The Oppositional Imagination draws together elements from Marxism, analytical philosophy, post-structuralism, and post-colonial criticism to analyse the elusive interplay of culture and power. It focuses its attention on cultural domination, opposition and evasion in the realm of sex and gender.

Joan Cocks reflects on questions crucial to both political theorists and feminists: the relationship between political theory and practical life; the possibility of bringing together a philosophical and a literary language to comprehend and evoke concrete experience; and the reconciliation of radical political commitment with an appreciation of shades of grey in the social world. She explores the variety of ways in which power and eroticism intersect; the liberating and tyrannical impulses of marginal cultures; and the place of the loyalist, the eccentric, the critic, the traitor, and the rebel in the sexual struggle.

The Oppositional Imagination reaffirms the centrality of political theory and feminist practice while at the same time challenging certain of their key principles in thought-provoking ways.

The Oppositional Imagination draws together elements from Marxism, analytical philosophy, post-structuralism, and post-colonial criticism to analyse the elusive interplay of culture and power. It focuses its attention on cultural domination, opposition and evasion in the realm of sex and gender.

Joan Cocks reflects on questions crucial to both political theorists and feminists: the relationship between political theory and practical life; the possibility of bringing together a philosophical and a literary language to comprehend and evoke concrete experience; and the reconciliation of radical political commitment with an appreciation of shades of grey in the social world. She explores the variety of ways in which power and eroticism intersect; the liberating and tyrannical impulses of marginal cultures; and the place of the loyalist, the eccentric, the critic, the traitor, and the rebel in the sexual struggle.

The Oppositional Imagination reaffirms the centrality of political theory and feminist practice while at the same time challenging certain of their key principles in thought-provoking ways.

From Kosovo to Québec, Ireland to East Timor, nationalism has been a recurrent topic of intense debate. It has been condemned as a source of hatred and war, yet embraced for stimulating community feeling and collective freedom. Joan Cocks explores the power, danger, and allure of nationalism by examining its place in the thought of eight politically engaged intellectuals of the nineteenth and twentieth centuries: the antagonist of capital, Karl Marx; the critics of imperialism Rosa Luxemburg, Hannah Arendt, and Frantz Fanon; the liberal pluralist Isaiah Berlin; the neonationalist Tom Nairn, and the post-colonial writers, V. S. Naipaul and Edward Said. Cocks not only sheds new light on the complexities of nationalism but also reveals the tensions that have inspired and troubled intellectuals who have sought to lead lives between detached criticism and political passion. In lively, conversational prose, Cocks assesses their treatment of questions such as the mythology of national identity, the right to national self-determination, and the morality of nationalist violence. While ultimately critical of nationalism, she engages sympathetically even with its defenders. By illuminating the links that distinguished minds have drawn between thought and action on nationalism in politics, this stimulating work provides a rich foundation from which we ourselves might think or act more wisely when confronting a phenomenon that, in fundamental and perplexing ways, has shaped our world.

The Oppositional Imagination draws together elements from Marxism, analytical philosophy, post-structuralism, and post-colonial criticism to analyse the elusive interplay of culture and power. It focuses its attention on cultural domination, opposition and evasion in the realm of sex and gender.

Joan Cocks reflects on questions crucial to both political theorists and feminists: the relationship between political theory and practical life; the possibility of bringing together a philosophical and a literary language to comprehend and evoke concrete experience; and the reconciliation of radical political commitment with an appreciation of shades of grey in the social world. She explores the variety of ways in which power and eroticism intersect; the liberating and tyrannical impulses of marginal cultures; and the place of the loyalist, the eccentric, the critic, the traitor, and the rebel in the sexual struggle.

The Oppositional Imagination reaffirms the centrality of political theory and feminist practice while at the same time challenging certain of their key principles in thought-provoking ways.

The Oppositional Imagination draws together elements from Marxism, analytical philosophy, post-structuralism, and post-colonial criticism to analyse the elusive interplay of culture and power. It focuses its attention on cultural domination, opposition and evasion in the realm of sex and gender.

Joan Cocks reflects on questions crucial to both political theorists and feminists: the relationship between political theory and practical life; the possibility of bringing together a philosophical and a literary language to comprehend and evoke concrete experience; and the reconciliation of radical political commitment with an appreciation of shades of grey in the social world. She explores the variety of ways in which power and eroticism intersect; the liberating and tyrannical impulses of marginal cultures; and the place of the loyalist, the eccentric, the critic, the traitor, and the rebel in the sexual struggle.

The Oppositional Imagination reaffirms the centrality of political theory and feminist practice while at the same time challenging certain of their key principles in thought-provoking ways.

From Kosovo to Québec, Ireland to East Timor, nationalism has been a recurrent topic of intense debate. It has been condemned as a source of hatred and war, yet embraced for stimulating community feeling and collective freedom. Joan Cocks explores the power, danger, and allure of nationalism by examining its place in the thought of eight politically engaged intellectuals of the nineteenth and twentieth centuries: the antagonist of capital, Karl Marx; the critics of imperialism Rosa Luxemburg, Hannah Arendt, and Frantz Fanon; the liberal pluralist Isaiah Berlin; the neonationalist Tom Nairn, and the post-colonial writers, V. S. Naipaul and Edward Said. Cocks not only sheds new light on the complexities of nationalism but also reveals the tensions that have inspired and troubled intellectuals who have sought to lead lives between detached criticism and political passion. In lively, conversational prose, Cocks assesses their treatment of questions such as the mythology of national identity, the right to national self-determination, and the morality of nationalist violence. While ultimately critical of nationalism, she engages sympathetically even with its defenders. By illuminating the links that distinguished minds have drawn between thought and action on nationalism in politics, this stimulating work provides a rich foundation from which we ourselves might think or act more wisely when confronting a phenomenon that, in fundamental and perplexing ways, has shaped our world.