Joanne B. Mulcahy – författare

Tell me all about your trip! It's a request that follows travelers as they head out into the world, and one of the first things they hear when they return. When we leave our homes to explore the wider world, we feel compelled to capture the experiences and bring the story home. But for those who don't think of themselves as writers, putting experiences into words can become more stressful than inspirational.Writing Abroad is meant for travelers of all backgrounds and writing levels: a student embarking on overseas study; a retiree realizing a dream of seeing China; a Peace Corps worker in Kenya. All can benefit from documenting their adventures. Through practical advice and adaptable exercises, this guide will help travelers hone their observational skills, conduct research and interviews, choose an appropriate literary form and incorporate photos and videos into their writing. Writing about travel is more than just safeguarding memories it can transform experiences and tease out new realizations. With Writing Abroad, travelers will be able to deepen their understanding of other cultures and write about that new awareness in clear and vivid prose.

Tell me all about your trip! It's a request that follows travelers as they head out into the world, and one of the first things they hear when they return. When we leave our homes to explore the wider world, we feel compelled to capture the experiences and bring the story home. But for those who don't think of themselves as writers, putting experiences into words can become more stressful than inspirational.Writing Abroad is meant for travelers of all backgrounds and writing levels: a student embarking on overseas study; a retiree realizing a dream of seeing China; a Peace Corps worker in Kenya. All can benefit from documenting their adventures. Through practical advice and adaptable exercises, this guide will help travelers hone their observational skills, conduct research and interviews, choose an appropriate literary form and incorporate photos and videos into their writing. Writing about travel is more than just safeguarding memories it can transform experiences and tease out new realizations. With Writing Abroad, travelers will be able to deepen their understanding of other cultures and write about that new awareness in clear and vivid prose.

Marion Greenwood: Portrait and Self-Portrait—A Biography brings to life a woman who blazed through the twentieth-century art world. Born in Brooklyn in 1909, Greenwood thrived at storied institutions and arts centers such as the Art Students League, the studio of German modernist Winold Reiss, the Woodstock Colony, and Yaddo. In 1933, she catapulted to international fame as the first woman to paint a public mural in Mexico. Diego Rivera celebrated Greenwood as one of “the world’s greatest living women mural painters.” She traveled the globe to create award-winning portraits of people from diverse backgrounds, crossing racial, cultural, and class lines to reflect her vision for a more just world.This biography, the first about Greenwood, is based on a decade of research and interviews. Author Joanne B. Mulcahy integrates the artist’s adventuresome personal life with her journey to artistic glory. Greenwood comes alive as a notable and spirited part of the heady art scenes of 1920s and 1930s Mexico, New York City, and Paris, and as one of two women artist-correspondents during World War II. After social realism and portraiture fell from favor, Greenwood doggedly stuck with what she called “the human thing” in art. Her freewheeling romantic life and independent spirit defied expectations for women, and she dismissed sexist critics who mixed acclaim for her work with commentary on her stunning beauty.A feminist pioneer, Greenwood made a living as an artist in a time when few women could. In following Greenwood’s maverick path and artistic achievements, this book reveals her central place in the pantheon of history’s remarkable women artists.

Marion Greenwood: Portrait and Self-Portrait—A Biography brings to life a woman who blazed through the twentieth-century art world. Born in Brooklyn in 1909, Greenwood thrived at storied institutions and arts centers such as the Art Students League, the studio of German modernist Winold Reiss, the Woodstock Colony, and Yaddo. In 1933, she catapulted to international fame as the first woman to paint a public mural in Mexico. Diego Rivera celebrated Greenwood as one of “the world’s greatest living women mural painters.” She traveled the globe to create award-winning portraits of people from diverse backgrounds, crossing racial, cultural, and class lines to reflect her vision for a more just world.This biography, the first about Greenwood, is based on a decade of research and interviews. Author Joanne B. Mulcahy integrates the artist’s adventuresome personal life with her journey to artistic glory. Greenwood comes alive as a notable and spirited part of the heady art scenes of 1920s and 1930s Mexico, New York City, and Paris, and as one of two women artist-correspondents during World War II. After social realism and portraiture fell from favor, Greenwood doggedly stuck with what she called “the human thing” in art. Her freewheeling romantic life and independent spirit defied expectations for women, and she dismissed sexist critics who mixed acclaim for her work with commentary on her stunning beauty.A feminist pioneer, Greenwood made a living as an artist in a time when few women could. In following Greenwood’s maverick path and artistic achievements, this book reveals her central place in the pantheon of history’s remarkable women artists.

When Joanne B. Mulcahy first helped Mary Peterson—a respected elder of the Akhiok community—find a safe home away from the violence and alcoholism that had altered village life, she never imagined that they would meet again five years later and begin more than twelve years of interviews, letters, and visits that would transform the lives of both women.Birth and Rebirth on an Alaskan Island offers the fascinating story of Mary’s life, from her experience growing up within the traditional society of Akhiok to her work as a teacher, a Community Health Aide, a mother, a grandmother, and an Alutiiq midwife and healer. Through her story we discover a society that blended native Alutiiq culture with the Russian Orthodox teachings handed down from late-eighteenth- and nineteenth-century colonists; that mixed modern education and employment with a subsistence lifestyle; that sanctioned arranged marriages but upheld civil divorce laws; and, above all, that recovered its confidence in traditional healing—both of the body and of the community.More than a personal story of survival, Birth and Rebirth on an Alaskan Island portrays, in Akhiok, a resilience formed through a return to a strong sense of community. As we become acquainted with the Kodiak world through Mary Peterson’s story, we come to realize the strength of the native oral tradition and to see that knowing and healing are pivotal elements of the Alutiiq way—particularly as they bring to light the previously unrecognized efforts, inspirations, and accomplishments of countless women healers.