John A. Rice – författare
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14 produkter
14 produkter
1 228 kr
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Best-known as Mozart's envious nemesis, Antonio Salieri was actually among the leading opera composers of his age. Research in Vienna and a close study of his scores reveal him to have been a prolific, versatile and adventurous composer for the stage. Showing the rich musical and personal history ignored by the Salieri's stereotyped image, this study seeks to restore his musical reputation, and identifies certain orchestration, melodic style and form as distinctly "Salierian"; others are typical of Viennese opera in general. The book aims to bring Salieri, his operas and 18th-century Viennese theatre to life, and includes numerous excerpts from his works, most of them previously unpublished.
545 kr
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This study uncovers how Saint Cecilia came to be closely associated with music and musicians.Until the fifteenth century, Saint Cecilia was not connected with music. She was perceived as one of many virgin martyrs, with no obvious musical skills or interests. During the next two centuries, however, she inspired many musical works written in her honor and a vast number of paintings that depicted her singing or playing an instrument. In this book, John A. Rice argues that Cecilia’s association with music came about in several stages, involving Christian liturgy, visual arts, and music. It was fostered by interactions between artists, musicians, and their patrons and the transfer of visual and musical traditions from northern Europe to Italy. Saint Cecilia in the Renaissance explores the cult of the saint in Medieval times and through the sixteenth century when musicians’ guilds in the Low Countries and France first chose Cecilia as their patron. The book then turns to music and the explosion of polyphonic vocal works written in Cecilia’s honor by some of the most celebrated composers in Europe. Finally, the book examines the wealth of visual representations of Cecilia especially during the Italian Renaissance, among which Raphael’s 1515 painting, The Ecstasy of Saint Cecilia, is but the most famous example. Thoroughly researched and beautifully illustrated in color, Saint Cecilia in the Renaissance is the definitive portrait of Saint Cecilia as a figure of musical and artistic inspiration.
583 kr
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Anthology for Music in the Eighteenth Century, part of the Western Music in Context series, is the ideal companion to Music in the Eighteenth Century. Twenty-nine carefully chosen works—including a piano sonata by Anna Bon, liturgical music by Ignacio de Jerusalem, and movements from Haydn symphonies—offer representative examples of genres and composers of the period. Commentaries following each score present a careful analysis of the music, and online links to purchase and download recordings make listening easier than ever.
583 kr
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John Rice's Music in the Eighteenth Century takes the reader on an engrossing Grand Tour of Europe's musical centers, from Naples, to London, Berlin, Vienna, Prague, and St. Petersburg —with a side trip to the colonial New World. Against the backdrop of Europe's largely peaceful division into Catholic and Protestant realms, Rice shows how "learned" and "galant" styles developed and commingled. While considering Mozart, Haydn, and early Beethoven in depth, he broadens his focus to assess the contributions of lesser-known but significant figures like Johann Adam Hiller, Francois-André Philidor, and Anna Bon.Western Music in Context: A Norton History comprises six volumes of moderate length, each written in an engaging style by a recognized expert. Authoritative and current, the series examines music in the broadest sense—as sounds notated, performed, and heard—focusing not only on composers and works, but also on broader social and intellectual currents.
355 kr
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Presenting a fresh approach to Mozart's achievements as a composer for the stage, John A. Rice outlines the composer's place in the operatic culture of his time. The book tells the story of how Mozart's operas came into existence, following the processes that Mozart went through as he brought his operas from commission to performance. Chapters trace the fascinating series of interactions that took place between Mozart and librettists, singers, stage designers, orchestras, and audiences. In linking the operas by topic, Rice emphasizes what Mozart's operas have in common, regardless of when he wrote them and the genres to which they belong. Overall, the book demonstrates how Mozart's entire operatic oeuvre is the product of a single extraordinary mind and a single pan-European operatic culture.
668 kr
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This is a study of the musical activities of Empress Marie Therese, one of the most important patrons in the Vienna of Haydn and Beethoven. Building on extensive archival research, including many documents published here for the first time, John A. Rice describes Marie Therese's activities as commissioner, collector and performer of music, and explores the rich and diverse musical culture that she fostered at court. This book, which will be of interest to musicologists, historians of artistic patronage and taste, and practitioners of women's studies, elucidates this remarkable woman's relations with a host of professional musicians, including Haydn, and argues that she played a significant and hitherto unsuspected role in the inception of one of the era's greatest masterpieces, Beethoven's Fidelio. Other composers discussed include Domenico Cimarosa, Joseph Eybler, Michael Haydn, Johann Simon Mayr, Ferdinando Paer, Antonio Salieri, Joseph Weigl and Paul Wranitzky.
291 kr
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This is the first book to be devoted to Mozart's opera, La clemenza di Tito. Rice considers the opera from a variety of historical and critical viewpoints. Tito is a political opera. The author examines its origins in the politically unstable Habsburg Empire of 1791, interpreting it as a response to revolutionary threats both inside and outside the empire. Tito is also a literary opera: much of its dramatic power lies in its libretto. Rice analyses Metastasio's libretto and the revised version that Mozart set. The volume explores aspects of Mozart's compositional process, the premiere in Prague, and subsequent critical reception through the nineteenth and twentieth centuries. In a concluding chapter, Rice reviews recent performances as well as scholarly research that sheds light on the interpretation of the opera. The volume, which contains illustrations of recent productions, a discography, and a bibliography, will be of interest to students, scholars and opera-goers.
