John A. McCarthy – författare
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12 produkter
12 produkter
Inbunden, Engelska, 1989
1 390 kr
Skickas inom 10-15 vardagar
Crossing Boundaries focuses on the intellectual and social factors that led to the emergence and first flowering of the German essay. John McCarthy challenges traditional ways of thinking about literature by concentrating on the impact of Enlightenment philosophy, rhetoric, genre theory, and literary life on the evolution of essayistic writing in German.Taking issue with the commonly held view that the German essay did not evolve until after 1750-and then only under the influence of French and British models-McCarthy argues that Enlightenment skepticism and the social ideas of the galant homme spawned an early native form. Varieties of that form, a kind of writing the author terms "essayism," were pervasive, extending into a variety of genres in the hands of writers such as Leibniz, Lessing, Goethe, Schiller, and Schlegel. He combines in-depth analyses of representative essays with unique adaptations of recent developments in literary theory, intellectual history, literary history, and social history.McCarthy's argument is centrally concerned with the critical reexamination of the categories of knowledge and of the means of disseminating information that characterized eighteenth-century thought. The essay, an experimental form that crosses boundaries of discipline and genre, is derived from this new emphasis and is the clearest reflection of the dialectic interplay among thinking, writing, and reading. It is also, as such, the genre or mode most closely related to Enlightenment philosophy itself.
Häftad, Engelska, 1996
649 kr
Skickas inom 5-8 vardagar
E-bok
PDF, Engelska, 20161 932 kr
Läs direkt efter köp
Crossing Boundaries focuses on the intellectual and social factors that led to the emergence and first flowering of the German essay. John McCarthy challenges traditional ways of thinking about literature by concentrating on the impact of Enlightenment philosophy, rhetoric, genre theory, and literary life on the evolution of essayistic writing in German.Taking issue with the commonly held view that the German essay did not evolve until after 1750—and then only under the influence of French and British models—McCarthy argues that Enlightenment skepticism and the social ideas of the galant homme spawned an early native form. Varieties of that form, a kind of writing the author terms "essayism," were pervasive, extending into a variety of genres in the hands of writers such as Leibniz, Lessing, Goethe, Schiller, and Schlegel. He combines in-depth analyses of representative essays with unique adaptations of recent developments in literary theory, intellectual history, literary history, and social history.McCarthy''s argument is centrally concerned with the critical reexamination of the categories of knowledge and of the means of disseminating information that characterized eighteenth-century thought. The essay, an experimental form that crosses boundaries of discipline and genre, is derived from this new emphasis and is the clearest reflection of the dialectic interplay among thinking, writing, and reading. It is also, as such, the genre or mode most closely related to Enlightenment philosophy itself.
Inbunden, Engelska, 2004
1 960 kr
Skickas inom 3-6 vardagar
With the fall of the Berlin Wall and the shifting of American foreign policy away from "old" Europe, long-established patterns of interaction between Germany and the U.S. have come under review. Although seemingly disconnected from the cultural and intellectual world, political developments were not without their influence on the humanities and their curricula during the past century. In retrospect, we can speak of the many different roles Germany has played in American eyes. The Many Faces of Germany seeks to acknowledge the importance of those incarnations for the study of German culture and history on both sides of the Atlantic. One of the major questions raised by the contributors is whether the transformations in the transatlantic dynamics and in the importance of Germany for the U.S. have had a major influence on the study of things German in the U.S. internally. The volume gathers together leading voices of the older and younger generations of social historians, literary scholars, film critics, and cultural historians.
E-bok
PDF, 2004393 kr
Läs direkt efter köp
With the fall of the Berlin Wall and the shifting of American foreign policy away from "e;old"e; Europe, long-established patterns of interaction between Germany and the U.S. have come under review. Although seemingly disconnected from the cultural and intellectual world, political developments were not without their influence on the humanities and their curricula during the past century. In retrospect, we can speak of the many different roles Germany has played in American eyes. The Many Faces of Germany seeks to acknowledge the importance of those incarnations for the study of German culture and history on both sides of the Atlantic. One of the major questions raised by the contributors is whether the transformations in the transatlantic dynamics and in the importance of Germany for the U.S. have had a major influence on the study of things German in the U.S. internally. The volume gathers together leading voices of the older and younger generations of social historians, literary scholars, film critics, and cultural historians.
E-bok
PDF, Tyska, 20131 544 kr
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Del 51 - Studien Und Texte Zur Sozialgeschichte der Literatur
Zensur und Kultur
Inbunden, Tyska, 1995
1 688 kr
Skickas inom 5-8 vardagar
Del 189 - Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft
Early History of Embodied Cognition 1740-1920
The Lebenskraft-Debate and Radical Reality in German Science, Music, and Literature
Inbunden, Engelska, 2016
2 170 kr
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This pioneering book evaluates the early history of embodied cognition. It explores for the first time the life-force (Lebenskraft) debate in Germany, which was manifest in philosophical reflection, medical treatise, scientific experimentation, theoretical physics, aesthetic theory, and literary practice esp. 1740-1920. The history of vitalism is considered in the context of contemporary discourses on radical reality (or deep naturalism). We ask how animate matter and cognition arise and are maintained through agent-environment dynamics (Whitehead) or performance (Pickering). This book adopts a nonrepresentational approach to studying perception, action, and cognition, which Anthony Chemero designated radical embodied cognitive science. From early physiology to psychoanalysis, from the microbiome to memetics, appreciation of body and mind as symbiotically interconnected with external reality has steadily increased. Leading critics explore here resonances of body, mind, and environment in medical history (Reil, Hahnemann, Hirschfeld), science (Haller, Goethe, Ritter, Darwin, L. Büchner), musical aesthetics (E.T.A. Hoffmann, Wagner), folklore (Grimm), intersex autobiography (Baer), and stories of crime and aberration (Nordau, Döblin). Science and literature both prove to be continually emergent cultures in the quest for understanding and identity. This book will appeal to intertextual readers curious to know how we come to be who we are and, ultimately, how the Anthropocene came to be.
