John Berra – författare

Celebrating Shanghai’s rich cinematic history, the films covered here represent a lengthy time period, from the first Golden Age of Chinese Cinema in the 1930s to the city’s status as an international production hub in 2013. Given the enduring status of Shanghai as the ''Paris of the East,'' World Film Locations: Shanghai emphasizes the city’s cosmopolitan glamour through locations that are steeped in cinematic exoticism, while also probing the reality behind the image by investigating its backstreets and residential zones. To facilitate this study of Shanghai’s dual identity through reference to film locations, the book includes films from both the commercial and independent sectors, with a balance between images captured by local filmmakers and the visions of Western directors who have also utilized the city for their projects. With numerous essays that reflect Shanghai’s relationship to film and scene reviews of such iconic titles as Street Angel, Temptress Moon, Kung Fu Hustle, and Skyfall, World Film Locations: Shanghai is essential reading for all scholars of China’s urban culture.

Like its predecessors, Directory of World Cinema: Japan 3 endeavours to move scholarly criticism of Japanese film out of the academy and into the hands of cinephiles the world over. This volume will be warmly welcomed by those with an interest in Japanese cinema that extends beyond its established names to equally remarkable filmmakers who have yet to receive such rigorous attention.

American independent cinema has been an important creative and cultural media entity for the past fifteen years. The approach of this sector is one of cultural construction that simultaneously provides a socio-political reference through which critics and audience can attach certain films to popular movements and ideas. Declarations of Independence questions the supposed autonomy of this cinema and asks if independent film can possibly survive in the face of the mass-production and profit of Hollywood. Berra’s text presents the reader with a unique structural approach to the subject matter with his arguments mirroring the actual film production process. He gives detailed insight into the core product with reference to specific films and studies of audiences and their enthusiasm for this type of alternative media. American Independent cinema continues to grow as a fashionable scene and Declarations of Independence analyses its popularity, economic viability and the production process of so-called ‘niche’ cinema. Berra uses directors such as Quentin Tarantino and Steven Soderberg as examples of those who have crossed successfully into the cultural mainstream, altering media and public perception. This comprehensive book is a useful resource for scholars as it gives an overview of the industry from conception of a film right though to festival exposure and public consumption. Berra also presents a strong academic argument and places the discussion of this increasingly popular genre within a wider socio-political context.

With high-profile Academy Award nominations and an increasing number of big-name actors eager to sign on to promising projects, independent films have been at the forefront in recent years like never before. But the roots of such critical and commercial successes as The Hurt Locker and Precious can be traced to the first boom of independent cinema in the 1960s, when a raft of talented filmmakers emerged to capture the attention of a rapidly growing audience of young viewers.

A thorough overview of a thriving sector of cultural production, the Directory of World Cinema: American Independent chronicles the rise of the independent sector as an outlet for directors who challenge the status quo, yet still produce accessible feature films that find wide audiences and enjoy considerable box office appeal, without sacrificing critical legitimacy. Key directors are interviewed and profiled, and a sizeable selection of films are referenced and reviewed. More than a dozen sub-genres – including African American cinema, queer cinema, documentary, familial dysfunction and exploitation – are individually considered, with an emphasis on their ability to exemplify and engage with tensions inherent in American society. Copious illustrations and a range of research resources round out the volume, making this a truly comprehensive guide.At a time when independent films are enjoying considerable cultural cachet, this easy-to-use yet authoritative guide will find an eager audience in media historians, film studies scholars and movie buffs alike.

Building on and bringing up to date the material presented in the first instalment of Directory of World Cinema: Japan, this volume continues the exploration of the enduring classics, cult favourites and contemporary blockbusters of Japanese cinema with new contributions from leading critics and film scholars. Among the additions to this volume are in-depth treatments of two previously unexplored genres – youth cinema and films depicting lower-class settings – considered alongside discussions of popular narrative forms, including J-Horror, samurai cinema, anime and the Japanese New Wave.

Accompanying the critical essays in this volume are more than 150 new film reviews, complemented by full-colour film stills, and significantly expanded references for further study. From the Golden Age to the film festival favourites of today, Directory of World Cinema: Japan 2 completes this comprehensive treatment of a consistently fascinating national cinema.

In a series of spotlight essays and illustrated scene reviews, a cast of seasoned scholars and fresh new voices explore the vast range of films – encompassing drama, madcap comedy, martial arts escapism and magical realism – that have been set in Beijing. Unveiling a city of hidden courtyards, looming skyscrapers and traditional Hutong neighbourhoods, these contributors depict a distinctive urban culture that reflects the conflict and tumult of a nation in transition. With considerations of everything from the back streets of Beijing Bicycle to the forbidden palace of The Last Emperor to the tourist park of The World, this volume is a definitive cinematic guide to an ever-changing and endlessly fascinating capital city.

Have you ever struggled with giants that stand in your way? Maybe you’re building a business but fear the uncertainty you face. You know you need to innovate, but you’re worried about the potential consequences of taking that next step. And like many leaders, you have a picture of success in your head, but you don’t know how to get to where you want to go. If this is where you are, this book is for you.

In Turning the Giant, John Berra shares his amazing life’s journey that took him from being a shy, uncertain university student to becoming the Chairman of Emerson Process Management. As someone who was voted into the Process Automation Hall of Fame, Berra writes from a place of authority and conviction. Because he has faced countless giants along his path, he knows what it takes to turn them.

Today, the challenges leaders face today are more complex than they have ever been. Giants such as technological advancement and global competition make it tough for the average business leader to survive. But it’s here that Berra’s challenge to “turn giants” is invaluable. Most giants leaders face will never be slain. They will always exist in some form. But rather than see them as a threat, great leaders realize it’s even more valuable to turn giants to their advantage.

Berra’s goal is to inspire a new generation of leaders to confront the complex challenges they face today. Yes, the technological challenges of today are different than Berra faced in the 1990s, but the principles for turning giants remain the same. Every leader faces the giants of corporate bureaucracy, self-doubt, innovation, skepticism, competition, and success. But it’s up to them to turn them.

Turning the Giant will motivate you to put your best foot forward.