John Caldwell – författare

The Oxford History of English Music will survey in two volumes the whole field of music by English composers. This first volume begins with the settlement of the North German peoples and the cultivation of church music following the mission of St Augustine in 597. Relations between France and England form the background to the account of medieval music after the Norman Conquest, and the growth of a distinct national style is then traced from the early fifteenth century, through the early Tudor period and that of the Reformation, to the outstanding achievements of Elizabethan and Stuart England. The arrival of Handel is related to the period of experimentation following Purcell's death in 1695 and the volume concludes with his decision to remain and the end of the Stuart monarchy.The contribution of such outstanding figures as Dunstable, Taverner, Byrd, and Purcell is placed in the context of the music of their contemporaries, while the social, religious, and historical background to their music is given full attention. There are over two hundred musical examples and sixteen pages of plates.

The Oxford History of English Music, Volume 2 takes the story of English Music from c.1715 to the present day. Apart from discussing the music of the principal composers, it focuses to a certain extent on the work of lesser musicians, and includes developments in light and popular music as well as in serious genres. After seven chapters in which the main events are considered chronologically, a further chapter deals specifically with folk music and popular music of all periods, and a final chapter covers social issues not otherwise handled in detail. There are over a hundred musical examples, illustrating all chapters except the last, and all based on original sources. Volumes 1 and 2 together offer a major survey of English musical history by a single author. British music outside England is not considered except where it is of direct relevance to the history of music in England; it thus differs in emphasis from most other works of the kind since Ernest Walker's History of Music in England, last revised in 1952 by Sir Jack Westrup (OUP).

Editing Early Music is designed as a guide to editorial procedures suitable for music written from the Middle Ages to about 1830. Some of the suggestions are relevant to the editing of any music no longer in copyright. There is an introductory chapter on the principles of editing and transcribing, followed by three chronologically arranged chapters devoted to medieval and early renaissance music, the Renaissance, and baroque and classical music. The final chapter deals with the preparation of copy and other practical matters. Some of the technicalities are presented in the form of tables and appendices; there are musical illustrations and sample score-layouts, and a bibliography. While the book does not aim to descript early notations in detail, some of the basic information is conveyed, particularly through the extensive discussion of such matters as reduced time values and the treatment of accidentals.For this revised edition, the author has incorporated a number of corrections, brought the bibliography up to date, and added a Postscript on stemmatics and textual criticism.

Originally published in 1978, Medieval Music explores the fascinating development of medieval western music from its often obscure origins in the Jewish synagogue and early Church, to the mid-fifteenth century. The book is intended as a straightforward survey of medieval music and emphases the technical aspects such as form, style and notation. It is illustrated by nearly one hundred musical examples, the majority of which have been transcribed from original sources and many of which contains chapters on Latin chant and other forms of sacred monophony, secular song, early polyphony, the ars antiqua, French and Italian fourteenth-century music, English music, and fifteenth-century music. Each chapter is followed by a classified bibliography divided into musical sources, literary sources and modern studies; in addition to a comprehensive bibliography.

Originally published in 1978, Medieval Music explores the fascinating development of medieval western music from its often obscure origins in the Jewish synagogue and early Church, to the mid-fifteenth century. The book is intended as a straightforward survey of medieval music and emphases the technical aspects such as form, style and notation. It is illustrated by nearly one hundred musical examples, the majority of which have been transcribed from original sources and many of which contains chapters on Latin chant and other forms of sacred monophony, secular song, early polyphony, the ars antiqua, French and Italian fourteenth-century music, English music, and fifteenth-century music. Each chapter is followed by a classified bibliography divided into musical sources, literary sources and modern studies; in addition to a comprehensive bibliography.

Originally published in 1988, this collection of essays was the first attempt by population scientists to incorporate some of the methods and materials of anthropologists into their work. The essays bridge the gap in the conceptualisation and organisation of field research by 2 sets of social scientists – demographers and social anthropologists – who share an interest in the explanation of particular patterns of population composition and change.

Originally published in 1988, this collection of essays was the first attempt by population scientists to incorporate some of the methods and materials of anthropologists into their work. The essays bridge the gap in the conceptualisation and organisation of field research by 2 sets of social scientists – demographers and social anthropologists – who share an interest in the explanation of particular patterns of population composition and change.

This updated edition includes fatigue and sleep definitions as well as strategies for the measurement and assessment of fatigue. The aviation performance, mood, and safety problems associated with sleep restriction and circadian disruptions in operational settings are highlighted. The biological bases of fatigue are discussed so that the reader can understand that it is a real physiological phenomenon and not 'just a state of mind'. Both traditional and newly-developed scientifically-valid countermeasures are presented, and a variety of data from diverse sources are included to provide readers with a 'toolbox' from which they can choose the best solutions for the fatigue-related problems that exist in their unique operational context. In addition, an essential overview of Fatigue Risk Management Systems is included to provide the basic structure necessary to build and validate a modern, integrated approach to successful fatigue management. The book is of interest to aviation crews in both civilian and military sectors--managers as well as pilots, flight crews, and maintainers. It aims to be user-friendly, although scientific information is included to help the reader fully understand the 'fatigue phenomenon' from an evidence-based perspective as well as to enhance the reader's appreciation for the manner in which various counter-fatigue interventions are helpful.

In May 1946 John Caldwell set out to sail from Panama to Sydney to reunite with his wife who he hadn't seen for more than a year. Eager to reach his destination and unable to secure any other form of transport, he had to resort to singlehanded seamanship.After an ignominious scene in the harbor, where a tangled anchor led him to take an early dip, he spent ten days learning the rudiments of navigation and sailing from a book, before embarking on the 9,000 mile journey aboard the 20-foot Pagan. Ahead lay a mission that was to reveal in him elements not only of astounding courage and determination, but also of incredible foolhardiness. Within 500 miles of Panama John Caldwell had already been shipwrecked once and had his boat's engine and cockpit destroyed by an angry shark. Indefatigable, he decided to press on towards his goal.He endured the terrors and discomforts of life on the high seas and enjoyed the triumphs of fighting and winning against the elements. This is more than an exciting tale of sea-adventure. It is as compelling and unpredictable as a thriller. It is the story, witty and moving, of a man, motivated initially by love, and ultimately by his own fierce determination to survive.