Jim Whalley – författare

Move over, Bonnie and Clyde, because there''s a new criminal mastermind in town ... Baby Frank! Baby Frank''s parents say that he can''t have a pet – ''Pets are for older kids'', ''Be happy with your teddy'', ''They cost too much to keep'' – which leaves Baby Frank with a BIG problem because he REALLY wants a pet. What''s a baby to do ... ? Rob a bank, of course! But will money buy Baby Frank the fluffy pet he so desperately wants?This is a major new partnership – Stephen Collins, cartoonist in Guardian Weekend magazine, and Jim Whalley, an exciting debut author. It''s Burglar Bill for a whole new generation and is perfect for fans of Chris Haughton, Rob Biddulph and Jon Klassen. This eBook comes with a glorious audio accompaniment, read by CBeebies star Justin Fletcher.

Queues at Baby Frank’s famous zoo are dwindling and there’s only one person responsible . . . Meet Baby Bruce. He’s greedy, fame-hungry and he’s opened up a rival zoo nearby. The problem is, all the animals at Baby Bruce’s zoo are unhappy. What’s Baby Frank to do? Face his nemesis and stage an epic baby jail break, of course.Hold on, this is going to be one great escape! The dangerously good follow-up to Baby’s First Bank Heist from a major new and exciting partnership - Stephen Collins is cartoonist of The Guardian Weekend magazine and Jim Whalley is a fresh writing talent.

Queues at Baby Frank''s famous zoo are dwindling and there''s only one person responsible . . . Meet Baby Bruce. He''s greedy, fame-hungry and he''s opened up a rival zoo nearby. The problem is, all the animals at Baby Bruce''s zoo are unhappy. What''s Baby Frank to do? Face his nemesis and stage an epic baby jailbreak, of course. Hold on, this is going to be one great escape! The dangerously good follow-up to Baby''s First Bank Heist from a major new and exciting partnership - Stephen Collins is cartoonist of The Guardian Weekend magazine and Jim Whalley is a fresh writing talent.

Between 1946 and 1964 seventy-five million babies were born, dwarfing the generations that preceded and succeeded them. At each stage of its life-cycle, the baby boom’s great size has dictated the terms of national policy and public debate. While aspects of this history are well-documented, the relationship between the baby boom and Hollywood has never been explored. And yet, for almost 40 years, baby boomers made up the majority of Hollywood’s audience, and since the 1970s, boomers have dominated movie production. Hollywood and the Baby Boom weaves together interviews with leading filmmakers, archival research and the memories of hundreds of ordinary filmgoers to tell the full story of Hollywood’s relationship with the boomers for the first time. The authors demonstrate the profound influence of the boomers on the ways that movies were made, seen and understood since the 1950s. The result is a compelling new account that draws upon an unprecedented range of sources, and offers new insights into the history of American movies.

Between 1946 and 1964 seventy-five million babies were born, dwarfing the generations that preceded and succeeded them. At each stage of its life-cycle, the baby boom's great size has dictated the terms of national policy and public debate. While aspects of this history are well-documented, the relationship between the baby boom and Hollywood has never been explored. And yet, for almost 40 years, baby boomers made up the majority of Hollywood's audience, and since the 1970s, boomers have dominated movie production. Hollywood and the Baby Boom weaves together interviews with leading filmmakers, archival research and the memories of hundreds of ordinary filmgoers to tell the full story of Hollywood's relationship with the boomers for the first time. The authors demonstrate the profound influence of the boomers on the ways that movies were made, seen and understood since the 1950s. The result is a compelling new account that draws upon an unprecedented range of sources, and offers new insights into the history of American movies.

Between 1946 and 1964 seventy-five million babies were born, dwarfing the generations that preceded and succeeded them. At each stage of its life-cycle, the baby boom's great size has dictated the terms of national policy and public debate. While aspects of this history are well-documented, the relationship between the baby boom and Hollywood has never been explored. And yet, for almost 40 years, baby boomers made up the majority of Hollywood's audience, and since the 1970s, boomers have dominated movie production. Hollywood and the Baby Boom weaves together interviews with leading filmmakers, archival research and the memories of hundreds of ordinary filmgoers to tell the full story of Hollywood's relationship with the boomers for the first time. The authors demonstrate the profound influence of the boomers on the ways that movies were made, seen and understood since the 1950s. The result is a compelling new account that draws upon an unprecedented range of sources, and offers new insights into the history of American movies.

Between 1946 and 1964 seventy-five million babies were born, dwarfing the generations that preceded and succeeded them. At each stage of its life-cycle, the baby boom’s great size has dictated the terms of national policy and public debate. While aspects of this history are well-documented, the relationship between the baby boom and Hollywood has never been explored. And yet, for almost 40 years, baby boomers made up the majority of Hollywood’s audience, and since the 1970s, boomers have dominated movie production. Hollywood and the Baby Boom weaves together interviews with leading filmmakers, archival research and the memories of hundreds of ordinary filmgoers to tell the full story of Hollywood’s relationship with the boomers for the first time. The authors demonstrate the profound influence of the boomers on the ways that movies were made, seen and understood since the 1950s. The result is a compelling new account that draws upon an unprecedented range of sources, and offers new insights into the history of American movies.

Frank’s long-suffering parents decide it’s time for a holiday – looking after a whole zooful of animals is VERY hard work. Leaving Gran in charge, they set off. But the further from home they get, the more anxious Frank gets.What if Gran can’t cope? What if his animals need him? He decides to take drastic action – with dire consequences! A nail-biting follow-up to the bestselling Baby’s First Bank Heist and Baby’s First Jailbreak.

Frank''s long-suffering parents decide it''s time for a holiday – looking after a whole zooful of animals is VERY hard work. Leaving Gran in charge, they set off. But the further from home they get, the more anxious Frank gets.What if Gran can''t cope? What if his animals need him? He decides to take drastic action – with dire consequences! A nail-biting follow-up to the bestselling Baby''s First Bank Heist and Baby''s First Jailbreak.

Queues at Baby Frank''s famous zoo are dwindling and there''s only one person responsible . . . Meet Baby Bruce. He''s greedy, fame-hungry and he''s opened up a rival zoo nearby. The problem is, all the animals at Baby Bruce''s zoo are unhappy. What''s Baby Frank to do? Face his nemesis and stage an epic baby jail break, of course. Hold on, this is going to be one great escape! The dangerously good follow-up to Baby''s First Bank Heist from a major new and exciting partnership - Stephen Collins is cartoonist of The Guardian Weekend magazine and Jim Whalley is a fresh writing talent. This audio-enabled eBook edition comes with brilliant sounds effects and reading by Sam Newton, star of The Curious Incident of the Dog in the Nighttime.