Del 90 - Amsterdamer Beiträge zur neueren Germanistik
Shakespeare as German Author
Reception, Translation Theory, and Cultural Transfer
Inbunden, Engelska, 2018
1 982 kr
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Shakespeare as German Author, edited by John McCarthy, revisits in particular the formative phase of German Shakespeare reception 1760-1830. Following a detailed introduction to the historical and theoretical parameters of an era in search of its own literary voice, six case studies examine Shakespeare’s catalytic role in reshaping German aesthetics and stage production. They illuminate what German speakers found so appealing (or off-putting) about Shakespeare’s spirit, consider how translating it nurtured new linguistic and aesthetic sensibilities, and reflect on its relationship to German Geist through translation and cultural transfer theory. In the process, they shed new light, e.g., on the rise of Hamlet to canonical status, the role of women translators, and why Titus Andronicus proved so influential in twentieth-century theater performance.Contributors are: Lisa Beesley, Astrid Dröse, Johanna Hörnig, Till Kinzel, John A. McCarthy, Curtis L. Maughan, Monika Nenon, Christine Nilsson.
E-bok
PDF, Engelska, 20242 268 kr
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Early 20th-century literary critics Joseph Collins, Hermann Hesse, and Percy Lubbock concluded that the pages of a book present a succession of moments that the reader visualizes and reinterprets. They feared that few would actually commit themselves to memory, and that most were likely to soon disappear. As you turn these pages, you will (re)discover the value of the literary canon through the Self. My objective is to examine how the Self is formed, lost, and regained through creative strategies that confront and define its shapes and distortions on nearly every page of a canonical work. You can consider Confronting / Defining the Self: Formation and Dissolution of the 'I' from La Fayette to Grass as offering an apology for the study of literature and the humanities in an era when technology and commerce dominate our consciousness, drive our daily expectations, and shape our career goals.
Del 97 - Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft
Remapping Reality
Chaos and Creativity in Science and Literature (Goethe – Nietzsche – Grass)
Häftad, Engelska, 2006
1 782 kr
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This book is about intersections among science, philosophy, and literature. It bridges the gap between the traditional “cultures” of science and the humanities by constituting an area of interaction that some have called a “third culture.” By asking questions about three disciplines rather than about just two, as is customary in research, this inquiry breaks new ground and resists easy categorization. It seeks to answer the following questions: What impact has the remapping of reality in scientific terms since the Copernican Revolution through thermodynamics, relativity theory, and quantum mechanics had on the way writers and thinkers conceptualized the place of human culture within the total economy of existence? What influence, on the other hand, have writers and philosophers had on the doing of science and on scientific paradigms of the world? Thirdly, where does humankind fit into the total picture with its uniquely moral nature? In other words, rather than privileging one discipline over another, this study seeks to uncover a common ground for science, ethics, and literary creativity.Throughout this inquiry certain nodal points emerge to bond the argument cogently together and create new meaning. These anchor points are the notion of movement inherent in all forms of existence, the changing concepts of evil in the altered spaces of reality, and the creative impulse critical to the literary work of art as well as to the expanding universe. This ambitious undertaking is unified through its use of phenomena typical of chaos and complexity theory as so many leitmotifs. While they first emerged to explain natural phenomena at the quantum and cosmic levels, chaos and complexity are equally apt for explaining moral and aesthetic events. Hence, the title “Remapping Reality” extends to the reconfigurations of the three main spheres of human interaction: the physical, the ethical, and the aesthetic or creative.
E-bok
PDF, Engelska, 20062 180 kr
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This book is about intersections among science, philosophy, and literature. It bridges the gap between the traditional "e;cultures"e; of science and the humanities by constituting an area of interaction that some have called a "e;third culture."e; By asking questions about three disciplines rather than about just two, as is customary in research, this inquiry breaks new ground and resists easy categorization. It seeks to answer the following questions: What impact has the remapping of reality in scientific terms since the Copernican Revolution through thermodynamics, relativity theory, and quantum mechanics had on the way writers and thinkers conceptualized the place of human culture within the total economy of existence? What influence, on the other hand, have writers and philosophers had on the doing of science and on scientific paradigms of the world? Thirdly, where does humankind fit into the total picture with its uniquely moral nature? In other words, rather than privileging one discipline over another, this study seeks to uncover a common ground for science, ethics, and literary creativity.Throughout this inquiry certain nodal points emerge to bond the argument cogently together and create new meaning. These anchor points are the notion of movement inherent in all forms of existence, the changing concepts of evil in the altered spaces of reality, and the creative impulse critical to the literary work of art as well as to the expanding universe. This ambitious undertaking is unified through its use of phenomena typical of chaos and complexity theory as so many leitmotifs. While they first emerged to explain natural phenomena at the quantum and cosmic levels, chaos and complexity are equally apt for explaining moral and aesthetic events. Hence, the title "e;Remapping Reality"e; extends to the reconfigurations of the three main spheres of human interaction: the physical, the ethical, and the aesthetic or creative.