John Baxter – författare

The most complete account yet of one of the most original and stimulating film-makers of the post-war years: Paths of Glory, Dr Strangelove, Lolita, 2001: A Space Odyssey, A Clockwork Orange, The Shining, Barry Lindon, Full Metal Jacket …A biography of this pre-eminent cultural figure is long overdue. Few film-makers have managed to maintain their mystique over forty years; Kubrick succeeded by preparing his films for years, so that each distilled the essence of the zeitgeist. To the generation of the 1950s, he was one of the few directors to achieve, with Paths of Glory, the dignity and stature of the European cinema in an American film. To 1960s audiences, he’s the man who made both Dr Strangelove, the ultimate anti-war movie, and the counter-culture classic 2001: A Space Odyssey. In the 1970s he created that archetypal hymn to urban violence, A Clockwork Orange. In the 1980s, he put Stephen King on screen in The Shining.In continental Europe especially, Kubrick is regarded as one of the handful of great living film-makers. Born in the Bronx in 1928 of Central European stock, Kubrick still lives in moody seclusion in Borehamwood, where he bought a house soon after moving to the UK in 1961.

The first major biography (since 1983) of the great movie mogul George Lucas, whose marketing techniques have transformed the film business. His fourth Star Wars film, The Phantom Menace, released in 1999, was perhaps the most eagerly awaited cinematic event of all time.George Lucas is one of the most innovative bigtime players on the movie scene. His three Star Wars films and the trio featuring the action hero Indiana Jones (all six of which Lucas conceived, produced and co-wrote) comprise the most popular group of films ever made. To finance them, he masterminded a revolutionary redrawing of the financial agreements under which films were produced in Hollywood, snatching away control of funding, intellectual content and the distribution of profits from studios, and placing them in the hands of the film-makers themselves.Yet Lucas remains (like Stanley Kubrick, the subject of John Baxter’s recent biography) an enigma and a recluse. He has specially built the Skywalker Ranch a long way from Hollywood – a Victorian village community in a redwood forest where he and his friends can work in splendid isolation, free of studio pressure but with the highest technology.

Just as species of plants and animals are expiring at an alarming rate, so are the traditional ingredients and techniques of classic cooking and eating. Nowhere is this trend more evident than in France, where the heart of the world's most revered and complex national cuisine is in danger of disappearing, as old ways of agriculture, butchering, and cooking are withering - leaving us with only a small fraction of the astonishing delights and surprises French cuisine has to offer. In this charming culinary travel memoir, the bestselling author of "The Most Beautiful Walk in the World" goes on the hunt for the most delicious and bizarre endangered foods of France, including: Ortolans - Tiny birds, drowned in armagnac, sauteed in butter and eaten whole, bones and all, ideally with a large napkin draped over your head to conserve the aroma; Bouillabaisse - Seafood stew that only tastes right if you eat it by the Mediterranean.The secret is an ugly fish called the rascasse that lurks around wrecks; 100 Year-Old Cognac - The old stuff never gets to the shops, but Baxter's wife is friendly with one of the big distillers, so readers get a taste tour of what only millionaires can afford to drink; Confiture Vieux Garcon - Literally, Old Boy's Preserves. Soft fruit in season is placed in a crock, covered in brandy and left to marinate for a year. Traditionally served on ice cream, but a few spoonsful in the morning really set you up. Ox. The book culminates in Baxter's participation in a traditional ox roast, in which an enormous whole ox is cooked on a spit over coals. The recipe begins on a practical note: First, catch your ox...

A preeminent writer on Paris, John Baxter brilliantly brings to life one of the most dramatic and fascinating periods in the city's history. From 1914 through 1918 the terrifying sounds of World War I could be heard from inside the French capital. For four years, Paris lived under constant threat of destruction. And yet in its darkest hour, the City of Light blazed more brightly than ever. It's taxis shuttled troops to the front; its great railway stations received reinforcements from across the world; the grandest museums and cathedrals housed the wounded, and the Eiffel Tower hummed at all hours relaying messages to and from the front. At night, Parisians lived with urgency and without inhibition. Artists like Pablo Picasso achieved new creative heights. And the war brought a wave of foreigners to the city for the first time, including Ernest Hemingway and Baxter's own grandfather, Archie, whose diaries he used to reconstruct a soldier's-eye view of the war years. A revelatory achievement, Paris at the End of the World shows how this extraordinary period was essential in forging the spirit of the city beloved today.

