Joachim Radkau – författare
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The tremendous influence exerted by Max Weber was due not only to the power of his ideas but also to the fact that behind his theories one perceived a man with a marked character and a tragic destiny. However, for nearly 80 years, our understanding of the life of Max Weber was dominated by the biography published in 1926 by his widow, Marianne Weber. The lack of a great Weber biography was one of the strangest and most glaring gaps in the literature of the social sciences. For various reasons the task was difficult; time and again, attempts to write a new biography of Max Weber ended in failure.
When Joachim Radkau’s biography appeared in Germany in 2005 it caused a sensation. Based on an abundance of previously unknown sources and richly embedded in the German history of the time, this is the first fully comprehensive biography of Max Weber ever to appear. Radkau brings out, in a way that no one has ever done before, the intimate interrelations between Weber’s thought and his life experience. He presents detailed revelations about the great enigmas of Weber’s life: his suffering and erotic experiences, his fears and his desires, his creative power and his methods of work as well as his religious experience and his relation to nature and to death. By understanding the great drama of his life, we discover a new Max Weber, until now unknown in many respects, and, at the same time, we gain a new appreciation of his work.
Joachim Radkau, born in 1943, is Professor of Modern History at the Bielefeld University, Germany. His interest in Max Weber dates back nearly forty years when he worked together with the German-American historian George W. F. Hallgarten (Washington), a refugee who left Germany in 1933 and who, as a student, listened to Weber’s last lecture in summer 1920. Radkau’s main works include Die deutsche Emigration in den USA (1971); Deutsche Industrie und Politik (together with G. W. F. Hallgarten, 1974), Aufstieg und Krise der deutschen Atomwirtschaft (1983), Technik in Deutschland (1989), Das Zeitalter der Nervosität (1998), Natur und Macht: Eine Weltgeschichte der Umwelt (2000).
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Ötzi the iceman could not do without wood when he was climbing his Alpine glacier, nor could medieval cathedral-builders or today''s construction companies. From time immemorial, the skill of the human hand has developed by working wood, so much so that we might say that the handling of wood is a basic element in the history of the human body. The fear of a future wood famine became a panic in the 18th century and sparked the beginnings of modern environmentalism.
This book traces the cultural history of wood and offers a highly original account of the connection between the raw material and the human beings who benefit from it. Even more, it shows that wood can provide a key for a better understanding of history, of the pecularities as well as the varieties of cultures, of a co-evolution of nature and culture, and even of the rise and fall of great powers. Beginning with Stone Age hunters, it follows the twists and turns of the story through the Middle Ages and the Industrial Revolution to the global society of the twenty-first century, in which wood is undergoing a varied and unexpected renaissance. Radkau is sceptical of claims that wood is about to disappear, arguing that such claims are self-serving arguments promoted by interest groups to secure cheaper access to, and control over, wood resources. The whole forest and timber industry often strikes the outsider as a world unto itself, a hermetically sealed black box, but when we lift the lid on this box, as Radkau does here, we will be surprised by what we find within.
Wide-ranging and accessible, this rich historical analysis of one of our most cherished natural resources will find a wide readership.
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