Jodi Campbell – författare

In early modern Spain, theater reached the height of its popularity during the same decades in which Spanish monarchs were striving to consolidate their power. Jodi Campbell uses the dramatic production of seventeenth-century Madrid to understand how ordinary Spaniards perceived the political developments of this period. Through a study of thirty-three plays by four of the most popular playwrights of Madrid (Pedro Caldern de la Barca, Francisco de Rojas Zorrilla, Juan de Matos Fragoso, and Juan Bautista Diamante), Campbell analyzes portrayals of kingship during what is traditionally considered to be the age of absolutism and highlights the differences between the image of kingship cultivated by the monarchy and that presented on Spanish stages. A surprising number of plays performed and published in Madrid in the seventeenth century, Campbell shows, featured themes about kingship: debates over the qualities that make a good king, tests of a king's abilities, and stories about the conflicts that could arise between the personal interests of a king and the best interest of his subjects. Rather than supporting the absolutist and centralizing policies of the monarchy, popular theater is shown here to favor the idea of reciprocal obligations between subjects and monarch. This study contributes new evidence to the trend of recent scholarship that revises our views of early modern Spanish absolutism, arguing for the significance of the perspectives of ordinary people to the realm of politics.

Research on European food culture has expanded substantially in recent years, telling us more about food preparation, ingredients, feasting and fasting rituals, and the social and cultural connotations of food.At the First Table demonstrates the ways in which early modern Spaniards used food as a mechanism for the performance of social identity. People perceived themselves and others as belonging to clearly defined categories of gender, status, age, occupation, and religion, and each of these categories carried certain assumptions about proper behavior and appropriate relationships with others. Food choices and dining customs were effective and visible ways of displaying these behaviors in the choreography of everyday life. In contexts from funerals to festivals to their treatment of the poor, Spaniards used food to display their wealth, social connections, religious affiliation, regional heritage, and membership in various groups and institutions and to reinforce perceptions of difference.Research on European food culture has been based largely on studies of England, France, and Italy, but more locally on Spain. Jodi Campbell combines these studies with original research in household accounts, university and monastic records, and municipal regulations to provide a broad overview of Spanish food customs and to demonstrate their connections to identity and social change in the sixteenth and seventeenth centuries.

This handbook provides an overview of the history and historiography of Madrid, from its establishment as the seat of the royal court in 1561 to the present, with essays by leading scholars on a range of topics across culture, economics, politics, society, and urban development.It offers a useful introduction to the main outlines of the city’s history for beginning scholars, identifies key lines of recent scholarship and debate for more advanced investigators, and provides substantial bibliographic and archival documentation to encourage future research. As a whole, the collection will allow readers to see the larger picture of the history of Madrid across five centuries and various disciplines, emphasizing its individual character as well as the areas where it fits best into broader Spanish and European currents.The volume is aimed at scholars of urban history and those who specialize in the history of Spain from the sixteenth century to the present.

This handbook provides an overview of the history and historiography of Madrid, from its establishment as the seat of the royal court in 1561 to the present, with essays by leading scholars on a range of topics across culture, economics, politics, society, and urban development.It offers a useful introduction to the main outlines of the city's history for beginning scholars, identifies key lines of recent scholarship and debate for more advanced investigators, and provides substantial bibliographic and archival documentation to encourage future research. As a whole, the collection will allow readers to see the larger picture of the history of Madrid across five centuries and various disciplines, emphasizing its individual character as well as the areas where it fits best into broader Spanish and European currents.The volume is aimed at scholars of urban history and those who specialize in the history of Spain from the sixteenth century to the present.

This handbook provides an overview of the history and historiography of Madrid, from its establishment as the seat of the royal court in 1561 to the present, with essays by leading scholars on a range of topics across culture, economics, politics, society, and urban development.It offers a useful introduction to the main outlines of the city's history for beginning scholars, identifies key lines of recent scholarship and debate for more advanced investigators, and provides substantial bibliographic and archival documentation to encourage future research. As a whole, the collection will allow readers to see the larger picture of the history of Madrid across five centuries and various disciplines, emphasizing its individual character as well as the areas where it fits best into broader Spanish and European currents.The volume is aimed at scholars of urban history and those who specialize in the history of Spain from the sixteenth century to the present.

In early modern Spain, theater reached the height of its popularity during the same decades in which Spanish monarchs were striving to consolidate their power. Jodi Campbell uses the dramatic production of seventeenth-century Madrid to understand how ordinary Spaniards perceived the political developments of this period. Through a study of thirty-three plays by four of the most popular playwrights of Madrid (Pedro Caldern de la Barca, Francisco de Rojas Zorrilla, Juan de Matos Fragoso, and Juan Bautista Diamante), Campbell analyzes portrayals of kingship during what is traditionally considered to be the age of absolutism and highlights the differences between the image of kingship cultivated by the monarchy and that presented on Spanish stages. A surprising number of plays performed and published in Madrid in the seventeenth century, Campbell shows, featured themes about kingship: debates over the qualities that make a good king, tests of a king''s abilities, and stories about the conflicts that could arise between the personal interests of a king and the best interest of his subjects. Rather than supporting the absolutist and centralizing policies of the monarchy, popular theater is shown here to favor the idea of reciprocal obligations between subjects and monarch. This study contributes new evidence to the trend of recent scholarship that revises our views of early modern Spanish absolutism, arguing for the significance of the perspectives of ordinary people to the realm of politics.