The preeminent expat writer on Paris and author of The Most Beautiful Walk in the World takes you on an unforgettable nocturnal stroll through five iconic Parisian neighborhoods and his own memories. John Baxter enchanted readers with his literary tour of Paris in The Most Beautiful Walk in the World. Now, this expat who has lived in the City of Light for more than twenty years introduces you to the city's streets after dark, revealing hidden treasures and unexpected delights. As he takes you through five of the city's greatest neighborhoods-Montmartre, Montparnasse, the Marais, and more-Baxter shares pithy anecdotes about his life in France, as well as fascinating knowledge he has gleaned from leading literary tours of the city by dark.With Baxter as your guide, you will discover the City of Light as never before, walking in the ghostly footsteps of Marcel Proust, the quintessential night owl for whom memory was more vivid than reality; Hungarian photographer Gyula Halasz, known as Brassai, who prowled the midnight streets, camera in hand, with his friend Henry Miller; Louis Aragon and Philippe Soupault, who shared the Surrealists' taste for the city's shadowed, secret world; and Josephine Baker and other African-American performers who dazzled adventurous Parisians at late-night jazz clubs. A feast for the mind and the senses, Five Nights in Paris takes you through the haunts of Paris's most storied artists and writers to the scenes of its most infamous crimes in a lively off-the-beaten-path tour not found in any guidebook.

In the second portrait of his series Great Parisian Neighborhoods, award-winning raconteur John Baxter leads us on a whirlwind tour of Montmartre, the hill-top village that fired the greatest achievements of modern art while also provoking bloody revolution and the sexual misbehavior that made Paris synonymous with sin High on the northern edge of Paris, Montmartre has always attracted bohemians, political radicals, the searchers for artistic inspiration as well as those hungry for pleasure. In its winding, windmill-shadowed streets, which, only fifty years before, saw the anarchist rising of the Commune, Renoir, Picasso and van Gogh seized a similar freedom to remake painting, while, in the tenderloin of Pigalle, Toulouse-Lautrec drew the cancan dancers of the Moulin Rouge, celebrating a hedonism that titillated the world, In Montmartre, bestselling author and IACP Award winner John Baxter lifts the curtain on a district that visitors to Paris seldom see.From the tumbledown workshops of the Bateau Lavoir in which Picasso and Braque created Cubism to Clichy's Cabaret of Nothingness where guests dined at coffins under lamps of human bones, the whole of this mysterious enclave is ours to explore. For visitors and armchair travelers alike, Montmartre captures the excitement and scandal of a fascinating quarter that condenses the elusive perfumes, colors and songs of Paris.

The award-winning chronicler of life in Paris reveals the secrets of his home quarter, Saint-Germain-des-Pres A unique blend of history, memoir, and sightseeing essentials, Saint-Germain-des-Pres is a captivating "narrative guidebook" to one of Paris's iconic quarters by John Baxter, bestselling author of The Most Beautiful Walk in the World. Occupying less than a square mile along Paris's Left Bank, Saint-Germain-des-Pres, originally an independent village centered around the medieval abbey that lends the quarter its name, has for centuries been home to rebels of all stripes. Within its boundaries, the French Revolution was plotted, the guillotine invented, and in 1968 students revolted and clashed with police. Philosopher Descartes is buried here (sans skull), while Sartre, Camus, and de Beauvoir birthed existentialism around the tables of the legendary Cafe de Flore. Saint-Germain sheltered and inspired such artistic rebels as Picasso, Rimbaud, Hemingway, and scores of jazz musicians. Today, the neighborhood, with its cobblestone streets, iconic cafes, and unique shopping destinations, is one of Paris's premier tourist attractions.And yet it retains its rebel soul-if you know where to look. In this first book in his "Great Parisian Neighborhoods" series, Baxter, an expat who has called Saint-Germain home for more than two decades, guides readers on an off-the-beaten-path journey through the quarter's history, landmarks, and delights.

In the third portrait of his series Great Parisian Neighborhoods, award-winning raconteur John Baxter takes readers on a dazzling excursion of Montparnasse. By the IACP Award-winning author of the national bestseller The Most Beautiful Walk in the World, MONTPARNASSE reveals the history and present delights of the iconic neighborhood that is best associated with the vibrant 1920-30s-era Paris-a romantic time and place evoked in Hemingway's memoir A Moveable Feast and Henry Miller's Tropic of Cancer. From the first meeting of Hemingway and F. Scott Fitzgerald to their friendship's bitter conclusion; from the courage of the anti-Nazi resistance to the clubs where German generals partied; from the attempted murder of Samuel Beckett to the rise of Josephine Baker to stardom; from the high life of the Coupole and the Cafe du Dome to the bawdy music halls of rue de la Gaite; no Paris quarter has witnessed more tumultuous events than Montparnasse.In a ground-breaking reappraisal of this most glamorous of Paris's districts, Baxter looks beyond the nostalgia to the secret history of Montparnasse, a district where desire effaced memory and every taste could be satisfied-even those which were unexpressed. If, as Oscar Wilde suggested, all good Americans went to Paris when they died, it was Montparnasse that brought them back to life.