601 kr
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Presenting a fresh approach to Mozart's achievements as a composer for the stage, John A. Rice outlines the composer's place in the operatic culture of his time. The book tells the story of how Mozart's operas came into existence, following the processes that Mozart went through as he brought his operas from commission to performance. Chapters trace the fascinating series of interactions that took place between Mozart and librettists, singers, stage designers, orchestras, and audiences. In linking the operas by topic, Rice emphasizes what Mozart's operas have in common, regardless of when he wrote them and the genres to which they belong. Overall, the book demonstrates how Mozart's entire operatic oeuvre is the product of a single extraordinary mind and a single pan-European operatic culture.
1 544 kr
Skickas inom 7-10 vardagar
This is a study of the musical activities of Empress Marie Therese, one of the most important patrons in the Vienna of Haydn and Beethoven. Building on extensive archival research, including many documents published here for the first time, John A. Rice describes Marie Therese's activities as commissioner, collector and performer of music, and explores the rich and diverse musical culture that she fostered at court. This book, which will be of interest to musicologists, historians of artistic patronage and taste, and practitioners of women's studies, elucidates this remarkable woman's relations with a host of professional musicians, including Haydn, and argues that she played a significant and hitherto unsuspected role in the inception of one of the era's greatest masterpieces, Beethoven's Fidelio. Other composers discussed include Domenico Cimarosa, Joseph Eybler, Michael Haydn, Johann Simon Mayr, Ferdinando Paer, Antonio Salieri, Joseph Weigl and Paul Wranitzky.
3 116 kr
Skickas inom 10-15 vardagar
The study of opera in the second half of the eighteenth century has flourished during the last several decades, and our knowledge of the operas written during that period and of their aesthetic, social, and political context has vastly increased. This volume explores opera and operatic life of the years 1750-1800 through a selection of articles intended to represent the last few decades of scholarship in all its excitement and variety.
340 kr
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Thirteen classic ghost stories for the spooky season, illustrated with hauntingly beautiful artworks painted on autumn leavesFeatures a deluxe binding in real cloth, with foil stamping and a tip-onIn October Shadows, artist John A. Rice brings to life classic ghost stories, using autumn leaves as his canvas. Each of the thirteen tales—by authors including Washington Irving, Edgar Allen Poe, and Edith Nesbit—explores the unexplained and the macabre, tapping into our worst fears and the darker side of human nature while exploring the supernatural mysteries that connect all our lives. This is the perfect book for curling up in front of a fire on a chilly night, when the moon is high, the wind whispers in the trees, and ominous shadows lurk around every corner.Every story in October Shadows is illustrated with an original artwork executed on an autumn leaf. Each artwork is shown twice: once at the beginning of the story, and once at the end, transformed—like the face of a jack-o’-lantern—by backlighting, the light bleeding through the leaf and transforming the colors to an eerie and haunting effect.Like a relic from another era, October Shadows features a deluxe binding in real cloth, with foil stamping and a tip-on. By breathing new life into timeless stories and reimagining them with Rice’s unique approach, this anthology is poised to become an essential autumn classic—a book for Halloween and for cozy, spooky reading all year round.
Temple of Night at Schonau
Architecture, Music, and Theater in a Late Eighteenth-Century Viennese Garden, Memoirs, American Philosophical Society (vol. 258)
Inbunden, Engelska, 2006
675 kr
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488 kr
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The study of opera in the second half of the eighteenth century has flourished during the last several decades, and our knowledge of the operas written during that period and of their aesthetic, social, and political context has vastly increased. This volume explores opera and operatic life of the years 1750-1800 through a selection of articles intended to represent the last few decades of scholarship in all its excitement and variety.
Del 77 - Eastman Studies in Music
Marianna Martines
A Woman Composer in the Vienna of Mozart and Haydn
Inbunden, Engelska, 2010
1 763 kr
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Examines the life and compositional oeuvre of prolific eighteenth century musician, composer, and singer Marianna Martines (1744-1813).Marianna Martines (1744-1813) was one of the most accomplished, prolific, and highly honored female musicians of the eighteenth century. She spent most of her life in a remarkable household that included celebrated librettist Pietro Metastasio, who supervised her education and remained a powerful and supportive mentor. She studied with the young Joseph Haydn, and Vienna knew her as a gifted, aristocratic singer and keyboard player who performed for the pleasure of the Empress Maria Theresa. The regular private concerts she held in her home attracted the presence and participation of some of Vienna's leading musicians; Mozart enjoyed playing keyboard duets with her. She composed prolifically and in a wide variety of genres, vocal and instrumental, writing church music, oratorios, Italian arias, sonatas, and concertos. Much of that music survives, and those who study it, perform it, and listen to it will be impressed today by its craftsmanship and beauty.This book, the first volume fully devoted to Martines, examines her life and compositional oeuvre. Based largely on eighteenth-century printed sources, archival documents, and letters [including several by Martines herself, most of them published here for the first time] the book presents a detailed picture of the small but fascinating world in which she lived and demonstrates the skillfulness and creativity with which she manipulated the conventions of the gallant style. Focusing on a limited number of representative works, and using many musical examples, it vividly conveys the nature and extent of her compositional achievementand encourages the future performance of her works.The late Irving Godt was Professor of Music at Indiana University of Pennsylvania. John A. Rice, independent scholar, is a member of the Akademie für Mozart-Forschungin Salzburg.