Joe Street – författare

The Second Amendment, by far the most controversial amendment to the US Constitution, will soon celebrate its 225th anniversary. Yet, despite the amount of ink spilled over this controversy, the debate continues on into the 21st century. Initially written with a view towards protecting the nascent nation from more powerful enemies and preventing the tyranny experienced during the final years of British rule, the Second Amendment has since become central to discussions about the balance between security and freedom. It features in election contests and informs cultural discussions about race and gender.This book seeks to broaden the discussion. It situates discussion about gun controls within contemporary debates about citizenship, culture, philosophy and foreign policy as well as in the more familiar terrain of politics and history. It features experts on the Constitution as well as chapters discussing the symbolic importance of Annie Oakley, the role of firearms in race, and filmic representations of armed Hispanic girl gangs. It asks about the morality of gun controls and of not imposing them.The collection presents a balanced view between those who favour more gun controls and those who would prefer fewer of them. It is infused with the belief that through honest and open debate the often bitter cultural divide on the Second Amendment can be overcome and real progress made. It contains a diverse range of perspectives including, uniquely, a European perspective on this most American of issues.

From Aretha Franklin and James Baldwin to Dick Gregory and Martin Luther King, the civil rights movement deliberately used music, art, theater, and literature as political weapons to broaden the struggle and legitimize its appeal.Joe Street places these cultural forms at the center of the civil rights struggle, arguing that the time has come to recognize the extent to which African American history and culture were vital elements of the movement, calculated to broaden the movement's appeal within the larger black community. He places considerable emphasis on Amiri Baraka's interpretation of the importance of music and art to the development of black nationalist thought in the 1960s, especially as expressed in his jazz criticism and plays.Drawing upon a wide variety of sources, from the Free Southern Theater to freedom songs, from the Cuban radio broadcasts of Robert F. Williams to the art of the Black Panther Party, Street encourages us to consider the breadth of forces brought to bear as weapons in the struggle for civil rights. Doing so also allows us to reconsider the roots of Black Power, recognizing that it emerged both from within and as a critique of the southern integrationist movement.

The Shadow of Selma provides a comprehensive assessment of the 1965 civil rights campaign, the historical memory of the marches, and the continuing relevance of and challenges to the Voting Rights Act. The essays consider Selma not just as a keystone event but, much like Ferguson today, a transformative place: a supposedly unimportant location that became the focal point of epochal historical events.Contributors to this innovative volume examine the relationship between the memorable figures of the campaign?Martin Luther King Jr. and John Lewis, among others?and the thousands of other unheralded people who also crossed the Edmund Pettus Bridge on their way from Selma to Montgomery. They analyze networks that undergirded as well as opposed the movement, placing it in broader historical, political, and international contexts. Addressing the influential role of media representations from contemporary newspaper and television coverage to the 2014 Hollywood film by Ava DuVernay, several of the essays challenge the redemptive narrative that has shaped popular memory, one that glosses over ongoing racial problems.Finally, the volume explores the fifty-year legacy of the Voting Rights Act, with particular focus on Shelby County vs. Holder, which in 2013 seemed to suggest that the Act had solved the disfranchisement problems of the civil rights era and was outdated. Taken together, the essays argue that while today the obstacles to racial equality may look different than a literacy test or a grim-faced Alabama State Trooper, they are no less real.

Clint Eastwood’s Dirty Harry became the prototype for a new kind of movie cop—an antihero in pursuit of his own vision of justice. The Dirty Harry series helped cement Eastwood and his character, Harry Callahan, as central figures in 1970s and 1980s Hollywood cinema.In Dirty Harry’s America, Joe Street argues that the series sheds critical light on the culture and politics of the post-1960s era and locates San Francisco as the symbolic cultural battleground of the time. Street maintains that through referencing real events and political struggles, the films themselves became active participants in the culture wars, paying particular attention to the films’ representation of crime, family and community, sexuality, and race.Unapologetic carrier of right and might, Harry Callahan becomes America’s Ur-conservative: “unbending, moral, incorruptible, and most important, always right.” Long after the series, Callahan’s legacy remains strong in American political discourse, cinema, and pop culture, and he continues to shape Eastwood’s later political and cinematic career.

Clint Eastwood's Dirty Harry became the prototype for a new kind of movie cop—an antihero in pursuit of his own vision of justice. The Dirty Harry series helped cement Eastwood and his character, Harry Callahan, as central figures in 1970s and 1980s Hollywood cinema.In Dirty Harry's America, Joe Street argues that the movies shed critical light on the culture and politics of the post-1960s era and locates San Francisco as the symbolic cultural battleground of the time. Across the entire series, conservative anger and moral outrage confront elitist liberalism and moral relativism. Paying particular attention the films' representation of crime, family and community, sexuality, and race, Street maintains that through referencing real events and political struggles, the films themselves became active participants in the culture wars.Unapologetic carrier of right and might, Harry Callahan becomes America's Ur-conservative: “unbending, moral, incorruptible, and most important, always right.” Long after the series, Callahan's legacy remains strong in American political discourse, cinema, and pop culture, and he continues to shape Eastwood's later political and cinematic career.