A NEW YORK TIMES "SUMMER READING" PICK!From the incomparable John Baxter, award-winning author of the bestselling The Most Beautiful Walk in the World, a sumptuous and definitive portrait of Paris through the seasons, highlighting the unique tastes, sights, and changing personality of the city in spring, summer, fall, and winter.When the common people of France revolted in 1789, one of the first ways they chose to correct the excesses of the monarchy and the church was to rename the months of the year. Selected by poet and playwright Philippe-Francois-Nazaire Fabre, these new names reflected what took place at that season in the natural world; Fructidor was the month of fruit, Floréal that of flowers, while the winter wind (vent) dominated Ventôse. Though the names didn’t stick, these seasonal rhythms of the year continue to define Parisians, as well as travelers to the city. As acclaimed author and long-time Paris resident John Baxter himself recollects, “My own arrival in France took place in Nivôse, the month of snow, and continued in Pluviôse, the season of rain. To someone coming from Los Angeles, where seasons barely existed, the shock was visceral. Struggling to adjust, I found reassurance in the literature, music, even the cuisine of my adoptive country, all of which marched to the inaudible drummer of the seasons.”Devoting a section of the book to each of Fabre’s months, Baxter draws upon Paris’s literary, cultural and artistic past to paint an affecting, unforgettable portrait of the city. Touching upon the various ghosts of Paris past, from Hemingway and Zelda Fitzgerald, to Claude Debussy to MFK Fisher to Francois Mitterrand, Baxter evokes the rhythms of the seasons in the City of Light, and the sense of wonder they can arouse for all who visit and live there.A melange of history, travel reportage, and myth, of high culture and low, A Year in Paris is vintage John Baxter: a vicarious thrill ride for anyone who loves Paris.

First published in 1980.At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare.

First published in 1980.At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare.

Nobody knows the city of light like Paris resident and travel writer John Baxter – and nobody is able to write about its culture quite so intriguingly. Let him guide you around the Paris you’ve always wanted to know.How was Ernest Hemingway received by the city he wrote so much about, and where did he rub shoulders with other literary greats? Are Parisian waiters really as rude as their reputation, and why do they race each other down the street in the annual Course des Garcons de Café? And where can you find fascinating remnants of the city’s history of violent revolution, jazz music, and bold artistic movements?From the reality of the city’s café culture and its literary luminaries, to some of its more curious landmarks, obscure events and unusual inhabitants, Untold Paris will give the first-time visitor a vivid impression of the city and offer seasoned travellers a new vision of the city they love.The people, the quirks, peculiarities, charms and eccentricities; the history and secrets. Welcome to the untold Paris.Praise for John Baxter's previous work:We'll Always Have Paris: Sex and Love in the City of Light – "towers above most recent memoirs of life abroad" Sunday Times.The Perfect Meal: In Search of the Lost Tastes of France – International Association of Culinary Professionals Award, “Full of humor, insight, and mouth-watering details… a delightful tour of traditional French culture and cuisine.” Travel and Leisure.  Eating Eternity: Food and Wine in the Art and Literature of France – "Gorgeous" New York Times

The hey-day of the British gypsy caravan was short, only about 70 years, during which period it grew from a simple utility vehicle, blossomed and flourished as a mobile work of art, then disappeared from common sight. These caravans were masterpieces of woodcraft and design, and the best of them cost as much as a small house. Unlike any small house, almost half the cost was in the decoration. This beautifully illustrated book presents the different types of caravan and the great variety of art which was carved and painted upon them and their brothers-in-transport, the old narrowboats. While there were certain rules and conventions of style, the decoration on and in all the types was ultimately governed only by how much money could be spent. The caravan in particular was the supreme status symbol among travelling people and its art the prime means for expressing where one stood in the world.

Aristotle's Poetics combines a complete translation of the Poetics with a running commentary, printed on facing pages, that keeps the reader in continuous contact with the linguistic and critical subtleties of the original while highlighting crucial issues for students of literature and literary theory. Whalley's unconventional interpretation emphasizes Aristotle's treatment of art as dynamic process rather than finished product. The volume includes two essays by Whalley in which he outlines his method and purpose. He identifies a deep congruence between Aristotle's understanding of mimesis and Samuel Taylor Coleridge's view of imagination. Whalley's new translation makes a major contribution to the study of not only the Poetics and tragedy but all literature and aesthetics.

Belligerent and evasive, Josef von Sternberg chose to ignore his illegitimate birth in Austria, deprived New York childhood, abusive father, and lack of education. The director who strutted onto the set in a turban, riding breeches, or a silk robe embraced his new persona as a world traveller, collected modern art, drove a Rolls Royce, and earned three times as much as the president. Von Sternberg traces the choices that carried the unique director from poverty in Vienna to power in Hollywood, including his eventual ostracism in Japan. Historian John Baxter reveals an artist few people knew: the aesthete who transformed Marlene Dietrich into an international star whose ambivalent sexuality and contradictory allure on-screen reflected an off-screen romance with the director.In his classic films The Blue Angel (1930), Morocco (1930), and Blonde Venus (1932), von Sternberg showcased his trademark visual style and revolutionary representations of sexuality. Drawing on firsthand conversations with von Sternberg and his son, Von Sternberg breaks past the classic Hollywood caricature to demystify and humanize this legendary director.