John Allman – författare

The genetic correlates of neuropsychiatric disorders are now known, but none have come close to explaining the great variety of human psychiatric illnesses. This volume, written by a neuropsychiatrist and an evolutionary biologist, offers a new paradigm for understanding these disorders. Proposing that neuronal pathways which underlie neuropsychiatric conditions mirror unique human capabilities, the authors iterate a new paradigm by which to understand human psychiatric illnesses. Human capabilities such as theory of mind, language, and complex social behaviors are explored through their histological, neuroanatomical and functional brain imaging correlates.The capacity for representation, the authors suggest, is central to the understanding of the human brain. Brain structures such as the frontal pole, temporal pole, and fronto-insular cortex are highly developed in humans and are associated with representation. Other brain regions, including the dorsal anterior cingulate cortex, auditory cortex, and hippocampus, are linked with directed effort while the ventral anterior cingulate cortex, orbital frontal cortex, and amygdala are related to emotional encoding. Both networks interact with representional regions and the dorsolateral prefrontal cortex. Conditions like schizophrenia may result, in part, from a failure of the networks associated with directed effort while bipolar disorders may arise from a failure of networks associated with emotional encoding. Similarly, autism may result from a failure of representational brain regions; frontotemporal dementia may be associated with failure of several discrete networks in later life. From this perspective, neuropsychiatric disorders are selective failures of brain networks involved in the integration of cognition, affect and perception. A better understanding of these brain networks will assist psychiatric and mental health researchers in the search for environmental factors and genetic correlates of disorders as well as aid in the development of more effective treatments for these diseases. This volume will be of interest to psychiatrists, neurologists, psychologists, biologists, and imaging scientists--anyone who has ever wondered what makes the human brain human.

Describing this collection of his poems, John Allman writes, "It is a book about the inner and outer worlds, a collection of multiple voices and relationships. In one sense it is about suffering, family, and survival. However, it is also about a world beyond such things, where identity burns by itself, where the self-changes but never dies. The book says that only change happens, but that survival without will and compassion is meaningless. The title, taken from a line in one of the book's ritual lyrics, suggests the four dimensions of human consciousness and effort, and the book strives to name or embody as many landscapes as possible--though it is the 'vertical' one given to religion and death that remains an abiding puzzle." Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Describing this collection of his poems, John Allman writes, "It is a book about the inner and outer worlds, a collection of multiple voices and relationships. In one sense it is about suffering, family, and survival. However, it is also about a world beyond such things, where identity burns by itself, where the self-changes but never dies. The book says that only change happens, but that survival without will and compassion is meaningless. The title, taken from a line in one of the book's ritual lyrics, suggests the four dimensions of human consciousness and effort, and the book strives to name or embody as many landscapes as possible--though it is the 'vertical' one given to religion and death that remains an abiding puzzle." Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The author describes his characters as people who, though they earn little money, are not quite working poor—nor can they work without working hard. They do not know quite how to betray or abandon each other.  Mostly, they try to love anddo not readily shy from duty. Though Allman’s narratives run from starknaturalism to the near magical and the out-and-out futuristic, his imagination holds to the everyday—as if to say to his readers: Yes, lifeis grim, but it is precisely the unbearable that becomes the ground forhealing.

An evocative, often mischievous remembrance and reinvention by the poet of his youth in the New York City of the '40s and '50s. In Loew's Triboro, John Allman's fourth collection of poems with New Directions, the poet recalls the movie palace in Astoria, Queensone of the five boroughs of New York Cityand its centrality to the lives and fantasies of the people in the neighborhood. In a combination of prose poems and free verse, sometimes darkly funny, Allman juxtaposes vignettes from the streets of Astoria with the movies of the period, revisioning such film noir classics as The Postman Always Rings Twice, Double Indemnity, and The Asphalt Jungle. The book itself becomes a narrative place where real and cinematic lives interact, where movies are the engines of history and myth and the motif of journey is implicit from the first poem to the last.