Joe Hill – författare

The dead plot against the living, the darkness closes in on Keyhouse, and a woman is shattered beyond repair, in the third storyline of the Eisner-nominated series, Locke & Key! Dodge continues his relentless quest to find the key to the black door, and raises an army of shadows to wipe out anyone who might get in his way. Surrounded and outnumbered, the Locke children find themselves fighting a desperate battle, all alone, in a world where the night itself has become their enemy.

Joe Hill and Gabriel Rodriguez's Locke & Key unwinds into its fourth volume in Keys to the Kingdom. With more keys making themselves known, and the depths of the Locke's family's mysteries ever-expanding, Dodge's desperation to end his shadowy quest drives the habitants of Keyhouse ever closer to a revealing conclusion.

Tyler and Kinsey Locke have no idea that their now-deceased nemesis, Lucas "Dodge" Caravaggio, has taken over the body of their younger brother, Bode. With unrestricted access to Keyhouse, Dodge's ruthless quest to find the Omega Key and open the Black Door is almost complete. But Tyler and Kinsey have a dangerous key of their own - one that can unlock all the secrets of Keyhouse by opening a gateway to the past. The time has come for the Lockes to face theri own legacy and the darkness behind the Black Door. Because if they don't learn from their family history, they may be doomed to repeat it, and time is running out!

New York Times bestselling writer Joe Hill and artist Gabriel Rodriguez, the creators behind the acclaimed Locke & Key: Welcome to Lovecraft, return with the next chapter in the ongoing tale, Head Games. Following a shocking death that dredges up memories of their father's murder, Kinsey and Tyler Locke are thrown into choppy emotional waters, and turn to their new friend, Zack Wells, for support, little suspecting Zack's dark secret. Meanwhile, six-year-old Bode Locke tries to puzzle out the secret of the head key, and Uncle Duncan is jarred into the past by a disturbingly familiar face. Open your mind - the head games are just getting started!

“Wild, mesmerizing, perversely witty….A Valentine from hell.” —Janet Maslin, New York Times

The publication of Joe Hill’s beautifully textured, deliciously scary debut novel Heart-Shaped Box was greeted with the sort of overwhelming critical acclaim that is rare for a work of skin-crawling supernatural terror. It was cited as a Best Book of the Year by Atlanta magazine, the Tampa Tribune, the St. Louis Post Dispatch, and the Village Voice, to name but a few. Award-winning, #1 New York Times bestselling Neil Gaiman of The Sandman, The Graveyard Book, and Anansi Boys fame calls Joe Hill’s story of a jaded rock star haunted by a ghost he purchased on the internet, “relentless, gripping, powerful.” Open this Heart-Shaped Box from two-time Bram Stoker Award-winner Hill if you dare and see what all the well-deserved hoopla is about.

From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She''s also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . .

Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn''t easy to make friends when you''re the only inflatable boy in town. . . .

Francis is unhappy. Francis was human once, but that was then. Now he''s an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . .

John Finney is locked in a basement that''s stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She''s also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . .

Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn''t easy to make friends when you''re the only inflatable boy in town. . . .

Francis is unhappy. Francis was human once, but that was then. Now he''s an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . .

John Finney is locked in a basement that''s stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She''s also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . .

Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn''t easy to make friends when you''re the only inflatable boy in town. . . .

Francis is unhappy. Francis was human once, but that was then. Now he''s an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . .

John Finney is locked in a basement that''s stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She''s also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . .

Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn''t easy to make friends when you''re the only inflatable boy in town. . . .

Francis is unhappy. Francis was human once, but that was then. Now he''s an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . .

John Finney is locked in a basement that''s stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She''s also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . .

Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn''t easy to make friends when you''re the only inflatable boy in town. . . .

Francis is unhappy. Francis was human once, but that was then. Now he''s an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . .

John Finney is locked in a basement that''s stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She''s also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . .

Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn''t easy to make friends when you''re the only inflatable boy in town. . . .

Francis is unhappy. Francis was human once, but that was then. Now he''s an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . .

John Finney is locked in a basement that''s stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She''s also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . .

Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn''t easy to make friends when you''re the only inflatable boy in town. . . .

Francis is unhappy. Francis was human once, but that was then. Now he''s an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . .

John Finney is locked in a basement that''s stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She''s also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . .

Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn''t easy to make friends when you''re the only inflatable boy in town. . . .

Francis is unhappy. Francis was human once, but that was then. Now he''s an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . .

John Finney is locked in a basement that''s stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She''s also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . .

Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn''t easy to make friends when you''re the only inflatable boy in town. . . .

Francis is unhappy. Francis was human once, but that was then. Now he''s an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . .

John Finney is locked in a basement that''s stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She''s also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . .

Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn''t easy to make friends when you''re the only inflatable boy in town. . . .

Francis is unhappy. Francis was human once, but that was then. Now he''s an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . .

John Finney is locked in a basement that''s stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She''s also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . .

Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn''t easy to make friends when you''re the only inflatable boy in town. . . .

Francis is unhappy. Francis was human once, but that was then. Now he''s an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . .

John Finney is locked in a basement that''s stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She''s also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . .

Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn''t easy to make friends when you''re the only inflatable boy in town. . . .

Francis is unhappy. Francis was human once, but that was then. Now he''s an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . .

John Finney is locked in a basement that''s stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She''s also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . .

Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn''t easy to make friends when you''re the only inflatable boy in town. . . .

Francis is unhappy. Francis was human once, but that was then. Now he''s an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . .

John Finney is locked in a basement that''s stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

From the New York Times bestselling author of NOS4A2 and Horns comes this award-winning collection of short fiction.

Imogene is young, beautiful . . . and dead, waiting in the Rosebud Theater one afternoon in 1945. . . .

Francis was human once, but now he''s an eight-foot-tall locust, and everyone in Calliphora will tremble when they hear him sing. . . .

John is locked in a basement stained with the blood of half a dozen murdered children, and an antique telephone, long since disconnected, rings at night with calls from the dead. . . .

Nolan knows but can never tell what really happened in the summer of ''77, when his idiot savant younger brother built a vast cardboard fort with secret doors leading into other worlds. . . .

The past isn''t dead. It isn''t even past. . . .