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Walter Potter (1835-1918), a country taxidermist of no great expertise, became famous as an icon of Victorian whimsy. His tiny museum in Bramber, Sussex, was crammed full of multi-legged kittens, two-headed lambs and a bewildering assortment of curios.
Closed in the ''70s, the museum was variously re-established before being auctioned off in 2003. It was reported that a £1M bid by Damien Hirst to keep the collection intact was refused, but in 2010 many of Potter''s key pieces were exhibited by the artist Sir Peter Blake at London''s ''Museum of Everything'', attracting over 30,000 visitors in 6 weeks. The subsequent dispersal of Potter''s works has meant the loss of a truly unique Victorian legacy. Here, perhaps for the last time, the collection is preserved and celebrated with new photographs of Potter''s best-loved works.
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From 1892 until 1954, three cabaret-restaurants in the Montmartre district of Paris captivated tourists with their grotesque portrayals of death in the afterworlds of Hell, Heaven, and Nothingness. Each had specialized cuisines and morbid visual displays with flashes of nudity and shocking optical illusions. These cabarets were considered the most curious and widely featured amusements in the city. Entrepreneurs even hawked graphic postcards of their ironic spectacles and otherworldly interiors.
Cabarets of Death documents the dinner shows, the character interactions with guests, and the theatrical goings-on in these unique establishments. Presenting original images and drawings from contemporary journals, postcards, tourist brochures, and menus, Mel Gordon leads a tour of these idiosyncratically macabre institutions, and grants us unique access to a form of popular spectacle now gone.