the poems reminisce on the memorable events of those summers, from fire-lighting contests at Council Ring, to races in war canoes during Tribal Games, learning to swim, and writing letters home—to the inevitable sadness of departing at the end of the summer, saying goodbyes at the station until next year. The poems evoke memories of experiences we've all shared and bring perspective to how lessons from summer camp often become apparent only later in life.

In Lessons from Summer Camp, Jim Tilley takes a fifty-year retrospective look at a ten-year period during his childhood and adolescence to discover what summer camp was really about. In both a wistful and an appreciative look back on the days of our youth, the poems reminisce on the memorable events of those summers, from fire-lighting contests at Council Ring, to races in war canoes during Tribal Games, learning to swim, and writing letters home—to the inevitable sadness of departing at the end of the summer, saying goodbyes at the station until next year. The poems evoke memories of experiences we've all shared and bring perspective to how lessons from summer camp often become apparent only later in life.

In Confidence is Jim Tilley’s first book of poems, ranging from lyric to narrative in form. About half of the 60 poems are open-form sonnets, most of which fit a broad theme of personal and societal “dislocation.” The collection covers a variety of subjects, from father-son and husband-wife relationships to issues of politics, the economy, and the environment. Stephen Dobyns cautions readers to look beyond the apparent calmness and elegance of the poems to the dangers that lurk beneath the surface. Many of the stories have unhappy endings. Several of the poems are presented in pairs with the same underlying setting or situation but markedly different development, exhibiting a kind of “quantum” picture with both states existing at the same time, not surprising since the poet was formerly a physicist. Billy Collins claims that Jim Tilley wins readers’ confidence by keeping a steady hand on the poem while maintaining a steady gaze at the world. This is a book of poems in which readers will find bits and pieces of their own lives.