The Shadow of Selma evaluates the 1965 civil rights campaign in Selma, Alabama, the historical memory of the campaign's marches, and the continuing relevance of and challenges to the Voting Rights Act. The contributors present Selma not just as a keystone event but, much like Ferguson today, as a transformative place: a supposedly unimportant location that became the focal point of epochal historical events. By shifting the focus from leaders like Martin Luther King Jr. to the thousands of unheralded people who crossed the Edmund Pettus Bridge-and the networks that undergirded and opposed them-this innovative volume considers the campaign's long-term impact and its place in history.The volume recalls the historical currents that surrounded Selma, discussing grassroots activism, the role of President Lyndon B. Johnson during the struggle for the Voting Rights Act, and the political reaction to Selma at home and abroad. Using Ava DuVernay's 2014 Hollywood film as a stepping stone, the editors bring together various essays that address the ways media-from television and newspaper coverage to "race beat" journalism-represented and reconfigured Selma. The contributors underline the power of misrepresentation in shaping popular memory and in fueling a redemptive narrative that glosses over ongoing racial problems. Finally, the volume traces the fifty-year legacy of the Voting Rights Act. It reveals the many subtle and overt methods by which opponents of racial equality attempted to undo the act's provisions, with a particular focus on the 2013 Shelby County v. Holder decision that eliminated sections of the act designed to prevent discrimination.Taken together, the essays urge readers not to be blind to forms of discrimination and injustice that continue to shape inequalities in the United States. They remind us that while today's obstacles to racial equality may look different from a literacy test or a grimfaced Alabama state trooper, they are no less real. Contributors: Alma Jean Billingslea Brown | Ben Houston | Peter Ling | Mark McLay | Tony Badger | Clive Webb | Aniko Bodroghkozy | Mark Walmsley | George Lewis | Megan Hunt | Devin Fergus | Barbara Harris Combs | Lynn Mie Itagaki

Black Revolutionaries is an accessible yet rigorously argued history of the Black Panther Party (BPP), one of the emblematic organizations of the 1960s. Joe Street highlights the complexity of the BPP’s history through three key themes: the BPP’s intellectual history, its political and social activism, and the persecution its members endured. Together, these themes confirm the BPP’s importance in understanding Black America’s response to white oppression in the 1960s and 1970s. Based on a wealth of archival material, Black Revolutionaries reveals the enduring importance of leftist political philosophy to 1960s and 1970s radicalism, and how the BPP helps us to understand more deeply the role of public space and public protest in the 1960s.Street shows how the BPP were key to the transformation of political activism in the post-civil rights era. As the BPP faced the psychological and organizational impacts of FBI surveillance, police repression, and imprisonment, Street examines how these negative forces helped to shape and destroy the BPP. Most significantly, Black Revolutionaries demonstrates that an understanding of African American grassroots politics and protest, racial injustice, and police brutality in the post-civil rights era is only comprehensible through engagement with the BPP’s history.

Black Revolutionaries is an accessible yet rigorously argued history of the Black Panther Party (BPP), one of the emblematic organizations of the 1960s. Joe Street highlights the complexity of the BPP’s history through three key themes: the BPP’s intellectual history, its political and social activism, and the persecution its members endured. Together, these themes confirm the BPP’s importance in understanding Black America’s response to white oppression in the 1960s and 1970s. Based on a wealth of archival material, Black Revolutionaries reveals the enduring importance of leftist political philosophy to 1960s and 1970s radicalism, and how the BPP helps us to understand more deeply the role of public space and public protest in the 1960s.Street shows how the BPP were key to the transformation of political activism in the post-civil rights era. As the BPP faced the psychological and organizational impacts of FBI surveillance, police repression, and imprisonment, Street examines how these negative forces helped to shape and destroy the BPP. Most significantly, Black Revolutionaries demonstrates that an understanding of African American grassroots politics and protest, racial injustice, and police brutality in the post-civil rights era is only comprehensible through engagement with the BPP’s history.

The Second Amendment, by far the most controversial amendment to the US Constitution, will soon celebrate its 225th anniversary. Yet, despite the amount of ink spilled over this controversy, the debate continues on into the 21st century. Initially written with a view towards protecting the nascent nation from more powerful enemies and preventing the tyranny experienced during the final years of British rule, the Second Amendment has since become central to discussions about the balance between security and freedom. It features in election contests and informs cultural discussions about race and gender.This book seeks to broaden the discussion. It situates discussion about gun controls within contemporary debates about citizenship, culture, philosophy and foreign policy as well as in the more familiar terrain of politics and history. It features experts on the Constitution as well as chapters discussing the symbolic importance of Annie Oakley, the role of firearms in race, and filmic representations of armed Hispanic girl gangs. It asks about the morality of gun controls and of not imposing them.The collection presents a balanced view between those who favour more gun controls and those who would prefer fewer of them. It is infused with the belief that through honest and open debate the often bitter cultural divide on the Second Amendment can be overcome and real progress made. It contains a diverse range of perspectives including, uniquely, a European perspective on this most American of issues.

Identifies in 'Silicon Valley Cinema' a recent trend in twenty-first century Hollywood filmReveals how 'Silicon Valley Cinema' builds upon previous Hollywood trendsAnalyses three distinct subtrends in 'Silicon Valley Cinema': biopics, films about the workplace, and science fiction action films, all of which are set in Silicon ValleyDemonstrates how this trend interrogates Silicon Valley's development, impact on our present world, and its potential to determine our human futureSilicon Valley corporations such as Facebook, Google, and Apple now dominate our daily lives to the extent that they might even be dictating the entire future of humanity. The 2010s saw a sequence of Hollywood films debate how these corporations achieved this position of dominance. This sequence included biopics of key Silicon Valley figures Mark Zuckerberg and Steve Jobs, science fiction action extravaganzas like Rise of the Planet of the Apes, Venom, and Terminator: Genisys, the dystopian thriller The Circle, and extended to The Internship and Why Him?, whimsical comedies that warned us of the profound dangers of Silicon Valley capitalism. Silicon Valley Cinema argues that these films undercut the messianic pretensions of our Silicon Valley overlords and encourage us to end our immersion in Silicon Valley's technotopia. Releasing ourselves from Silicon Valley's grip, they suggest, will make our working lives more pleasurable, our world a better place, and might even avert a cataclysmic war with genetically enhanced apes or a robot-led apocalypse.