Johannes Fehrle – författare

This collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies. The contributions take the most prominent methods within the field to offer reconsiderations of theoretical concepts and practices in participatory culture, transmedia franchises, and new media adaptations. The authors discuss phenomena ranging from mash-ups of novels and YouTube cover songs to negotiations of authorial control and interpretative authority between media producers and fan communities to perspectives on the fictional and legal framework of brands and franchises. In this fashion, the collection expands the horizons of both adaptation and transmedia studies and provides reassessments of frequently discussed (BBC’s Sherlock or the LEGO franchise) and previously largely ignored phenomena (self-censorship in transnational franchises, mash-up novels, or YouTube cover videos).

Much has been written about the prospects of automation in recent years. While many have raised concerns over the threat of technological mass unemployment, others have anticipated a fully automated communist utopia which will provide material abundance to everyone. (De)Automating the Future gathers chapters that critically investigate automation’s ambivalences from inter-disciplinary Marxist perspectives. The contributions raise questions about automation’s affordances for postcapitalism, its transformation of manual and mental labour, and its role in the intensification of class antagonisms and exploitation.

This collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies. It expands the horizons of both adaptation and transmedia studies, providing reassessments of frequently discussed (BBC's Sherlock or the LEGO franchise) and the previously largely ignored.