John Brown – författare

This major introductory textbook is from one of the leading educators working in theatre today. What Is Theatre? will make its reader a better playgoer, responding more fully to performance, with a keener appreciation of all the resources of theatre-acting, design, direction, organization, theatre buildings, and audiences. By focusing on the best professional practice and the most helpful learning processes, Dr. Brown shows how to read a play-text and to see and hear its potential for performance. Throughout this book, suggestions are given for student essays and class discussions, to help both instructor and reader to clarify their thoughts on all aspects of theatre-going.While the main focus is on present-day theatre in North America, history is used to illuminate current practice. Theatres in Europe and Asia also feature in the discussion. A view is given of all contributors to performance, with special emphasis placed on actors and the plays they perform. This textbook is not tied to a few specific play-texts, but designed to be effective regardless of which play a student sees or reads. In Part Two, leading practitioners of different generations and cultural backgrounds describe their own work, providing a variety of perspectives on the contemporary theatre. All this is supplemented by nearly 100 black and white and color illustrations from productions, working drawings, and plans. This new text engages its readers in the realities of the theatre; it is up-to-date, comprehensive, and packed with practical advice for understanding how theatre works and how plays come alive in performance. John Russell Brown is professor of Theatre at the University of Michigan, Ann Arbor, and has taught at a variety of colleges including New York and Stanford Universities. For 15 years he was an associate director of the National Theatre in London, and he has directed plays in many other theatres including Cincinnati Playhouse, the Empty Space in Seattle, and the Clurman Theatre in New York. Professor Brown has written extensively about theatre, especially about Shakespeare and contemporary theatre. He is editor of The Oxford Illustrated History of Theatre.

The nature of the British "Welfare State", established in the 1940s through the acceptance of the Beveridge Report's recommendations and assumption, has long been the subject of an inconclusive debate, even though knowledge of its history has increased as official papers have become open to access under the thirty year rule. What aims, interests and forces shaped its development before and after the Beveridge Report's appearance, from the Liberal innovations in social policy before 1914 to the collapse of full employment in the 1970s? This book examines the answers to such questions provided by recent historical research and discussion, offering a critical and comprehensive study of the modernization of social policy in Britain.

In this study of sexual and political intrigue, a fascinating but dangerous woman consents to the murder of her ineffectual husband. Her defence against the charge of adultery transforms the lurid tale of crime into high tragedy.A compellingly dangerous and fascinating play with a comprehensive set of notes and criticism.

More widely studied and more frequently performed than ever before, John Webster's The Duchesss of Malfi is here presented in an accessible and thoroughly up-to-date edition. Based on the often reprinted Revels Plays Edition of 1964, the notes have been augmented to cast further light on Webster's amazing dialogue and on the stage action which it implies. An entirely new introduction sets the tragedy in the context of pre-Civil War England and gives a revealing view of its themes, action and visual imagery. From its well-documented early performances to the two productions seen in the West End of London in the 1995-96 season, a stage history gives an account of the play in performance. Students, actors, directors and theatre-goers will find here a reappraisal of Webster's artistry in the tragedy which stands in the very first rank of plays from perhaps the greatest age of English theatre, and reasons why it has lived on stage with renewed force in the last decades of the twentieth century.

More widely studied and more frequently performed than ever before, John Webster's The Duchess of Malfi is here presented in an improved, accessible and throughly up-to-date edition. Starting with the authoritative Revels Plays edition of 1964, John Russell Brown has augmented the notes and collations, and casts new light on Webster's dramatic dialogue and on the stage action. An entirely new introduction encompasses a stage history from its well-documented early performances right through to recent productions in the twenty first century. The bibliography has also been expanded.Students, actors, directors, academics and theatre-goers will find here a reappraisal of Webster's artistry in the greatest age of English theatre.

In the UK's current climate of budget cuts and policy changes, local government officials need to be aware of best practice in both broadcasting their services and responding to crises in their communities. Meanwhile, changes in the media - from the rise of social media, to web access for older consumers - present new challenges for local councils about how to best convey their key messages and protect their 'brand'.Full of expert advice, tools and case studies from a variety of sources, PR and Communication in Local Government and Public Services is a practical reference guide to delivering professional public relations for both communications and the delivery of local services. It offers a detailed analysis of the issues that are unique to this challenging and fast-moving environment, whilst reinforcing the importance of effective and meaningful communication to both local democracy and the planning and delivery of quality services.PR and Communication in Local Government and Public Services is also supported by a range of online resources, including case studies, appendices, and a bonus chapter on local authority publicity.About the PR in Practice series: Published in collaboration with the Chartered Institute of Public Relations (CIPR), the PR in Practice series comprises accessible, practical introductions to day-to-day issues of public relations practice and management. The series' action-oriented approach keeps knowledge and skills up to date.

The Foseco Ferrous Foundryman's Handbook is a practical reference book for all those concerned with making castings in any of the commonly used alloys, by any of the usual moulding methods.

International SI units are used throughout, but in almost all cases conversions to the more familiar Metric and Imperial units are given. Wherever possible, Casting Alloy Specifications include equivalent specifications for several countries as well as international specifications. Individual chapters cover the casting of light alloys, copper-based alloys, all types of cast-iron and steel. For each group of alloys, specifications and typical applications are described, together with details of melting practice, metal treatment and casting practice. Sand moulding materials, including green sand and chemically bonded sands are also included.

The Non-Ferrous Foundryman's Handbook provides a practical reference book for all those concerned with dealing with aluminium, copper and magnesium casting alloys.International SI units are used throughout, but in almost all cases conversions to the more familiar Metric and Imperial units are given. Wherever possible, Casting Alloy Specifications include equivalent specifications for several countries as well as international specifications. Individual chapters cover the casting of all types of non-ferrous metals. For each group of alloys, specifications, and typical applications are described, together with details of melting practice, metal treatment and casting practice. Sand moulding materials, including green sand and chemically bonded sands are also included. Recently there have been many major technical developments including new sand binders, the adoption of metal filtration of castings and widespread use of computers for the optimisation of feeder design.