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5 produkter
5 produkter
1 098 kr
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On the Waterfront comprehensively examines one of the most important films of the Hollywood canon. Providing the historical context for the film, this volume emphasizes film making as a collaborative process rather than an 'auteurist' approach, although it does highlight individual contributions to the film and the political controversy generated by the cooperation of Kazan and Schulberg with the House of Un-American Activities Committee. Included are essays specially commissioned for this volume, analyzing the screenplay, Kazan as director, Schulberg as screenplay writer, the score by Leonard Bernstein, and the reception of the film in classrooms. Collectively they demonstrate how and why this film has been an enduring favorite among cineastes and movie buffs alike. A preface by Budd Schulberg, contemporary reviews, and stills round out the volume.
288 kr
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On the Waterfront comprehensively examines one of the most important films of the Hollywood canon. Providing the historical context for the film, this volume emphasizes film making as a collaborative process rather than an 'auteurist' approach, although it does highlight individual contributions to the film and the political controversy generated by the cooperation of Kazan and Schulberg with the House of Un-American Activities Committee. Included are essays specially commissioned for this volume, analyzing the screenplay, Kazan as director, Schulberg as screenplay writer, the score by Leonard Bernstein, and the reception of the film in classrooms. Collectively they demonstrate how and why this film has been an enduring favorite among cineastes and movie buffs alike. A preface by Budd Schulberg, contemporary reviews, and stills round out the volume.
396 kr
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A wide-ranging survey of the subject that celebrates the variety and complexity of film comedy from the ‘silent’ days to the present, this authoritative guide offers an international perspective on the popular genre that explores all facets of its formative social, cultural and political context A wide-ranging collection of 24 essays exploring film comedy from the silent era to the presentInternational in scope, the collection embraces not just American cinema, including Native American and African American, but also comic films from Europe, the Middle East, and KoreaEssays explore sub-genres, performers, and cultural perspectives such as gender, politics, and history in addition to individual worksEngages with different strands of comedy including slapstick, romantic, satirical and ironicFeatures original entries from a diverse group of multidisciplinary international contributors
2 505 kr
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A wide-ranging survey of the subject that celebrates the variety and complexity of film comedy from the ‘silent’ days to the present, this authoritative guide offers an international perspective on the popular genre that explores all facets of its formative social, cultural and political context A wide-ranging collection of 24 essays exploring film comedy from the silent era to the presentInternational in scope, the collection embraces not just American cinema, including Native American and African American, but also comic films from Europe, the Middle East, and KoreaEssays explore sub-genres, performers, and cultural perspectives such as gender, politics, and history in addition to individual worksEngages with different strands of comedy including slapstick, romantic, satirical and ironicFeatures original entries from a diverse group of multidisciplinary international contributors
335 kr
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Sidney Lumet (b. 1924) is considered one of the most gifted and socially conscious American filmmakers of his generation. His best-known movies--including Serpico, Dog Day Afternoon, The Verdict, 12 Angry Men, and Network--have garnered him an Honorary Academy Award in 2005, multiple Oscar nominations for Best Director, the D. W. Griffith Award for Lifetime Achievement, and numerous other tributes. This book features over twenty interviews with the director, including an interview conducted by the editor for this volume. One of the few mainstream directors who works outside of Hollywood, Lumet discusses how his home base, New York City, fuels his films. Candid, outspoken and occasionally brash, Lumet talks passionately and clearly about his work with great actors (among them Al Pacino, Faye Dunaway, River Phoenix, and Sean Connery) and acclaimed screenwriter Paddy Chayefsky. Insisting that moviemaking is collaborative, Lumet often notes his determination to find styles that serve the many different kinds of stories he has told, such as the social drama The Pawnbroker, the crime films Prince of the City and Serpico, the intimate family piece Garbo Talks, the play adaptation Long Day's Journey into Night, and the television series 100 Centre Street. Joanna E. Rapf is professor of English and of film and video studies at the University of Oklahoma in Norman. She is the author of On the Waterfront and Buster Keaton: A Bio-Bibliography, and her work has appeared in Film Quarterly, Literature/Film Quarterly, Post Script, and Journal of Popular Culture.