Joe Jackson – författare

Like Charles Seife’s Zero and Dava Sobel’s Longitude, this passionate intellectual history is the story of the intersection of science and the human, in this case the rivals who discovered oxygen in the late 1700s. That breakthrough changed the world as radically as those of Newton and Darwin but was at first eclipsed by revolution and reaction. In chronicling the triumph and ruin of the English freethinker Joseph Priestley and the French nobleman Antoine Lavoisier—the former exiled, the latter executed on the guillotine—A World on Fire illustrates the perilous place of science in an age of unreason.

Since the release of his first best-selling album Look Sharp in 1979, Joe Jackson has forged a singular career in music through his originality as a composer and his notoriously independent stance toward music-business fashion. He has also been a famously private person, whose lack of interest in his own celebrity has been interpreted by some as aloofness. That reputation is shattered by A Cure for Gravity , Jackson's enormously funny and revealing memoir of growing up musical, from a culturally impoverished childhood in a rough English port town to the Royal Academy of Music, through London's Punk and New Wave scenes, up to the brink of pop stardom. Jackson describes his life as a teenage Beethoven fanatic his early piano gigs for audiences of glass-throwing skinheads and his days on the road with long-forgotten club bands. Far from a standard-issue celebrity autobiography, A Cure for Gravity is a smart, passionate book about music, the creative process, and coming of age as an artist.

In 1898, the United States won an empire, and - many allege - lost its soul. In Splendid Liberators, Joe Jackson offers an epic narrative of the Spanish-American War, the world-spanning conflict during which the United States freed Cuba, Puerto Rico, and the Philippines from Spanish control only to confront resistance and resentment. The acclaimed author of Black Elk, Jackson brings the times to full, teeming life via portraits of the many leading characters - from the impetuous warrior Teddy Roosevelt, the prophetic Cuban revolutionary José Martí, and the Philippines’ dignified first president, Emilio Aguinaldo, to the Red Cross’s Clara Barton and the foe of empire Mark Twain. He ranges from the heroic theaters of San Juan Hill and Manila Bay to disease-wracked camps in Florida and Cuba where soldiers died en masse and to the White House and halls of Congress, where America’s leaders overcame enduring reluctances to seize an overseas dominion. He also follows the exploits of the legendary African American soldier David Fagen, who joined the rebels of the Philippines and fought his compatriots, and the swashbuckling Colonel Fred Funston, who was dispatched into the jungle to hunt him down.Overturning familiar scripts, Splendid Liberators is the first work of narrative nonfiction to look at this far-flung war through American, Cuban, and Filipino eyes, and to gauge the consequences and costs of America's first major imperial adventure.

For five weeks - from April 14 to May 21, 1927 - the world was rapt by the story of fourteen aviators, who took to the air to win the $25,000 that would be awarded to the first man to cross the Atlantic Ocean without stopping. In Atlantic Fever, Joe Jackson delves into the lives of the big-name competitors - the polar explorer Richard Byrd, the millionaire Charles Levine, and the enigmatic Charles Lindbergh, the race's eventual winner - as well as those whose names have been forgotten by history. Atlantic Fever is a spellbinding book that opens a new window into a moment when the nexus of technology, innovation, character, and spirit captured the imagination of the world.

"It's wonderful to read a book that ranges across music, cinema, music video art, and literature with such ease… One of the beautiful things about this book is that it is really attentive to relationships, and this is particularly clear when talking about Kahlil Joseph's creative mentors and comrades, including Arthur Jafa and Terrence Malick." -Tsitsi Ella Jaji, Helen S. Bevington Associate Professor of Modern Poetry; Associate Professor of African & African American Studies, Duke University, USAKahlil Joseph has collaborated with musicians FKA twigs, Flying Lotus, Sampha and Shabazz Palaces among many others. He has directed numerous films, music videos and advertisements across Africa, America and Europe. The award-winning filmmaker's disruptive style – which frequently merges visual representations of transcontinental experiences with the countercultural energies of Afrodiasporic music – challenges the Eurocentric biases underpinning Western media. At the same time, his works generate various contradictions and tensions because they are themselves products situated within an economic framework of neoliberal capitalism, at once offering alternative ways of being while, simultaneously, participating in and thereby sustaining the social structures that they otherwise seek to subvert and dismantle.This is the first book-length study of Kahlil Joseph's work. Distinguishing the artist's personal and professional personas, it traces Joseph's career trajectory and artistic output, emphasizing how the director's construction of a multifaceted filmmaking persona operates in tandem with his artworks to challenge fixed, unidimensional or stable notions of identity.Through biographical study and deep examinations of the director's respective transmedia artworks, this book draws from various discussions shaped by Paul Gilroy's ground-breaking text The Black Atlantic (1993). By applying The Black Atlantic's disruptive audiocentric ideas to contemporary digital media forms generated by Kahlil Joseph and his peers alike, this book challenges the latent Eurocentricity on which dominant theorizations of 'modernity' – as well as the overlapping fields of Film, Media and Screen Studies – are grounded. In turn, it offers an alternative framework for negotiating the paradoxes, contradictions and transnational flows of our media-saturated present: namely, the Audiovisual Atlantic.This book has been selected as runner up for Best First Monograph 2025 by BAFTSS (British Association of Film, Television and Screen Studies).

"It's wonderful to read a book that ranges across music, cinema, music video art, and literature with such ease… One of the beautiful things about this book is that it is really attentive to relationships, and this is particularly clear when talking about Kahlil Joseph's creative mentors and comrades, including Arthur Jafa and Terrence Malick." -Tsitsi Ella Jaji, Helen S. Bevington Associate Professor of Modern Poetry; Associate Professor of African & African American Studies, Duke University, USAKahlil Joseph has collaborated with musicians FKA twigs, Flying Lotus, Sampha and Shabazz Palaces among many others. He has directed numerous films, music videos and advertisements across Africa, America and Europe. The award-winning filmmaker's disruptive style – which frequently merges visual representations of transcontinental experiences with the countercultural energies of Afrodiasporic music – challenges the Eurocentric biases underpinning Western media. At the same time, his works generate various contradictions and tensions because they are themselves products situated within an economic framework of neoliberal capitalism, at once offering alternative ways of being while, simultaneously, participating in and thereby sustaining the social structures that they otherwise seek to subvert and dismantle.This is the first book-length study of Kahlil Joseph's work. Distinguishing the artist's personal and professional personas, it traces Joseph's career trajectory and artistic output, emphasizing how the director's construction of a multifaceted filmmaking persona operates in tandem with his artworks to challenge fixed, unidimensional or stable notions of identity.Through biographical study and deep examinations of the director's respective transmedia artworks, this book draws from various discussions shaped by Paul Gilroy's ground-breaking text The Black Atlantic (1993). By applying The Black Atlantic's disruptive audiocentric ideas to contemporary digital media forms generated by Kahlil Joseph and his peers alike, this book challenges the latent Eurocentricity on which dominant theorizations of 'modernity' – as well as the overlapping fields of Film, Media and Screen Studies – are grounded. In turn, it offers an alternative framework for negotiating the paradoxes, contradictions and transnational flows of our media-saturated present: namely, the Audiovisual Atlantic.This book has been selected as runner up for Best First Monograph 2025 by BAFTSS (British Association of Film, Television and Screen Studies).